Heilbrunn Timeline of Art History

• World Regions

  All regions

  Select a region

  • North America
  • Europe
  • Central and North Asia
  • East Asia
  • Central America
  • South America
  • Africa
  • West Asia
  • Oceania
  • South and Southeast Asia

  Select a time period

  • 8000–2000 B.C.
  • 2000–1000 B.C.
  • 1000 B.C.–1 A.D.
  • 1–500 A.D.
  • 500–1000 A.D.
  • 1000–1400 A.D.
  • 1400–1600 A.D.
  • 1600–1800 A.D.
  • 1800–1900 A.D.
  • 1900 A.D.–Present
• Timelines

  by Time Period 8,000–2,000 b.c. 2,000–1,000 b.c. 1,000 b.c.–1 a.d. 1–500 a.d. 500–1,000 a.d. 1,000–1400 a.d. 1400–1600 a.d. 1600–1800 a.d. 1800–1900 a.d. 1900 a.d.–present

  by Geographical Region Africa   Central America   Central and North Asia   East Asia   Europe   North America   Oceania   South America   South and Southeast Asia  West Asia

• Thematic Essays
  • Recent Additions  |  All Thematic Essays
  • 
    Select a Thematic Category African Art American Art Ancient Near Eastern Art Art of the Americas Asian Art Byzantine Art Egyptian Art European Art Greek and Roman Art Islamic Art Medieval Art Modern and Contemporary Art Oceanic/Pacific Art Prehistory Select a Department American Decorative Arts American Paintings and Sculpture Ancient Near Eastern Art Arms and Armor Arts of Africa, Oceania, and the Americas Asian Art The Costume Institute Drawings and Prints Education Egyptian Art European Paintings European Sculpture and Decorative Arts Greek and Roman Art Islamic Art The Libraries Medieval Art and The Cloisters Musical Instruments Nineteenth-Century, Modern, and Contemporary Art Objects Conservation Paintings Conservation Paper Conservation Photographs Robert Lehman Collection Scientific Research Textile Conservation

    ---

  • Select a Geographical Region Africa Central America Central and North Asia East Asia Europe North America Oceania South America South and Southeast Asia West Asia All Geographical Regions Select a Time Period 20,000–8000 B.C. 8000–2000 B.C. 2000–1000 B.C. 1000 B.C.–1 A.D. 1–500 A.D. 500–1000 A.D. 1000–1400 A.D. 1400–1600 A.D. 1600–1800 A.D. 1800–1900 A.D. 1900 A.D.–Present All Time Periods
    
• Works of Art
  Recent Additions
  
  

  Title Description
  Artist
  Material and Technique
  Credit Line
  Accession Number

• Index

  Artist (A–Z) | All Artists

  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • X
  • Y
  • Z

  ---

  Subject (A–Z)

  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • X
  • Y
  • Z

The Mongolian Tent in the Ilkhanid Period

The nomadic way of life required dwellings with a light structure that were easy to transport, assemble, and dismantle. The typical Central Asian tent, known today as a yurta or ger, is a circular construction with a conical roof made of a wooden trellis covered with felt. Practical and functional, this structure has not undergone substantial change since ancient times. The interior of the tent becomes a home when wool rugs are spread on the floor, colorful textiles are hung on the walls, and a stove is placed in the center, its vertical pipe piercing the circular aperture in the roof.

A Mongol royal tent was the epitome of luxury and allowed the ruler to reconcile semi-nomadic and sedentary lifestyles.

Related

Cited Works of Art or Images (3)

• 
• 
• 

Timelines (4)

• Central and North Asia, 1000–1400 a.d.
• China, 1000–1400 a.d.
• Iran, 1000–1400 a.d.
• Iraq, 1000–1400 a.d.

Primary Thematic Essays (2)

• The Art of the Ilkhanid Period (1256–1353)
• The Legacy of Genghis Khan

Other Thematic Essays (9)

• A New Visual Language Transmitted Across Asia
• Courtly Art of the Ilkhanids
• Folios from the Great Mongol Shahnama (Book of Kings)
• Folios from the Jami' al-tavarikh (Compendium of Chronicles)
• List of Rulers of the Islamic World
• Takht-i Sulayman and Tile Work in the Ilkhanid Period
• The Art of the Book in the Ilkhanid Period
• The Religious Arts under the Ilkhanids
• Yuan Dynasty (1271

Maps (2)

• West Asia, 1000-1400 A.D.
• World, 1000-1400 A.D.

Index Terms (4)

Art Movement/Style

• Ilkhanid Art in the Islamic Medieval Period

Geography/Place

• Central and North Asia
• Islamic World

Subject Matter/Theme

• Trade (1000–1400 a.d.)

Share

| More

A Mongol royal tent was the epitome of luxury and allowed the ruler to reconcile semi-nomadic and sedentary lifestyles. This tent was exceptionally large and was transported, fully assembled, by placing it on a wheeled contraption pulled by oxen. Its interior was lined with sumptuous textiles made by the best weavers of Iran, Central Asia, and China. Its floor was covered with the warmest and most comfortable Persian rugs. Gold and silver cups, ewers, and bowls were placed on low red-lacquered wooden tables and trays. A large number of smaller and slightly less luxurious tents belonging to the traveling members of the retinue made the entire caravan a grand sight. In this way, the Ilkhanid rulers would travel from their summer capital at Tabriz in northwestern Iran to the winter capital at Baghdad in Iraq.




The Mongols, however, never lost their taste for lavish objects related to their ancestral nomadic roots. Their love of the horse and of personal adornment associated with the nomadic life continued even after they adopted the urban concept of the court. Horses were bedecked with gold saddles and trappings, probably only for parading. Sumptuous silk coats, flamboyant hats decorated with eagle and owl feathers for men and with gold plaques and pearls for women, richly embroidered leather boots, and ostentatious belts were part of daily fashion.



Stefano Carboni Department of Islamic Art, The Metropolitan Museum of Art

Qamar Adamjee Department of Islamic Art, The Metropolitan Museum of Art

Citation Carboni, Stefano and Qamar Adamjee. "The Mongolian Tent in the Ilkhanid Period". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/khan9/hd_khan9.htm (October 2003) Further Reading Carboni, Stefano, and Komaroff, Linda, eds. The Legacy of Genghis Khan: Courtly Art and Culture in Western Asia, 1256–1353. Exhibition catalogue.. New York: Metropolitan Museum of Art, 2002. Wardwell, Anne E. "Panni Tartarici: Eastern Islamic Silks Woven with Gold and Silver (Thirteenth and Fourteenth Centuries)." Islamic Art 3 (1988–89), pp. 95–173.. n/a: n/a, n/a. Related exhibitions and online features Special Exhibitions (including upcoming, current, and past exhibitions)