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La Venta's large stone sculpture was made of basalt from the Tuxtla mountains far to the north. The Olmec transported these massive basalt boulders by means of the region's meandering rivers, where they were used for thrones, altars, stelae, and colossal heads. These heads, striking in their individuality, are thought to depict the ancient rulers. Distinct headdresses adorn each head, underscoring their different personalities. La Venta's rulers oversaw a burgeoning economy that included trade in exotic materials such as greenstones, much of which was buried in the elaborate offerings of Complex A. The site's ceremonial architecture is notable for use of local materials. Complex A, in particular, was the scene of four construction phases marked by the use of local clays and sands in a variety of colors. |
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Department of Arts of Africa, Oceania, and the Americas, The Metropolitan Museum of Art
Citation for this page
Department of Arts of Africa, Oceania, and the Americas. "La Venta: Stone Sculpture". In Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/vent3/hd_vent3.htm (October 2001)
Suggested Further Reading
Benson, Elizabeth P., and Beatriz de la Fuente, eds. Olmec Art of Ancient Mexico. Exhibition catalogue. Washington, D.C.: National Gallery of Art, 1996.
Coe, Michael D., et al. The Olmec World: Ritual and Rulership. Exhibition catalogue. Princeton: Princeton University Art Museum, 1995. Fuente, Beatriz de la. Los hombres de piedra: Escultura olmeca. 2d ed. Mexico City: Universidad Nacional Autónoma de México, 1984. Taube, Karl A. Olmec Art at Dumbarton Oaks. Washington, D.C.: Dumbarton Oaks Research Library and Collection, 2004.
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