Han Dynasty (206 B.C.–220 A.D.)

See works of art
  • Female dancer
    1992.165.19
  • Covered jar (hu)
    1992.165.20ab
  • Liubo board and pieces
    1994.285a-m
  • Dancer and Musicians
    1994.605.85a-c
  • Animal pen with figures
    1994.605.21
  • Tomb Panel with Relief of Figures in a Pavilion
    20.99
  • Central watchtower
    1984.397

Works of Art (8)

Essay

After the civil war that followed the death of Qin Shihuangdi in 210 B.C., China was reunited under the rule of the Han dynasty, which is divided into two major periods: the Western or Former Han (206 B.C.–9 A.D.) and the Eastern or Later Han (25–220 A.D.). The boundaries established by the Qin and maintained by the Han have more or less defined the nation of China up to the present day. The Western Han capital, Chang’an in present-day Shaanxi Province—a monumental urban center laid out on a north-south axis with palaces, residential wards, and two bustling market areas—was one of the two largest cities in the ancient world (Rome was the other).

Poetry, literature, and philosophy flourished during the reign of Emperor Wudi (141–86 B.C.). The monumental Shiji (Historical Records) written by Sima Qian (145–80 B.C.) set the standard for later government-sponsored histories. Among many other things, it recorded information about the various peoples, invariably described as “barbarian,” who lived on the empire’s borders. Wudi also established Confucianism as the basis for correct official and individual conduct and for the educational curriculum. The reliance of the bureaucracy on members of a highly educated class grounded in Confucian writings and other classics defined China’s statecraft for many centuries.

Under Wudi, China regained control of territories, first conquered by Qin Shihuangdi, in southern China and the northern part of Vietnam. New commanderies were established in Korea, and contacts were made with the western regions of Central Asia. The conquest of Ferghana and neighboring regions in 101 B.C., which allowed the Han to seize a large number of the “heavenly” long-legged horses valued for cavalry maneuvers, also gave China control of the trade routes running north and south of the Taklamakan Desert. In return for its silk and gold, China received wine, spices, woolen fabrics, grapes, pomegranates, sesame, broad beans, and alfafa.

Disputes among factions, including the families of imperial consorts, contributed to the dissolution of the Western Han empire. A generation later, China flourished again under the Eastern Han dynasty (25–220 A.D.), which ruled from Luoyang, a new capital farther east in present-day Henan Province. Organized around a north-south axis and covering an area of approximately four square miles, the city was dominated by two enormous palace complexes, each 125 acres and linked by a covered pathway. Ban Chao (32–102 A.D.), a member of an illustrious literary family, reasserted Chinese control of Central Asia from 73 to 94 A.D. Trade, less rigorously controlled than in the first part of the dynasty, expanded, with caravans reaching Luoyang every month.

There was also an expansion of diplomacy: fifty envoys from Central Asia were recorded in 94 A.D., and Japanese envoys visited in 57 and 107 A.D. Jugglers from West Asia arrived in 122 A.D., and the reported arrival of an emissary from Andun (the emperor Marcus Aurelius Antoninus) bringing ivory, rhinoceros horn, and tortoiseshell suggests a direct link to Rome in 166 A.D. The development of paper, water clocks, sundials, astronomical instruments, and the invention of a seismograph in 132 A.D. attest to the technological and scientific sophistication that marks this period.

Department of Asian Art, The Metropolitan Museum of Art

October 2000

Citation

Department of Asian Art. “Han Dynasty (206 B.C.–220 A.D.).” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/hand/hd_hand.htm (October 2000)

Further Reading

Milleker, Elizabeth J., ed. The Year One: Art of the Ancient World East and West. Exhibition catalogue. New York: Metropolitan Museum of Art, 2000. See on MetPublications

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