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Saints and Other Sacred Byzantine Figures

Capital with Bust of the Archangel Michael [Byzantine; Made in Constantinople] Intaglio Gemstone with Saint Theodore Teron Slaying a Multiheaded Dragon [Byzantine] Enkolpion: Cameo of an Archangel (Michael?) [Byzantine (Constantinople?)] Pol, Jean, and Herman de Limbourg: The Belles Heures of Jean of France, Duke of Berry


The main focus of Byzantine devotion was the Virgin Mary, but certain other sacred figures were prominent in Byzantine spiritual life as well. A very popular religious figure, for example, was Theodore Teron, the warrior saint traditionally represented with a dark pointed beard and either riding a horse or slaying a beast. On the intaglio gemstone illustrated here (1999.325.227), he is shown slaying a multiheaded dragon with a long lance. The composition of this scene is reminiscent of classical renditions of Herakles slaying the Hydra.

The archangel Michael, who appears in Revelation 12:7–9 fighting a dragon, is another popular saint in Byzantine art. Like Theodore, Michael is depicted with warrior attributes and venerated as a military saint. On a capital depicting a bust of Michael (1983.167), he wears the traditional dress of the archangels and carries a trilobed scepter in his right hand and, in his left, an orb with a cross symbolizing the divine cosmos. Whereas this bust is most likely from the interior of a Late Byzantine church, Michael also appears in smaller and secular works of art. For example, an oval cameo of an archangel (40.20.58) is most likely a portrait of Michael. Here he wears full military costume and holds a sword sheath in his left hand and a sword in his right.

Saint Catherine also appears in many works of art from the period. Catherine was beheaded in Rome and then carried to the top of Mount Sinai by angels. Though this scene is depicted in The Belles Heures (54.1.1), Byzantine art typically does not feature this bodily transportation. Unlike Western depictions of Catherine, in which she is most often seen with a spiked wheel, Byzantine artists chose to show her in imperial vestments and holding a martyr's cross.



Figure, Biblical, New Testament, Figure, Saint, person, Catherine, Figure, Saint, geography, West Asia, Figure, Warrior, Byzantine art, West Asia, Personal Ornament, Cameo, Book, Manuscript, Book, Manuscript, Christian, Europe, geography, Byzantium, Europe, period, Medieval Europe, West Asia, Byzantium, Limbourg, Herman (Franco-Netherlandish, active in France, by 1399-1416), Limbourg, Jean (Franco-Netherlandish, active in France, by 1399-1416), Limbourg, Pol (Franco-Netherlandish, active in France, by 1399-1416), Architectural Elements, Church, West Asia, Architectural Elements, Church, Byzantine art, Europe

Department of Medieval Art and The Cloisters

Abridged List of Byzantine Rulers, Art for the Christian Liturgy in the Middle Ages, Byzantine Art under Islam, Byzantium, Classical Antiquity in the Middle Ages, Frescoes and Wall Painting in Late Byzantine Art, Icons and Iconoclasm in Byzantium, Private Devotion in Medieval Christianity, The Cult of the Virgin Mary in the Middle Ages, Monasticism in Medieval Christianity, Constantinople after 1261, The Religious Relationship between Byzantium and the West,

Anatolia and the Caucasus, 1000-1400 A.D., Arabian Peninsula, 1000-1400 A.D., Balkan Peninsula, 1000-1400 A.D., Central Europe (including Germany), 1000-1400 A.D., Eastern and Southern Africa, 1000-1400 A.D., Eastern Europe and Scandinavia, 1000-1400 A.D., Egypt, 1000-1400 A.D., France, 1000-1400 A.D., Iberian Peninsula, 1000-1400 A.D., Iran, 1000-1400 A.D., Iraq, 1000-1400 A.D., Italian Peninsula, 1000-1400 A.D., The Eastern Mediterranean, 1000-1400 A.D., Western North Africa (The Maghrib), 1000-1400 A.D., France, 1400-1600 A.D., Egypt, 500-1000 A.D.,

West Asia, 1000-1400 A.D., Europe, 1000-1400 A.D.