Heilbrunn Timeline of Art History

• World Regions

  All regions

  Select a region

  • North America
  • Europe
  • Central and North Asia
  • East Asia
  • Central America
  • South America
  • Africa
  • West Asia
  • Oceania
  • South and Southeast Asia

  Select a time period

  • 8000–2000 B.C.
  • 2000–1000 B.C.
  • 1000 B.C.–1 A.D.
  • 1–500 A.D.
  • 500–1000 A.D.
  • 1000–1400 A.D.
  • 1400–1600 A.D.
  • 1600–1800 A.D.
  • 1800–1900 A.D.
  • 1900 A.D.–Present
• Timelines

  by Time Period 8,000–2,000 b.c. 2,000–1,000 b.c. 1,000 b.c.–1 a.d. 1–500 a.d. 500–1,000 a.d. 1,000–1400 a.d. 1400–1600 a.d. 1600–1800 a.d. 1800–1900 a.d. 1900 a.d.–present

  by Geographical Region Africa   Central America   Central and North Asia   East Asia   Europe   North America   Oceania   South America   South and Southeast Asia  West Asia

• Thematic Essays
  • Recent Additions  |  All Thematic Essays
  • 
    Select a Thematic Category African Art American Art Ancient Near Eastern Art Art of the Americas Asian Art Byzantine Art Egyptian Art European Art Greek and Roman Art Islamic Art Medieval Art Modern and Contemporary Art Oceanic/Pacific Art Prehistory Select a Department American Decorative Arts American Paintings and Sculpture Ancient Near Eastern Art Arms and Armor Arts of Africa, Oceania, and the Americas Asian Art The Costume Institute Drawings and Prints Education Egyptian Art European Paintings European Sculpture and Decorative Arts Greek and Roman Art Islamic Art The Libraries Medieval Art and The Cloisters Musical Instruments Nineteenth-Century, Modern, and Contemporary Art Objects Conservation Paintings Conservation Paper Conservation Photographs Robert Lehman Collection Scientific Research Textile Conservation

    ---

  • Select a Geographical Region Africa Central America Central and North Asia East Asia Europe North America Oceania South America South and Southeast Asia West Asia All Geographical Regions Select a Time Period 20,000–8000 B.C. 8000–2000 B.C. 2000–1000 B.C. 1000 B.C.–1 A.D. 1–500 A.D. 500–1000 A.D. 1000–1400 A.D. 1400–1600 A.D. 1600–1800 A.D. 1800–1900 A.D. 1900 A.D.–Present All Time Periods
    
• Works of Art
  Recent Additions
  
  

  Title Description
  Artist
  Material and Technique
  Credit Line
  Accession Number

• Index

  Artist (A–Z) | All Artists

  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • X
  • Y
  • Z

  ---

  Subject (A–Z)

  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • X
  • Y
  • Z

Indian Knoll (3000–2000 B.C.)

The burials were of individuals, not groups, and included men, women, children, and dogs. Many held gender-specific objects.

Related

Cited Works of Art or Images (2)

• 
• 

Timelines (1)

• North America, 8000–2000 B.C.

Primary Thematic Essays (2)

• Hopewell (1–400 a.d.)
• Introduction to Prehistoric Art, 20,000–8000 b.c.

Other Thematic Essays (4)

• Blackwater Draw (ca. 9500–3000 b.c.)
• Great Plains Indians Musical Instruments
• Great Serpent Mound
• Poverty Point (2000–1000 b.c.)

Maps (1)

• World, 8000–2000 b.c.

Index Terms (7)

Art Movement/Style

• Archair Peoples Art of the Americas

Geography/Place

• North America

Material and Technique

• Miscellaneous Stone

Object

• Arms and Armor
• Spear

Subject Matter/Theme

• Archaeology
• Archaeology from North America

Share

| More

Indian Knoll is the name given to the most well known of the many mounds that flourished as living sites for several millennia B.C. at the conjunction of what are now the Green and Ohio rivers in Ohio County, Kentucky. Rich in natural resources, the area supported many generations of hunter-gatherers, while the mounds, essentially shell middens (refuse heaps), grew large. The Indian Knoll mound itself was elliptical in shape and covered an area of about two acres. At the center its deposits were up to eight feet deep. Many hundreds of burials were discovered in the mound during the first half of the last century. The burials were of individuals, not groups, and included men, women, children, and dogs. Many held gender-specific objects. Men were interred with axes, fishhooks, and tools, while women were accompanied by mortars, pestles, and beads. The third millennium B.C. was a period of innovation when such objects as rattles, flutes, and smoking pipes came into use, and ornaments of special materials, even imported ones, were made. Valued possessions such as these were buried with their owners.

Some of the most impressive and beautifully made stone objects to come from Indian Knoll burials are the so-called bannerstones. Thought to be weights for spear throwers to which they would have been strapped, apparently for the stability of the spear shaft, the objects were fabricated from carefully chosen stones and worked with particular attention to the natural color and pattern of the stone itself. Of functional necessity, they were well balanced and finished. Bannerstones are small masterpieces of design and form. A wide range of stones of different color, translucency, and weight were used in a wide variety of shapes. Some bannerstones are so shapely that their functional aspects appear secondary. Two different types are illustrated here. They are made of chalcedony and banded clay stone respectively. The latter was discovered in a child's grave that included a short necklace of shell beads also strung with two wolf teeth.

Department of Arts of Africa, Oceania, and the Americas, The Metropolitan Museum of Art

Citation

Department of Arts of Africa, Oceania, and the Americas. "Indian Knoll (3000–2000 B.C.)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/knol/hd_knol.htm (October 2003)

Further Reading

Brose, David S., et al. Ancient Art of the American Woodland Indians. New York: Abrams, 1985.

Jennings, Jesse D. Prehistory of North America. 3d ed. Mountain View, Calif.: Mayfield Pub. Co., 1989.

Related exhibitions and online features

Special Exhibitions (including upcoming, current, and past exhibitions)

The Responsive Eye: Ralph T. Coe and the Collection of American Indian Art