Works of Art (32)
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Adoration of the Magi (Detail), ca. 1390, Austrian; From the Schlosskapelle, Ebreichsdorf, Austria, Pot-metal and colorless glass with silver stain and vitreous paint (1986.285.1,2) |
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Apse, 1175–1200, Spanish; From the Church of San Martin, Fuentidueña, Segovia, Limestone (L.58.86) |
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Arch with Running Vines, Leaves, and Fruit, 500–600, Byzantine; Said to be from the Monastery of Apa Apollo, Bawit, Egypt, Limestone (29.9.2a-v) |
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Architectural Frieze, second quarter of 12th century, French; Possibly from the abbey church at Cluny, Burgundy, Limestone (1980.263.1) |
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Capital with Bust of the Archangel Michael, ca. 1250–1300, Byzantine; Made in Constantinople, possibly from the Monastery of the Virgin Peribleptos ("All-Seeing"), now the Sulumanastir, a mosque, Marble (1983.167) |
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Capital, with the Presentation of Christ in the Temple, From the Abbey of Saint-Guilhem-le-Désert, France, Limestone (25.120.60) |
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The Cathedral of Saint Peter and Saint Paul, Nantes,
Auguste Rodin (French, 1840–1917), Plate III of Les cathédrales de France, published in an edition of 50 (Paris, 1914) (126.6/R61) |
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Chapter House, 12th century, French; From the Abbey of Notre-Dame-de-Pontaut, Gascony, Limestone (35.50) |
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Choir Screen (Reja), completed in 1764, Probably by Rafael Amezúa (Spanish), Wrought- and cold-chiseled iron, partly gilt; limestone, with traces of paint (56.234.1) |
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Christ Giving the Keys to Peter, ca. 1315, German; Cologne, Pot-metal glass and vitreous paint (29.55.1,2) |
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Cloister of Saint-Guilhem-le-Désert, before 1206 (with 14th-century additions), French (near Montpellier), Limestone (25.120.1-.134) |
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Column Figure of a King, ca. 1150–1170, French; From the abbey of Saint-Denis, Limestone (20.157) |
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Cuxa Cloister, mid-12th century, French or Spanish; From the Abbey of Saint-Michel-de-Cuxa (modern France), Marble (25.120.398,.399,.452) |
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[Dome of the Cathedral of the Assumption in the Kremlin, Moscow], 1852, Roger Fenton (British), Salted paper print from paper negative (2005.100.66) |
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Doorway from Moutiers-Saint-Jean, ca. 1250, French, Limestone with traces of polychromy (32.147) |
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Doorway, carved in the 1000s, assembled in 1100s or 1200s, Central Italian; Sangemini, from the abbey church of San Nicolò, Marble (47.100.45) |
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Fragment from a Lintel or Frieze with Cross and Rosette Medallions, ca. 500–600, Byzantine; Said to be from the Monastery of Apa Jeremias, Saqqara (found in the neighboring village of Mitrahina), Limestone (10.176.37) |
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Fragment of a Lintel, 400–550, Byzantine; Probably made in Roman Syria, Limestone (69.15) |
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Head of King David, ca. 1145, France, Paris, Cathedral of Notre-Dame, south portal of west facade (Saint Anne Portal), Limestone (38.180) |
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Man of Sorrows and the Mater dolorosa, ca. 1480, Strassburger Werkstattgemeinschaft (Lautenbach Master), German (Swabia); From the chapter house of Constance Cathedral, Pot-metal glass and vitreous paint (1998.215a,b) |
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Narbonne Arch, 12th century, French, Marble (22.58.1) |
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Panel from a Tree of Jesse Window, 14th century, German (Swabia), Pot-metal glass, vitreous paint (22.25a-f) |
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Portal from the Church of San Leonardo al Frigido, ca. 1170–1180, Italian; Made in Tuscany, White Carrara marble, grayish marble (62.189) |
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Portion of a Pilaster Capital with an Acrobat, ca. 1150–1170, French; From the Abbey of Saint-Martin-de-Savigny (now destroyed), near Lyon, Limestone (47.101.25) |
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[Rievaulx Abbey], 1854, Roger Fenton (British), Albumen silver print from glass negative (2005.100.7) |
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Scenes from the Passion of Saint Vincent of Saragossa and the History of His Relics, 1244–1247, French; From the Church of St. Germain-des-Prés, Paris, Pot-metal glass with vitreous paint (24.167a–k) |
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Stained-Glass Panel, ca. 1245–1248, France, Tours, Ambulatory of the Cathedral of Saint-Gatien, Pot-metal glass and vitreous paint (37.173.3) |
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Stained-Glass Window, with Grisaille Decoration, ca. 1325, French; From the abbey church of Saint-Ouen, Rouen, France, Pot-metal and colorless glass, with silver stain and vitreous paint (1984.199.1–11 and 48.183.2) |
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Two Columns, 400–600, French; Toulouse, from the Church of Notre-Dame de la Daurade, Marble (21.172.1-2) |
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Two Grisaille Panels, 1320–1324, French; Paris, from the Chapel of Saint-Louis, north aisle, royal abbey of Saint-Denis, Pot-metal and white glass, silver stain (1982.433.3,4) |
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Virgin Mary and Five Standing Saints above Predella Panels, 1440–1446, German; From the Carmelite church at Boppard-am-Rhein, Pot-metal glass, white glass, vitreous glass, silver stain (37.52.1–6) |
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Virgin of the Apocalypse, ca. 1480–1490, Circle of the Master of the Amsterdam Cabinet, German; Middle Rhineland, Colorless glass, silver stain, and vitreous paint (1982.47.1) |
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Thematic Essays (15)
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