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Easter Island: Moai Figures



Stone figures (moai) at the temple of Ahu Akivi.
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The extinct volcanic crater Rano Raraku
The extinct volcanic crater Rano Raraku, site of the main statue quarry. A fallen moai lies in the foreground.
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Fallen <i>moai</i>
Fallen moai at the temple of Ahu Vaihu.
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Back of a fragmentary <i>moai</i>
Back of a fragmentary moai at Ahu Naunau showing carced designs, possibly representing clothing and tattoos.
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The largest <i>moai</i>, an unfinished example over 70 feet high, in the statuequarry at Rano Raraku.
The largest moai, an unfinished example over 70 feet high, in the statuequarry at Rano Raraku.
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<i>Moai</i> with red stone headdresses at the temple of Ahu Naunau.

Moai with red stone headdresses at the temple of Ahu Naunau.
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Among the most renowned Polynesian sculptures are the giant stone figures, or moai, of Easter Island. The moai represent ancestral chiefs who were believed to be descended directly from the gods and whose supernatural powers could be harnessed for the benefit of humanity. The massive stone figures were generally erected on temple platforms (ahu) along the coast, where they faced inland to keep watch over the local community. Between roughly 1100 and 1650, Rapa Nui artists created nearly 900 moai. Most were carved from soft volcanic tuff at Rano Raraku, an extinct volcanic crater that served as the primary statue quarry. The giant stone sculptures commonly weigh between 10 and 12 metric tons. Their average height is roughly 13 feet, but they range anywhere from 8 feet to an unfinished example over 70 feet high. Moai are characterized by long sloping noses, strong brows, deeply inset eyes, and prominent chins. Some examples also wear a hatlike cylinder made of red stone on their heads, which may represent a headdress or elaborate hairstyle.

Each moai was commissioned by a specific individual or group and created by a team of expert stoneworkers under the direction of a master carver. As many as fifteen people began by quarrying a large rectangular block using basalt picks (toki). Once the figure was roughed out, the master carver and his assistants added the fine details, usually beginning with the head and face. Afterwards, a team of workers used ropes and levers to move the sculpture down the quarry slope. It was then set upright and the remainder of the carving was completed. The finished sculpture was then moved to its final destination using a wooden sled or rollers. Experimental re-creation of this feat by modern archaeologists suggests that it required approximately 40 individuals to move an average-sized moai, and roughly 300 to 400 people to produce the rope and food required.

By the time Europeans first reached Easter Island in 1722, the moai tradition was already in decline. Early explorers reported many moai still standing, but by the mid-nineteenth century, all had fallen due to neglect or warfare. Many have since been restored by archaeologists.



Oceania, Polynesia, Sculpture, In the Round, Oceania, Stone, Miscellaneous, Figure, Deity, Indigenous Religions, Archaeology, Oceania

Department of Arts of Africa, Oceania, and the Americas

Easter Island, Tahiti, European Exploration of the Pacific, 1600-1800 A.D.,

Oceania, 1000-1400 A.D., Oceania, 1400-1600 A.D., Polynesia, 1600-1800 A.D.,

Oceania, 1000-1400 A.D.