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Chintz appliquéd quilt, ca. 1835, Made by Mary Malvina Cook Taft (American), Possibly Maryland, Virginia, or South Carolina, Cotton (1970.288) |
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Coat, ca. 1919, Paul Poiret (French), Black silk and wool blend with white leather appliqués and white fur trim (C.I.61.40.4) |
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Coat, early 1990s, Yohji Yamamoto (Japanese), Black felted wool with gold metallic handpainted surface decoration and brass plate appliqué (2003.573.2) |
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Column Figure of a King, ca. 1150–1170, French; From the abbey of Saint-Denis, Limestone (20.157) |
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Ensemble, 1967, Emanuel Ungaro (French), White elasticized net with allover appliqués of white braid trefoils (1970.89.1a-c) |
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Evening ensemble, fall 1952, Emilio Schuberth (Italian), Purple, pink, and black striped silk satin with black cotton lace appliqué (C.I.55.76.12a–d) |
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Evening gown, 1939, Madeleine Vionnet (French), Pale pink lamé and black silk lace appliquéd with black silk velvet (C.I.52.24.2a,b) |
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Five Appliqués in the Shape of a Cross, ca. 600, Langobardic; From Castel Trosino, central Italy, Gold (95.15.79.–83) |
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Phebe Warner coverlet, ca. 1803, Sarah Furman Warner Williams (American), New York City, Linen, cotton, silk (38.59) |
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Presentation quilt, ca. 1849, Baltimore, Maryland, Cotton and silk velvet (1974.24) |
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Shirt, 1976, Vivienne Westwood (British); Malcolm McLaren (British), Striped brown and white cotton with stenciled and painted slogans, and appliquéd patches (1985.375.6) |
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Textile fragment with emblem, late 15th or early 16th century; Mamluk, Egypt, Wool, appliqué (1972.120.3) |
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