Works of Art (61)
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After Sir Christopher Wren, 1920,
Charles Demuth (American),
Watercolor, gouache, and pencil on cardboard (1984.433.156)
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Ancient Rome, 1757, Giovanni Paolo Panini (Italian, Roman), Oil on canvas (52.63.1) |
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Apartment Houses, Paris, 1946, Jean Dubuffet (French), Oil with sand and charcoal on canvas (1996.403.15) |
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Avenue des Gobelins, 1927, Eugène Atget (French), Albumen silver print from glass negative (1987.1100.113) |
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Avenue of the Allies, Great Britain, 1918, Childe Hassam (American), Oil on canvas (67.187.127) |
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Berlin Street, 1931, George Grosz (American, born Germany), Oil on canvas (63.220) |
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The Block, 1971, Romare Bearden (American), Cut and pasted papers on Masonite (1978.61.1-6) |
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[Boston from a Hot-Air Balloon], October 13, 1860, James Wallace Black (American), Albumen silver print from glass negative (1981.1229.4) |
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Broadway on a Rainy Day, 1859, Edward Anthony (American, 1818–1888); Henry T. Anthony (American), Albumen silver prints from glass negatives (1980.1056.3) |
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Broadway-street and the City Hall in New York, 1824,
Carl Fredrik Akrell (Swedish), after Axel Klinckowström (Swedish, 1775–1837),
Aquatint (24.90.1320) |
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Café, Avenue de la Grande-Armée, 1924–25, Eugène Atget (French),
Silver print from glass negative (2005.100.133) |
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Central Park, Winter: The Skating Pond, 1862, Charles Parsons (American), Lithograph; (63.550.266) |
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Chatham Square, New York, 1853–54, Unknown Artist, American School, Daguerreotype (2005.100.173) |
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Collect Pond, New York City, 1798, Attributed to Archibald Robertson (American), , Watercolor and black chalk on off-white laid paper (54.90.168) |
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Crosby Street, 1978, Thomas Struth (German), Gelatin silver print (1982.1053.1)
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[Dome of the Cathedral of the Assumption in the Kremlin, Moscow], 1852, Roger Fenton (British), Salted paper print from paper negative (2005.100.66) |
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El Soñador, ca. 1930, Manuel Alvarez Bravo (Mexican), Gelatin silver print (2005.100.301) |
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The Ferry Beach and Inn at Saltash, Cornwall, 1811, Joseph Mallord William Turner (British), Oil on canvas (89.15.9) |
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The Flatiron, 1904, Edward Steichen (American, born Luxembourg), Gum bichromate over platinum print (33.43.39)
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From the Back Window, 291, 1915, Alfred Stieglitz (American), Platinum print (49.55.35) |
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From the El, 1915, Paul Strand (American), Platinum print) (49.55.221) |
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Gardanne, 1885–86, Paul Cézanne (French), Oil on canvas (57.181) |
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The Garden of the Tuileries on a Spring Morning, 1899,
Camille Pissarro (French),
Oil on canvas (1992.103.3) |
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The Girandola at the Castel Sant'Angelo, ca. 1783, Francesco Piranesi (Italian) and Louis-Jean Desprez (French), Etching with colored washes (69.510) |
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The Grand Canal, Venice, ca. 1835, Joseph Mallord William Turner (British), Oil on canvas (99.31) |
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The Horse Fair, 1853–55, Rosa Bonheur (French), Oil on canvas (87.25) |
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jpeg ny02, 2004,
Thomas Ruff (German),
Chromogenic print (2006.92) |
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July Fourteenth, Rue Daunou, 1910, Childe Hassam (American), Oil on canvas (29.86) |
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License Photo Studio, New York, 1934, Walker Evans (American), Gelatin silver print (1972.742.17) |
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Little Venice, 1880
James Abbott McNeill Whistler (American),
Etching (17.3.85) |
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Looking Northwest from the Shelton, 1932, Alfred Stieglitz (American), Gelatin silver print (1987.1100.11) |
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Modern Rome, 1757, Giovanni Paolo Panini (Italian, Roman), Oil on canvas (52.63.2) |
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Mysterium der Strasse, 1928, Umbo (Otto Umbehr) (German), Gelatin silver print (1987.1100.49) |
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Nocturne: The Thames at Battersea, 1878, James Abbott McNeill Whistler (American), Lithograph(17.3.159) |
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Note in Pink and Brown, ca. 1880, James Abbott McNeill Whistler (American), Charcoal and pastel on dark brown wove paper (17.97.5) |
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Nouveau theatre de la Grande Bretagne, ou, Description exacte des Palais de La Reine, et des Maisons les plus considerables . . . de la Grande Bretagne (plate 6), 1708, Leonard Knyff (Netherlandish), Johannes Kip (Netherlandish), David Mortier, London, Etching (52.519.69) |
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The Octopus, 1912, Alvin Langdon Coburn (British, born America), Platinum print (1987.1100.13) |
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The Photographer, 1942,
Jacob Lawrence (American),
Watercolor, gouache, and pencil on paper (2001.205) |
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Piazza del Popolo, ca. 1750, Giovanni Battista Piranesi (Italian), Etching (37.45.3.49) |
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Piazza di San Marco, ca. 1898–99, Maurice Prendergast (American), Watercolor and graphite on off-white wove paper (52.126.6) |
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Piazza San Marco, possibly late 1720s, Canaletto (Giovanni Antonio Canal) (Italian, Venetian), Oil on canvas (1988.162) |
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The Pont Neuf, ca. 1912–14,
Hippolyte Petitjean (French),
Watercolor and gouache on paper (1975.1.681) |
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Port Authority, 1966–67, Ray K. Metzker (American), Gelatin silver print (1990.1083) |
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Procession of Süleyman the Magnificent through the Hippodrome, 1533, Pieter Coecke van Aelst (Netherlandish), Woodcut, single sheet from a frieze printed on ten sheets (28.85.7a) |
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The Riva Schiavoni, Venice, 1894, James Craig Annan (Scottish), Photogravure (49.55.274) |
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[Ruins of the Gallego Flour Mills, Richmond, Virginia], 1865, Alexander Gardner (American), Albumen silver print from glass negative (33.65.226) |
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Spring Morning in the Heart of the City, 1890; reworked 1895–99, Childe Hassam (American), Oil on canvas (43.116.1) |
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St. Paul's, Manhattan, 1914, John Marin (American), Watercolor and charcoal on paper (49.70.110) |
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Station of Otsu: From the Fifty-three Stations of the Tokaido (The "Reisho Tokaido"), Edo period, ca. 1848–49,
Ando Hiroshige (Japanese),
Polychrome woodblock print (JP804) |
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Street Corner, ca. 1897,
Pierre Bonnard (French),
From the series Quelques aspects de la vie de Paris, 1899,
Lithograph in four colors (28.50.4.3) |
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Street in Saintes-Maries, ca. July 17, 1888, Vincent van Gogh (Dutch), Pens (including reed pen), brush, and iron gall ink over chalk on wove paper (backed with wove paper) (48.190.1) |
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Taxi Driver and Pedestrian Argue, Chitpur Road, Calcutta, 1987, printed 1991,
Raghubir Singh (Indian),
Chromogenic print (1991.1280) |
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The Town on the Hill, New Almaden, 1863, Carleton E. Watkins (American), Albumen silver print from glass negative (1989.1083) |
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View of London from Greenwich, 1825, Joseph Mallord William Turner (British), Watercolor and gouache over graphite (59.23.23) |
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View of Paris from Notre Dame to the Tournelle Bridge (Autre vue Particuliere de Paris depuis Notre Dame jusques au Pont de la Tournelle), 1720–54, Jacques Rigaud (French), Etching (53.600.1175) |
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View of Rome, Seen from the Janiculum Hill, Anton van den Wyngaerde (Flemish), Pen and brown ink, brown wash (52.124.1) |
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View of South Street, from Maiden Lane, New York City, ca. 1827, William James Bennett (American), Watercolor on off-white wove paper (54.90.130) |
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View of Toledo, El Greco (Domenikos Theotokopoulos) (Greek), Oil on canvas (29.100.6) |
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Water, 1945,
Charles Sheeler (American),
Oil on canvas (49.128) |
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The Windmill, 1641, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching (41.1.12) |
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Winter in Union Square, 1889–90, Childe Hassam (American), Oil on canvas (43.116.2) |
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Thematic Essays (25)
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