The Symposium in Ancient Greece

The Greek symposium was a male aristocratic activity, a tightly choreographed social gathering where men drank together, conversed, and enjoyed themselves in a convivial atmosphere.
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Bronze psykter with lid (vase for cooling wine), Bronze, Greek
Greek
late 6th century BCE
Terracotta column-krater (bowl for mixing wine and water), Lydos, Terracotta, Greek, Attic
Attributed to Lydos
ca. 550 BCE
Terracotta kylix (drinking cup), Amasis Painter, Terracotta, Greek, Attic
Attributed to the Amasis Painter
ca. 540 BCE
Terracotta psykter (vase for cooling wine), Oltos, Terracotta, Greek, Attic
Attributed to Oltos
ca. 520–510 BCE
Terracotta volute-krater (bowl for mixing wine and water), Karkinos Painter, Terracotta, Greek, Attic
Attributed to the Karkinos Painter
ca. 500 BCE
Bronze handle of a hydria (water jar), Bronze, Greek
Greek
early 6th century BCE
Terracotta one-handled kantharos (drinking cup), Class of the One-handled Kantharoi, Terracotta, Greek, Attic
Attributed to the Class of the One-handled Kantharoi
ca. 500 BCE
Terracotta kylix (drinking cup), Ashby Painter, Terracotta, Greek, Attic
Attributed to the Ashby Painter
ca. 500 BCE
Terracotta lekythos (oil flask), Brygos Painter, Terracotta, Greek, Attic
Attributed to the Brygos Painter
ca. 480 BCE
Terracotta bell-krater (bowl for mixing wine and water), Danaë Painter, Terracotta, Greek, Attic
Attributed to the Danaë Painter
ca. 460 BCE
Terracotta bell-krater (bowl for mixing wine and water), Painter of London E 497, Terracotta, Greek, Attic
Attributed to the Painter of London E 497
ca. 440 BCE
Terracotta bell-krater (bowl for mixing wine and water), Persephone Painter, Terracotta, Greek, Attic
Attributed to the Persephone Painter
ca. 440 BCE

The Greek symposium was a male aristocratic activity, a tightly choreographed social gathering where men drank together, conversed, and enjoyed themselves in a convivial atmosphere. Bedecked in garlands, participants reclined—one or two to a couch—in a room designed to hold seven to fifteen couches with cushions and low tables (). Many such rooms have been identified archaeologically in domestic settings, although the best representation is perhaps the painted Tomb of the Diver at Paestum.

By the late sixth century B.C., there was an established repertoire of symposium vessels that included wine coolers, jugs, various drinking cups, and mixing vessels, many of which were decorated with scenes of drinking parties or of Dionysos and his followers (). Water was mixed with wine in a large central krater to a strength determined by the symposiarch (master of ceremonies). The mixture, usually three or four parts water to one part wine, was served by slave boys who filled pitchers from the krater and poured the drink into each participant’s cup ().

The men conversed, often about specific topics, as in Plato’s Symposium, and some recited poetry or played music. Jokes, gossip, and games of skill and balance enlivened the evening, as did professional musicians (), dancers, and courtesans. The well-conducted symposium was a center for the transmission of traditional values, as well as an event that provided liberation from everyday restraints within a carefully regulated environment.


Contributors

Department of Greek and Roman Art, The Metropolitan Museum of Art

October 2002


Further Reading

Norris, Michael. Greek Art from Prehistoric to Classical: A Resource for Educators. New York: Metropolitan Museum of Art, 2000. See on MetPublications


Citation

View Citations

Department of Greek and Roman Art. “The Symposium in Ancient Greece.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/symp/hd_symp.htm (October 2002)