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Zen Buddhism

Gyokuen Bompo: Orchids and Rocks Portrait sculpture of a Zen priest [Japan] Su Dongpo in Straw Hat and Wooden Shoes [Japan] Kangaku Shinso (Soami): Landscape of the Four Seasons Attributed to Sesson Shukei: Gibbons Kano Tan'yu: The Sixth Patriarch of Zen at the Moment of Enlightenment

The essential element of Zen Buddhism is found in its name, for Zen means "meditation." Zen teaches that enlightenment is achieved through the profound realization that one is already an enlightened being. This awakening can happen gradually or in a flash of insight (as emphasized by the Soto and Rinzai schools, respectively). But in either case, it is the result of one's own efforts. Deities and scriptures can offer only limited assistance.

Zen traces its origins to India, but it was formalized in China. Chan, as it is known in China, was transmitted to Japan and took root there in the thirteenth century. Chan was enthusiastically received in Japan, especially by the samurai class that wielded political power at this time, and it became the most prominent form of Buddhism between the fourteenth and sixteenth centuries. The immigrant Chinese prelates were educated men, who introduced not only religious practices but also Chinese literature, calligraphy, philosophy, and ink painting to their Japanese disciples, who often in turn traveled to China for further study.

Today, ink monochrome painting is the art form most closely associated with Zen Buddhism. In general, the first Japanese artists to work in this medium were Zen monks who painted in a quick and evocative manner to express their religious views and personal convictions. Their preferred subjects were Zen patriarchs, teachers, and enlightened individuals. In time, however, artists moved on to secular themes such as bamboo, flowering plums, orchids, and birds, which in China were endowed with scholarly symbolism. The range of subject matter eventually broadened to include literary figures and landscapes, and the painting styles often became more important than personal expression.

Zen Buddhism's emphasis on simplicity and the importance of the natural world generated a distinctive aesthetic, which is expressed by the terms wabi and sabi. These two amorphous concepts are used to express a sense of rusticity, melancholy, loneliness, naturalness, and age, so that a misshapen, worn peasant's jar is considered more beautiful than a pristine, carefully crafted dish. While the latter pleases the senses, the former stimulates the mind and emotions to contemplate the essence of reality. This artistic sensibility has had an enormous impact on Japanese culture up to modern times.




Asia, Japan, Religious Art, Buddhism, Trade and Travel (1000-1400 A.D.), Painting, Ink on Paper, East Asia, Japan, Religious Art, Buddhism, Painting, Religious Art, Buddhism, Sculpture in the Round, Bompo Gyokuen (Japanese, 1348-after 1420), Sesson Shukei (Japanese, 1504-1589?), Soami (Kangaku Shinso) (Japanese, died 1525)

Department of Asian Art

Kamakura and Nanbokucho Periods, Momoyama Period, Muromachi Period, Samurai, Shinto, The Kano School of Painting, Lacquerware of East Asia, Nature in Chinese Culture, Seasonal Imagery in Japanese Art, Shoguns and Art, Painting Formats in East Asian Art, Abridged List of Rulers: Japan, Life of the Buddha, Tibetan Buddhist Art, Korean Buddhist Sculpture (5th–9th century),

China, 1000-1400 A.D., China, 1400-1600 A.D., Japan, 500-1000 A.D., Japan, 1000-1400 A.D., Japan, 1400-1600 A.D.,

East Asia, 500-1000 A.D., East Asia, 1000-1400 A.D., East Asia, 1400-1600 A.D.