Lovers in Italian Mythological Prints

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The Power of Eros
Love conquers all; let us, too, yield to Love!
—Virgil, Eclogues 10:69

The overwhelming power of love was a frequent theme of ancient poets, such as the Greek Theocritus (ca. 300–260 B.C.) and the Romans Ovid (43 B.C.–17/18 A.D.) and Virgil (70–19 B.C.) In their verses, this potent force was often embodied by Venus (the Greek Aphrodite), goddess of love, and her son Cupid (the Greek Eros), whose sharp arrows and flaming torches aroused the passions of both gods and mortals. The conceit of love's conquest was often given visual form by artists of the Renaissance and Baroque, who illustrated Cupid at the center of a triumphal procession or wrestling Pan, symbol of the universe, to the ground. The interaction between Cupid and his mother could also be a metaphor for various aspects of love, while the adulterous affair between Venus and Mars, the god of war, could signify the capacity of love to subdue violence.

Related:

Timelines (6)

• • Florence and Central Italy, 1400–1600 A.D.
• • Florence and Central Italy, 1600–1800 A.D.
• • Rome and Southern Italy, 1400–1600 A.D.
• • Rome and Southern Italy, 1600–1800 A.D.
• • Venice and Northern Italy, 1400–1600 A.D.
• • Venice and Northern Italy, 1600–1800 A.D.

Thematic Essays (26)

• • Annibale Carracci (1560–1609)
• • Athletics in Ancient Greece
• • Baroque Rome
• • Classical Antiquity in the Middle Ages
• • Death, Burial, and the Afterlife in Ancient Greece
• • Gian Lorenzo Bernini (1598–1680)
• • Greek Gods and Religious Practices
• • Heroes in Italian Mythological Prints
• • Images of Antiquity in Limoges Enamels in the French Renaissance
• • List of Rulers: Europe
• • Music in Ancient Greece
• • Neoclassicism
• • Nicolas Poussin (1594–1665)
• • Poets in Italian Mythological Prints
• • Poets, Lovers, and Heroes in Italian Mythological Prints
• • The Printed Image in the West: Drypoint
• • The Printed Image in the West: Engraving
• • The Printed Image in the West: Etching
• • The Printed Image in the West: History and Techniques
• • The Printed Image in the West: Woodcut
• • The Rediscovery of Classical Antiquity
• • Warfare in Ancient Greece
• • Woodcut Book Illustration: Florence in the 1490s
• • Woodcut Book Illustration: The First Illustrated Books in Italy
• • Woodcut Book Illustration: Venice in the 1490s
• • Woodcut Book Illustration: Venice in the Sixteenth Century

Maps (4)

• • Europe Map, 1400–1600 A.D.
• • Europe Map, 1600–1800 A.D.
• • World Map, 1400–1600 A.D.
• • World Map, 1600–1800 A.D.

Index Terms (35)

Art Movement/Style

• • Baroque and Rococo

Artist

• • Alberti, Leon Battista (Italian, 1406–1472)
• • Carracci, Agostino (Italian, 1557–1602)
• • Coriolano, Bartolomeo (Italian, Bolognese, ca. 1599–ca. 1676)
• • David, Giovanni (Italian, 1743–1790)
• • Rossellini, Francesco di Lorenzo (Italian, Florentine, 1448–before 1513)

Geography/Place

• • Europe, organized by period, Renaissance Art
• • Europe, organized by period, Seventeenth– and Eighteenth–Century Art

Material and Technique

• • Print, Engraving
• • Print, Etching
• • Print, Woodcut
• • Print, Woodcut, Europe

Subject Matter/Theme

• • Figure, Deity
• • Figure, Deity, Greek and Roman
• • Figure, Deity, Greek and Roman, Adonis
• • Figure, Deity, Greek and Roman, Aphrodite/Venus
• • Figure, Deity, Greek and Roman, Apollo
• • Figure, Deity, Greek and Roman, Ares/Mars
• • Figure, Deity, Greek and Roman, Eros/Cupid
• • Figure, Deity, Greek and Roman, Herakles/Hercules
• • Figure, Deity, Greek and Roman, Hermes/Mercury
• • Figure, Deity, Greek and Roman, Other
• • Figure, Deity, Greek and Roman, Zeus/Jupiter
• • Figure, Mythological
• • Figure, Mythological, Europe
• • Figure, Mythological, Europe, Orpheus
• • Figure, Mythological, Europe, Other
• • Figure, Mythological, Europe, Psyche
• • Figure, Mythological, Europe, Satyr
• • Literature and Literary Connections
• • Literature and Literary Connections, Greek Poetry
• • Literature and Literary Connections, Greek Poetry, Ovid: Metamorphoses
• • Love
• • Print, Engraving, Mythological
• • Print, Etching, Mythological

Love of the Gods
O son, both arms and hands to me, and source of all my power … you rule the gods and Jove himself …
—Venus, in Ovid, Metamorphoses 5.365—369

Throughout his long poem, the Metamorphoses, Ovid celebrates the power of little Cupid to overcome even the mightiest of the gods. Apollo's futile passion for the nymph Daphne, the first love story recounted by Ovid, is presented as Cupid's vengeance on the god who had dared to question his supremacy. The golden arrow with which Cupid pierced Apollo's heart proved more potent than those Apollo had used to slay the Python. Ovid often refers to love's capacity to make a fool of the great god Jupiter (the Greek Zeus, also known as Jove), who willingly changed his august form to that of bull, eagle, or swan in order to carry out his seductions. The quotation above comes from the poet's account of the victory of Venus and Cupid over Jupiter's brother: when Pluto, struck by Cupid's arrow, became enamored of Proserpina and carried her down to his infernal realm, love's dominion was extended to the Underworld.

Beginning in the Renaissance, the Ovidian love stories formed one of the most popular subjects for the decoration of villas and palaces. Such tales also provided ideal material for prints, placing affordable and portable images of idealized nudes—often engaged in provocative acts—in the hands of a wide public.

Citation for this page

Thompson, Wendy. "Lovers in Italian Mythological Prints". In Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/lovr/hd_lovr.htm (October 2004)

Suggested Further Reading(s) Find these publications in a library

Landau, David, and Peter Parshall. The Renaissance Print, 1470–1550. New Haven: Yale University Press, 1994.
Thompson, Wendy. Poets, Lovers, and Heroes in Italian Mythological Prints. New York: Metropolitan Museum of Art, 2004.

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