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Pre-Estuarine rock art is characterized by a variety of images in red ocher pigments. In historic times, such images were created with brushes made from bark, feathers, or the chewed ends of sticks, and it is likely similar tools were used in the past. Among the most distinctive images are the animated stick figures of the Dynamic Figure tradition, which are often depicted clad in elaborate regalia and shown participating in hunting and other activities. Some contemporary Aboriginals identify these figures as mimi, slender spirits who taught humans to hunt and paint during the Dreaming, or creation period. In present-day Aboriginal belief, many Dynamic Figure images are said to have been painted by mimi rather than humans. Pre-Estuarine rock paintings also include depictions of extinct animals and enigmatic beings that combine the features of humans and wild yams. Rock painting had several functions in historic times. Images were created to increase the population of game animals or for use in magic. Depictions of important Dreaming beings are common, as well as secular paintings made for amusement. Although the original significance of Ubirr's prehistoric images is unknown, they likely had similar functions. |
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Eric Kjellgren
Department of Arts of Africa, Oceania, and the Americas, The Metropolitan Museum of Art Citation for this page
Kjellgren, Eric. "Ubirr (ca. 40,000?present)". In Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/ubir/hd_ubir.htm (October 2000)
Suggested Further Reading
Chaloupka, George. Journey in Time: The World's Longest Continuing Art Tradition: The 50,000 Year Story of the Australian Aboriginal Rock Art of Arnhem Land. Chatswood, N.S.W.: Reed, 1993.
Layton, Robert. Australian Rock Art: A New Synthesis. Cambridge: Cambridge University Press, 1992.
Learn more on www.metmuseum.org
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