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African Rock Art of the Northern Zone

African Rock Art sites

The shaded area highlights the northern zone of African rock art.
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Dabous site in northern Niger

The Dabous site in northern Niger.
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The art of the Sahara is diverse and still not well understood. Conventionally, the art is believed to broadly fit into one of four stylistic and chronological categories. The earliest of these, known as the Bubaline Period, comprises engravings only, and there are many images of wild animals and therianthropic (part-human, part-animal) figures. The three later periods—Bovidian, Caballine, and Camelline—include both paintings and engravings and are marked by the appearance of specific domestic animals in the art.

In spite of an initial breakthrough in the understanding of the symbolism of these images in terms of the beliefs and practices of specific extant Saharan peoples in 1966, little further work has been done in using this approach to investigate the meaning of the images. Many new discoveries have been made in recent years; scholars are hopeful that among these a clue to the meaning of some of the images will be found.



Rock Art, Africa, Western and Central Sudan, Africa, Western North Africa , Africa, Guinea Coast, Prehistory, Archaeology, Africa (including Egypt)

Origins Centre, University of the Witwatersrand, Johannesburg, South Africa

The Central Zone: African Rock Art, The Southern Zone: African Rock Art, The Magic of Signs and Patterns in North African Art, African Rock Art, African Rock Art: Apollo 11 and Wonderwerk Cave Stones, African Rock Art: Game Pass, African Rock Art: Tassili-n-Ajjer (?8000 B.C.–?) , African Rock Art: Tassili-n-Ajjer (?8000 B.C.–?) , African Rock Art: The Coldstream Stone, The Monumental Stelae of Aksum (3rd–4th century A.D.), Ife, Ife: Pre-Pavement and Pavement Era, Ife Terracottas, Inland Niger Delta, Arts of the San People in Nomansland, San Ethnography,



Africa, 8000-2000 B.C., Africa, 2000-1000 B.C.