Heilbrunn Timeline of Art History

• World Regions

  All regions

  Select a region

  • North America
  • Europe
  • Central and North Asia
  • East Asia
  • Central America
  • South America
  • Africa
  • West Asia
  • Oceania
  • South and Southeast Asia

  Select a time period

  • 8000–2000 B.C.
  • 2000–1000 B.C.
  • 1000 B.C.–1 A.D.
  • 1–500 A.D.
  • 500–1000 A.D.
  • 1000–1400 A.D.
  • 1400–1600 A.D.
  • 1600–1800 A.D.
  • 1800–1900 A.D.
  • 1900 A.D.–Present
• Timelines

  by Time Period 8,000–2,000 b.c. 2,000–1,000 b.c. 1,000 b.c.–1 a.d. 1–500 a.d. 500–1,000 a.d. 1,000–1400 a.d. 1400–1600 a.d. 1600–1800 a.d. 1800–1900 a.d. 1900 a.d.–present

  by Geographical Region Africa   Central America   Central and North Asia   East Asia   Europe   North America   Oceania   South America   South and Southeast Asia  West Asia

• Thematic Essays
  • Recent Additions  |  All Thematic Essays
  • 
    Select a Thematic Category African Art American Art Ancient Near Eastern Art Art of the Americas Asian Art Byzantine Art Egyptian Art European Art Greek and Roman Art Islamic Art Medieval Art Modern and Contemporary Art Oceanic/Pacific Art Prehistory Select a Department American Decorative Arts American Paintings and Sculpture Ancient Near Eastern Art Arms and Armor Arts of Africa, Oceania, and the Americas Asian Art The Costume Institute Drawings and Prints Education Egyptian Art European Paintings European Sculpture and Decorative Arts Greek and Roman Art Islamic Art The Libraries Medieval Art and The Cloisters Musical Instruments Nineteenth-Century, Modern, and Contemporary Art Objects Conservation Paintings Conservation Paper Conservation Photographs Robert Lehman Collection Scientific Research Textile Conservation

    ---

  • Select a Geographical Region Africa Central America Central and North Asia East Asia Europe North America Oceania South America South and Southeast Asia West Asia All Geographical Regions Select a Time Period 20,000–8000 B.C. 8000–2000 B.C. 2000–1000 B.C. 1000 B.C.–1 A.D. 1–500 A.D. 500–1000 A.D. 1000–1400 A.D. 1400–1600 A.D. 1600–1800 A.D. 1800–1900 A.D. 1900 A.D.–Present All Time Periods
    
• Works of Art
  Recent Additions
  
  

  Title Description
  Artist
  Material and Technique
  Credit Line
  Accession Number

• Index

  Artist (A–Z) | All Artists

  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • X
  • Y
  • Z

  ---

  Subject (A–Z)

  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • X
  • Y
  • Z

Ming Dynasty (1368–1644)

• 
  Dragon Pine, Ming dynasty (1368–1644), ca. 1400
  Wu Boli (Chinese, active late 14th–early 15th century)
  Hanging scroll; ink on paper

  Image 48 x 13 1/4 in. (121.9 x 33.7 cm), Overall with mounting 100 x 18 5/8 in. (254 x 47.3 cm), Overall with knobs 100 x 21 in. (254 x 53.3 cm)
  Edward Elliott Family Collection, Gift of Douglas Dillon, 1984 (1984.475.3)

• 
  Sutra box, Ming dynasty, Yongle period (1403–1424)
  China
  Red lacquer with qiangjin (incised and gilt decoration)

  5 1/2 x 15 x 5 in. (14 x 40.6 x 12.7 cm)
  Purchase, Sir Joseph Hotung and The Vincent Astor Foundation Gifts, 2001 (2001.584a-c)

• 
  Bodhisattva Manjushri as Tikshna-Manjushri (Minjie Wenshu Pusa), Ming dynasty (1368–1644), Yongle period (1403–24)
  China
  Gilt brass, lost-wax cast

  H. 7 1/2 in. (19.1 cm)
  Purchase, Rogers Fund, 2001 (2001.59)

• 
  Rank badge, Ming dynasty, early 15th century
  China
  Embroidery: colored silk floss, wrapped gold thread, and flat gold on silk gauze

  14 1/2 x 14 1/4 in. (36.8 x 36.2 cm)
  Purchase, Friends of Asian Art Gifts, in Honor of Myron S. Falk Jr., 1988 (1988.154.1)

• 
  Dish with scalloped rim, Ming dynasty, early 15th century
  China
  Cloisonné

  Diam. 6 in. (15.2 cm)
  Purchase, Florence and Herbert Irving Gift, 1993 (1993.338)

• 
  Traveling box, Ming dynasty, early 15th century
  China
  Leather, wood, iron, gold, and pigments

  21 x 15 x 21 1/2 in. (53.3 x 38.1 x 31.8 cm)
  Purchase, Rogers and Fletcher Funds, and Henry G. Keasbey Bequest, 1999 (1999.61)

• 
  Jar, Ming dynasty, Xuande mark and period (1426–1435)
  China
  Porcelain painted in underglaze blue

  H. 19 in. (48.3 cm)
  Gift of Robert E. Tod, 1937 (37.191.1)

• 
  Elegant Gathering in the Apricot Garden, Ming dynasty, ca. 1437
  After Xie Huan (Chinese, ca. 1370–ca. 1450)
  China
  Handscroll; ink and color on silk

  14 3/8 x 94 3/4 in. (36.7 x 240.7 cm)
  Purchase, The Dillon Fund Gift, 1989 (1989.141.3)

• 
  Bamboo in Wind, Ming dynasty, ca. 1460
  Xia Chang (Chinese, 1388–1470)
  China
  Hanging scroll; ink on paper

  80 1/4 x 23 1/2 in. (203.8 x 59.7 cm)
  Inscribed by the artist (lower right): "Done by the Free and Easy Retired Scholar [Zizai jushi]; by Qian Bo (active mid-15th century; upper right), dated 1460; by Liu Jue (1410–1472; upper left), dated 1470
  Edward Elliott Family Collection, Gift of Douglas Dillon, 1989 (1989.235.1)

• 
  Welcoming Spring, Ming dynasty, 15th century
  China
  Embroidery on silk gauze

  84 x 25 in. (213.3 x 63.5 cm)
  Purchase, The Dillon Fund Gift, 1981 (1981.410)

• 
  Two Hawks in a Thicket, Ming dynasty, 15th century
  Lin Liang (Chinese, ca. 1416–ca. 1480)
  China
  Hanging scroll; ink and pale color on silk

  58 9/16 x 33 1/16 in. (149 x 84 cm)
  Gift of Bei Shan Tang Foundation, 1993 (1993.385)

• 
  Cup, Ming dynasty, Chenghua mark and period (1465–1487)
  China
  Porcelain painted in underglaze blue and overglaze enamels

  D. 3 1/4 in. (8.3 cm)
  Purchase, Mrs. Richard E. Linburn Gift, 1987 (1987.85)

• 
  Dish, Ming dynasty, Hongzhi mark and period (1488–1505)
  China
  Porcelain painted in underglaze blue with yellow, overglaze enamels

  Diam. 10 1/4 in. (26 cm)
  Rogers Fund, 1919 (19.28.10)

• 
  Pipa, Ming dynasty (1368–1644), late 15th–early 16th century
  China
  Wood, ivory, bone, silk

  L. 37 in. (94 cm), W. 9 15/16 in. (25.3 cm), D. 1 1/8 in. (2.9 cm)
  Bequest of Mary Stillman Harkness, 1950 (50.145.74)

• 
  Jar, Ming dynasty, Jiajing mark and period (1522–1566)
  China
  Porcelain painted in underglaze blue and overglaze polychrome enamels

  H. 9 1/8 in. (23.2 cm)
  Rogers Fund, 1917 (17.127.2)

• 
  Garden of the Unsuccessful Politician, Ming dynasty, dated 1551
  Wen Zhengming (Chinese, 1470–1559)
  Album of eight paintings with facing pages of calligraphy; ink on paper

  10 7/16 x 10 3/4 in. (26.6 x 27.3 cm)
  Gift of Douglas Dillon, 1979 (1979.458.1)

• 
  Wardrobe, Ming dynasty, 16th century
  China
  Wood (Huanghuali/Dalbergia odoriferal)

  103 3/4 x 56 x 24 3/4 in. (263.5 x 142.2 x 62.9 cm)
  Purchase, The Vincent Astor Foundation Gift, 1976 (1976.193.8)

• 
  Portrait of the Artist's Great Grand Uncle Yizhai at the Age of Eighty-Five, Ming dynasty, dated xiyou (1561 or 1621)
  Zude (Chinese, surname unknown; active 16th or early 17th century)
  China
  Hanging scroll; ink and color on silk

  61 3/4 x 37 7/8 in. (156.8 x 96.2 cm)
  Inscribed by the artist
  Seymour Fund, 1959 (59.49.1)

• 
  The Sixteen Luohans, Ming dynasty, dated 1591
  Wu Bin (Chinese, active ca. 1583–1626)
  China
  Handscroll; ink and color on paper

  12 5/8 x 163 1/8 in. (32 x 414.3 cm)
  Inscribed by the artist
  Edward Elliott Family Collection, Gift of Douglas Dillon, 1986 (1986.266.4)

• 
  Medallion with Return from a Spring Outing, Ming dynasty (1368–1644), late 16th–early 17th century
  China
  Ivory

  Diam. 3 3/8 in. (8.6 cm)
  Purchase, Friends of Asian Art Gifts, 1993 (1993.176)

• 
  Rag-dung, Ming dynasty (1368–1644), early 17th century
  China
  Copper, cloisonné, brass
  

  L. 74 in. (188 cm); (1989.33) L. 76 9/16 in. (194.5 cm)
  Rogers Fund, 1989 (1989.33)
  Purchase, Gift of Mr. and Mrs. Robert P. Freedman, by exchange, 1988 (1988.349)

• 
  Incense holder, late 16th–early 17th century
  Zhu Sansong (Chinese, active ca. 1573–1619)
  China
  Bamboo

  H. 7 in. (17.8 cm)
  Purchase, Friends of Asian Art Gifts, 1995 (1995.271)

• 
  Shaded Dwellings among Streams and Mountains
  Dong Qichang (Chinese, 1555–1636)
  Hanging scroll; ink on paper

  Image: 62 3/8 x 28 3/8 in. (158.4 x 72.1 cm)
  Inscribed by the artist
  Gift of Douglas Dillon, 1979 (1979.75.2)

• 
  Landscapes, dated 1630
  Dong Qichang (Chinese, 1555–1636)
  Album of eight paintings; ink on paper

  9 5/8 x 6 5/16 in. (24.4 x 16 cm)
  Four paintings and two facing pages inscribed by the artist
  Edward Elliott Family Collection, Gift of Douglas Dillon, 1986 (1986.266.5)

• 
  Figure of Bodhidharma, Ming dynasty (1368–1644), 17th century
  China
  Porcelain (Dehua ware)

  H. 11 3/4 in. (29.8 cm)
  Gift of Mrs. Winthrop W. Aldrich, Mrs. Arnold Whitridge, and Mrs. Sheldon Whitehouse, 1963 (63.176)

• 
  Planting Chrysanthemums, Ming dynasty
  Lu Zhi (Chinese, 1496–1576)
  Hanging scroll; ink and pale color on paper

  42 x 10 3/4 in. (106.7 x 27.3 cm)
  Inscribed by the artist (right) and by the Qianlong emperor (r. 1736–95; center), dated 1777
  Edward Elliott Family Collection, Gift of Douglas Dillon, 1986 (1986.266.3)

• 
  Portrait of an Old Lady
  Zude (Chinese, surname unknown; active 16th or early 17th century)
  China
  Hanging scroll; ink and color on silk

  61 3/4 x 37 7/8 in. (156.8 x 96.2 cm)
  Seymour Fund, 1959 (59.49.2)

View SlideshowView Thumbnails

The early Ming dynasty was a period of cultural restoration and expansion. The reestablishment of an indigenous Chinese ruling house led to the imposition of court-dictated styles in the arts. Painters recruited by the Ming court were instructed to return to didactic and realistic representation, in emulation of the styles of the earlier Southern Song (1127–1279) Imperial Painting Academy. Large-scale landscapes, flower-and-bird compositions, and figural narratives were particularly favored as images that would glorify the new dynasty and convey its benevolence, virtue, and majesty.

Valuing the presence of personality in a work over mere technical skill, the Ming scholar-painter aimed for mastery of performance rather than laborious craftsmanship.

Related

Timelines (16)

• Central and North Asia, 1400–1600 A.D.
• China, 1000–1400 A.D.
• China, 1400–1600 A.D.
• China, 1600–1800 A.D.
• Himalayan Region, 1400–1600 A.D.
• Iberian Peninsula, 1600–1800 A.D.
• Iran, 1000–1400 A.D.
• Iran, 1400–1600 A.D.
• Iran, 1600–1800 A.D.
• Japan, 1400–1600 A.D.
• Japan, 1000–1400 A.D.
• Japan, 1600–1800 A.D.
• Korea, 1000–1400 A.D.
• Korea, 1400–1600 A.D.
• Korea, 1600–1800 A.D.
• Low Countries, 1600–1800 A.D.

Primary Thematic Essays (5)

• Chinese Cloisonné
• List of Rulers of China
• Scholar–Officials of China
• Southern Song Dynasty (1127–1279)
• Yuan Dynasty (1271–1368)

Other Thematic Essays (34)

• Art of the Edo Period (1615–1868 a.d.)
• Art of the Korean Renaissance, 1400–1600
• The Arts of Iran, 1600–1800
• Chinese Calligraphy
• Chinese Gardens and Collectors' Rocks
• Chinese Handscrolls
• Chinese Painting
• Daoism and Daoist Art
• East and West: Chinese Export Porcelain
• Europe and the Age of Exploration
• Han Dynasty (206 b.c.–220 a.d.)
• In Pursuit of White: Porcelain in the Joseon Dynasty, 1392–1910
• Joseon Buncheong Ware: Between Celadon and Porcelain
• Lacquerware of East Asia
• Landscape Painting in Chinese Art
• Longevity in Chinese Art
• Momoyama Period (1573–1615)
• Mountain and Water: Korean Landscape Painting, 1400–1800
• Muromachi Period (1392–1573)
• Music and Art of China
• Nature in Chinese Culture
• Northern Song Dynasty (960–1127)
• Painting Formats in East Asian Art
• The Pipa
• The Qin
• Qin Dynasty (221–206 b.c.)
• The Qing Dynasty (1644–1911): Loyalists And Individualists
• The Qing Dynasty (1644–1911): Painting
• The Qing Dynasty (1644–1911): The Courtiers, Officials, and Professional Artists
• The Qing Dynasty (1644–1911): The Traditionalists
• The Rag–dung (Cloisonne Trumpets)
• Traditional Chinese Painting in the Twentieth Century
• Wang Hui (1632–1717)
• Yangban: The Cultural Life of the Joseon Literati

Maps (2)

• East Asia, 1000–1400 a.d.
• World, 1000–1400 a.d.

Index Terms (39)

Art Movement/Style

• Ming Dynasty of China
• Southern Song Dynasty of China
• Yuan Dynasty of China

Artist

• Chen Yanqing (Chinese, active 15th century)
• Dong Qichang (Chinese, 1555–1636)
• Fang Congyi (Chinese, ca. 1301–after 1378)
• Lin Liang (Chinese, ca. 1416–ca. 1480)
• Lu Zhi (Chinese, 1496–1576)
• Qiao Bin (Chinese, active 1481–1507)
• Wen Zhengming (Chinese, 1470–1559)
• Wu Bin (Chinese, active ca. 1583–1626)
• Wu Boli (Chinese, active, late 14th–early 15th century)
• Xia Chang (Chinese, 1388–1470)
• Xie Huan (Chinese, ca. 1370–ca. 1450)
• Zhu Sansong (Chinese, ca. 1573–1619)
• Zude (Chinese, surname unknown, active 16th or early 17th century)

Geography/Place

• China
• Iran

Material and Technique

• Calligraphy from East Asia
• Ceramic from China
• Cloisonné
• Gilt Brass
• Painting in Ink on Paper from China
• Painting in Ink on Silk from China
• Porcelain from Asia

Object

• Arms and Armor
• Hilt

Subject Matter/Theme

• Immortality
• Interior
• Ivory with Seasonal Imagery
• Jewelry with Floral Motif
• Liturgical Books
• Painting with Floral Motif
• Scholar
• Scroll with Seasonal Imagery
• Spring
• Textile with Seasonal Imagery
• Trade (1400–1600 A.D.)
• Warfare

Share

| More

In Ming painting, the traditions of both the Southern Song painting academy and the Yuan (1279–1368) scholar-artist were developed further. While the Zhe (Zhejiang Province) school of painters carried on the descriptive, ink-wash style of the Southern Song with great technical virtuosity, the Wu (Suzhou) school explored the expressive calligraphic styles of Yuan scholar-painters emphasizing restraint and self-cultivation. In Ming scholar-painting, as in calligraphy, each form is built up of a recognized set of brushstrokes, yet the execution of these forms is, each time, a unique personal performance. Valuing the presence of personality in a work over mere technical skill, the Ming scholar-painter aimed for mastery of performance rather than laborious craftsmanship.

Early Ming decorative arts inherited the richly eclectic legacy of the Mongol Yuan dynasty, which included both regional Chinese traditions and foreign influences. For example, the fourteenth-century development of blue-and-white ware and cloisonné; enamelware arose, at least in part, in response to lively trade with the Islamic world, and many Ming examples continued to reflect strong West Asian influences. A special court-based Bureau of Design ensured that a uniform standard of decoration was established for imperial production in ceramics, textiles, metalwork, and lacquer.

Department of Asian Art, The Metropolitan Museum of Art

Citation Department of Asian Art. "Ming Dynasty (1368–1644)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/ming/hd_ming.htm (October 2002) Related exhibitions and online features Special Exhibitions (including upcoming, current, and past exhibitions) The Artist as Collector: Masterpieces of Chinese Painting from the C. C. Wang Family Collection Arts of the Ming Dynasty: China's Age of Brilliance Cultivated Landscapes: Reflections of Nature in Chinese Painting with Selections from the Collection of Marie-Hélène and Guy Weill Defining Yongle: Imperial Art in Early-Fifteenth-Century China A Millennium of Chinese Painting: Masterpieces from the Permanent Collection The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions Red and Black: Chinese Lacquer, 13th-16th Century Silk and Bamboo: Music and Art of China The Yuan Revolution: Art and Dynastic Change

These related Museum Bulletin or Journal articles may or may not represent the most current scholarship. Watt, James C. Y. "The Giraffe as the Mythical Qilin in Chinese Art: A Painting and a Rank Badge in the Metropolitan Museum." Metropolitan Museum Journal, Vol. 43 (2008). Murck, Alfreda, and Wen Fong. "A Chinese Garden Court: The Astor Court at The Metropolitan Museum of Art." The Metropolitan Museum of Art Bulletin, v. 38, no. 3 (Winter, 1980–81). JSTOR | PDF | Supplemental PDFs "Director's Note" PDF Valenstein, Suzanne G. "Highlights of Chinese Ceramics." The Metropolitan Museum of Art Bulletin, v. 33, no. 3 (Autumn, 1975). JSTOR | PDF | Supplemental PDFs "Director's Note" PDF Mailey, Jean. "A Feng Huang in a Rock Garden: A Ming K'O-SSU panel." Metropolitan Museum of Art Bulletin, New ser., v. 20, no. 1 (Summer, 1961). JSTOR | PDF Chow, Fong. "Chinese Porcelain in the Altman Collection." Metropolitan Museum of Art Bulletin, New ser., v. 20, no. 1 (Summer, 1961). JSTOR | PDF Priest, Alan. "Two Dated Wood Sculptures of the Ming Dynasty." Metropolitan Museum of Art Bulletin, New ser., v. 1, no. 1 (Summer, 1942) JSTOR | PDF