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Precious Metals from Tell Basta

• 
  Long-necked jar, late Dynasty XIX–Third Intermediate Period (ca. 1188–712 b.c.)
  From Bubastis
  Silver

  Rogers Fund, 1907 (07.228.16)

• 
  Situla with floral decoration, late Dynasty XIX–Third Intermediate Period (ca. 1188–712 b.c.)
  From Bubastis
  Silver

  Rogers Fund, 1907 (07.228.18)

• 
  Bowl decorated with marsh scenes, late Dynasty XIX–Third Intermediate Period (ca. 1188–712 b.c.)
  From Bubastis
  Silver

  Rogers Fund, 1907 (07.228.20)

• 
  Situla with floral decoration, late Dynasty XIX–Third Intermediate Period (ca. 1188–712 b.c.)
  From Bubastis
  Gold

  Rogers Fund, 1907 (07.228.22)

• 
  Jug with a lion handle, late Dynasty XIX–Third Intermediate Period (ca. 1188–712 b.c.)
  From Bubastis
  Silver

  Rogers Fund, 1907 (07.228.187)

• 
  Strainer, late Dynasty XIX–Third Intermediate Period (ca. 1188–712 b.c.)
  From Bubastis
  Gold

  The Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915 (30.8.369)

• 
  Neck from a vessel depicting the goddess Hathor flanked by felines, late Dynasty XIX–Third Intermediate Period (ca. 1188–712 b.c.)
  From Bubastis
  Silver, gold

  The Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915 (30.8.370)

• 
  Conical boss from a bowl with granulated decoration, late Dynasty XIX–Third Intermediate Period (ca. 1188–712 b.c.)
  From Bubastis
  Gold

  The Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915 (30.8.371)

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In 1906, workmen constructing a railway across the Egyptian delta uncovered two hoards of metal objects buried at Tell Basta (near modern Zagazig). The caches had been hidden close to the ancient temple dedicated to the feline goddess Bastet. The Metropolitan Museum acquired some vessels from the first cache the following year. The second find included jewelry and silver ingots as well as vessels, and now resides in the collection of the Egyptian Museum in Cairo. Several vessels in Cairo bear the cartouches of Queen Tawosret, the last ruler of Dynasty 19, and those inscriptions, along with the granulated decoration on the boss (30.8.371), suggest most pieces were manufactured between 1295 and 1186 B.C. The lion handle on one jug (07.228.187) and the mixture of Near Eastern motifs with traditional Egyptian scenes on the bowl (07.228.20), however, indicate a slightly later date for some pieces, and the Third Intermediate Period (ca. 1070–713 B.C) must be considered.

The hoards contain a mixture of vessel forms covering a period of time with decorative motifs widely found in many cultures along the Mediterranean coast.

Related

Timelines (3)

• Anatolia and the Caucasus, 2000–1000 B.C.
• Egypt, 2000–1000 B.C.
• Southern Europe, 2000–1000 B.C.

Primary Thematic Essays (4)

• Egypt in the New Kingdom (ca.1550–1070 b.c.)
• Egypt in the Third Intermediate Period (1070–713 b.c.)
• Egyptian Red Gold
• List of Rulers of Ancient Egypt and Nubia

Other Thematic Essays (6)

• Egyptian Tombs: Life Along the Nile
• Kings and Queens of Ancient Egypt
• List of Rulers of Ancient Sudan
• Mycenaean Civilization
• Queens and Princesses in the Pyramid Complex of Senwosret III, Dahshur
• Tutankhamun's Funeral

Maps (2)

• Africa, 2000–1000 b.c.
• World, 2000–1000 b.c.

Index Terms (14)

Art Movement/Style

• Nineteenth Dynasty of Egypt in the New Kingdom

Geography/Place

• Egypt
• The Eastern Mediterranean

Material and Technique

• Gold from Africa and Egypt
• Silver from Africa and Egypt

Object

• Tall Vessel (Vase, Pitcher, or Bottle)
• Tall Vessel from Africa and Egypt
• Vessel from Africa and Egypt

Subject Matter/Theme

• Archaeology from Africa and Egypt
• Food and Feasting
• Hathor
• Ruler from Egypt
• Trade (1000 B.C.–1 A.D.)
• Trade (2000–1000 B.C.)

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The hoards contain a mixture of vessel forms covering a period of time with decorative motifs common to the circum-Mediterranean region, that is, widely found in many cultures along the Mediterranean coast. Some pieces seem not to be Egyptian, such as Canaanite-style earrings now in Cairo. This mixture of styles and motifs suggests that the objects may have been discarded temple equipment that had been collected for reuse. The partially recycled nature of some pieces—bits and pieces are missing—along with the hoards' location near a temple argue that a temple workshop owned the material. We know that craftsmen were using old or looted pieces to create new objects some time after 1000 B.C.

Vessels made from precious metals were created for use in only a few settings, the temple or the tables of royal and noble households, where money and status permitted more opulent materials to replace the customary ceramic or bronze. Gold was the easier of the two precious metals for Egyptians to acquire, since nearby Nubia had significant deposits. Silver had to be imported, most likely from Greece or Anatolia, and as a result was an uncommon material in Egypt, although increasingly larger amounts were available to craftsmen by the late New Kingdom (ca. 1250 B.C.). Few gold and silver containers survive into modern times. Rare in antiquity, most were melted in the past to reuse the metal for new projects after the original item no longer had a relevant social or ideological value. Thus, the Tell Basta hoards were exceptional finds.

The long open form called a situla (07.228.18; 07.228.22) was a drinking vessel, while jars (07.228.16), jugs (07.228.187), and bowls (07.228.20) were used to serve food and drink. The hoards had several strainers (30.8.369) designed to make the thick beer and wine more palatable. Vessels bearing representations of deities (30.8.370) most certainly were dedicatory items to the temple's cult.

Diana Craig Patch Department of Egyptian Art, The Metropolitan Museum of Art

Citation Patch, Diana Craig. "Precious Metals from Tell Basta". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/tlba/hd_tlba.htm (October 2004) Related exhibitions and online features Other Online Features The Art of Ancient Egypt: A Resource for Educators

These related Museum Bulletin or Journal articles may or may not represent the most current scholarship. Lilyquist, Christine. "Treasures from Tell Basta: Goddesses, Officials, and Artists in an International Age": The Metropolitan Museum Journal, v. 47 (2012)