Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

Show only Artist Names

Subject (A–Z)

Index Classification: Material and Technique

Drawing in Ink from Europe

Drawing, Ink, Europe

Works of Art (104)

Allegorical Design (recto), Stage Design (verso), 1496, Leonardo da Vinci (Italian), Pen and brown ink (17.142.2)
Allegory of the Redemption of the World, 1528–88, Paolo Veronese (Paolo Caliari) (Italian), Pen and black ink, brush and gray wash, highlighted with white gouache, on gray washed paper (61.203)
Anatomical Studies: A Left Forearm in Two Positions and a Right Forearm, 1600–1608, Peter Paul Rubens (Flemish), Drawing, pen and brown ink (1996.75)
Andromache and Astyanax, ca. 1798, Pierre-Paul Prud'hon (French), Pen and gray ink with brush and brown wash over traces of black chalk (1999.348)
The Angel of the Annunciation, ca. 1500, Raffaellino del Garbo (Raffaelle di Bartolommeo di Giovanni di Carlo) (Italian, Florentine), Pen and brown ink and wash with white gouache over black chalk (12.56.5a)
Angel of the Revelation, ca. 1803–5, William Blake (British), Watercolor, pen and black ink, over traces of graphite (14.81.1)
Annunciation, ca. 1522–25, Correggio (Antonio Allegri) (Italian), Pen and black ink, brush and gray wash, highlighted extensively with white gouache squared in red chalk, on pink-washed paper (19.76.9)
The Archangel Gabriel Announcing the Birth of Christ, 1520s, Lucas van Leyden (Netherlandish), Pen and brown ink with traces of squaring in black chalk (2008.253)
Architectural Drawing, 1450–1500, France, Pen and brown ink over black chalk on vellum (68.49)
The Assumption of the Virgin, Francesco de Mura (Italian, Neapolitan), Pen and black ink, gray wash, over black chalk (1971.243)
Autumn, ca. 1594, Hendrick Goltzius (Netherlandish), Pen and brown ink, red-brown wash, over black chalk, heightened with white (61.25.2)
Bacchanal, ca. 1635–36, Nicolas Poussin (French), French, Pen and brown ink, brush and brown wash, over faint black chalk underdrawing (1998.225)
The Bay of Naples with Vesuvius in the Background, 1843, Christen Købke (Danish), Pen and black ink over pencil (2003.179)
Bottle and Wine Glass on a Table, 1912, Pablo Picasso (Spanish), Charcoal, ink, cut and pasted newspaper, and graphite on paper (49.70.33)
The Burial of Punchinello, ca. 1800, Giovanni Domenico Tiepolo (Italian, Venetian), Pen and brown ink, brown and yellow wash, over black chalk (1975.1.473)
The Challenge of the Pierides, ca. 1600(?), Karel van Mander I (Netherlandish), Pen and brown ink, brown wash (2007.406)
Christ and the Pharisees, Anthony van Dyck (Flemish), Pen and brown ink, brush and brown wash (1980.515)
Coast View with Perseus and the Origin of Coral, 17th century, Claude Lorrain (Claude Gellée) (French), Pen, brown ink, brown, blue, and gray wash, heightened with white gouache (64.253)
Conversion of Saint Paul, 1587–89, Ludovico Carracci (Italian, Bolognese), Pen and brown ink, brush and brown wash, highlighted with white gouache and cream color oil paint over some black chalk underdrawing (2002.33)
Cottage among Trees, 1648–50, Rembrandt (Rembrandt van Rijn) (Dutch), Pen and brown ink, brush and brown wash, on paper washed with brown (29.100.939)
Crucifixion, ca. 1570, Hans Speckaert (Flemish), Pen and brown and brownish black iron gall inks, brush and iron ink washes, heightened with white (1999.85)
David Roentgen and Company in Saint Petersburg, 1784–86, Johann Friedrich Anthing (German, ca. 1753–1805), Cut paper, ink, watercolor, gold foil (48.73.1)
Decorative Cartouche with a River God and Symbols of Francis I, 16th century, Anonymous, School of Fontainebleau, French, Pen and brown ink, brush and gray brown wash, over red chalk underdrawing (2001.514)
Design for a Sword Hilt, ca. 1540, German (probably Nuremberg), Pen, ink, and wash on paper (2000.27)
Diana and Actaeon, ca. 1590, Bartholomeus Spranger (Netherlandish), Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk (1997.93)
Dirty Bride, or, The Wedding of Mopsus and Nisa, ca. 1566, Pieter Bruegel the Elder (Netherlandish), Pen and black-brown ink on white-prepared partially carved block of applewood (32.63)
A Domestic Scene, Annibale Carracci (Italian, Bolognese), Pen and black ink, brush and gray and brown wash (1972.133.2)
A Dominican Friar [Petrus de Cruce?] and a Companion below the Dragon's Tower, ca. 1417–20, Fra Angelico (Italian), Pen and brush with brown ink, on parchment (1972.118.260)
The Drunken Silenus ("The Tazza Farnese"), ca. 1600, Annibale Carracci (Italian, Bolognese), Engraving from a silver plate printed in brown ink (27.78.1.150)

Study for The Drunken Silenus ("The Tazza Farnese"), 1597–1601, Annibale Carracci (Italian, Bolognese), Pen and brown ink and wash over black chalk, incised for transfer (1972.133.4)
Eastern Coast of Rügen Island with Shepherd, ca. 1805–6, Caspar David Friedrich (German), Sepia-colored ink, sepia-colored wash, white gouache, and graphite on off-white wove paper (2002.260)
The Fall of Phaeton: From the series The Metamorphoses, ca. 1588, Hendrick Goltzius (Netherlandish), Pen and red-brown ink, brush and brown wash, heightened with white, indented for transfer (1992.376)
Fantastic Drawing of a Sculptor at Work on a Colossal Statue, Man Blowing a Trumpet, Carl August Ehrensvärd (Swedish), Pen and brown ink, gray wash, heightened with white, on gray paper (1992.229.1)
Figure Studies, ca. 1638–39, Rembrandt (Rembrandt van Rijn) (Dutch), Pen and brown ink (2005.330.16)
First Fruits of the Earth Offered to Saturn, Giorgio Vasari (Italian), Pen and brown ink, brown wash, over traces of red chalk (1971.273)
The Garden of Love (two parts), Peter Paul Rubens (Flemish); Christoffel Jegher (Flemish), Pen and brown ink, brown and green wash, heightened with light body color, over black chalk (58.96.1,.2)
Gardens of the Villa d'Este at Tivoli, Charles-Joseph Natoire (French), Pen and brown ink, brown and gray wash, watercolor, heightened with touches of white, over black and red chalk (65.65)
Grotesque Head: Man in Profile to Right, Copy after Leonardo da Vinci (Italian), Italian, Pen and brown ink, on beige paper (17.142.3)
Group of Draped Figures, Antonello da Messina(?) (Antonello di Giovanni d'Antonio) (Italian, Sicilian), Tip of the brush (or fine pen?) and brown ink (1975.1.265)
The Harbor of Copenhagen Seen from the Esplanade, between Langelinie and Toldboden, 1809, Christoffer Wilhelm Eckersberg (Danish), Graphite, brush and gray ink, gray washes (2007.256)
Head of a Bearded Man, 1355–80, Bohemian (Prague), Pen and ink, brush and gray black and brown ink, traces of white heightening, on white laid paper (2003.29)
Head of a Man in Profile to Left, Leonardo da Vinci (Italian), Italian, Pen and brown ink, over black chalk (10.45.1)
The Holy Family, ca. 1510–20, Jan Gossart (Netherlandish), Pen and two colors of light brown ink, over remains of black chalk, on vellum (2001.190)
Inundated Ruins of a Monastery, ca. 1824, Karl Blechen (German), Pen and black ink, watercolor washes, sgrafitto (2008.109)
Jesus Entering the Temple in a Letter D, ca. 1408–11, From a gradual created for the Camaldolese monastery of Santa Maria degli Angeli, Florence, Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine), Italian (Florence), Pen and brown ink, brush and brown wash, over traces of leadpoint, on vellum (1999.391)
Justice, ca. 1427–28, Fra Angelico (Italian), Pen and brown ink, with brush and brown wash on paper (1975.1.264)
Lamentation over the Dead Christ. Nicolas Poussin (French), Pen and brown ink (61.123.1)
Lamentation, ca. 1510–20, Attributed to Jan de Beer (Netherlandish), Pen and black ink, over traces of black chalk (2001.189)
Landscape with a Tree and a Farm Building, Anthony van Dyck (Flemish), Pen and brown ink, brush and brown wash (2003.27)
Landscape with Architecture, ca. 1730, Isaac de Moucheron (Netherlandish), Pen and brown ink, brush and brown and black ink over traces of black chalk (61.21.2)
Landscape with Goat, ca. 1485?/90–1576, Titian (Tiziano Vecellio) (Italian, Venetian), Italian, Pen and brown ink (1991.462)
A Large Tree, Salvator Rosa (Italian, Neapolitan), Pen and brown ink, on brown paper (11.66.7)
The Lictors Bringing Brutus the Bodies of His Sons, 1787, Jacques Louis David (French), Black chalk, pen and black and brown ink, brush and gray and brown wash, heightened with white gouache (2006.264)
A Long Tale for an Autumn Night (Aki no yonaga monogatari), Nanbokucho period, late 14th century, Japan, Scroll two from a set of three handscrolls; ink, color, and gold on paper (2002.459.1–3), A Long Tale for an Autumn Night (Aki no yonaga monogatari), Nanbokucho period, late 14th century, Japan, Ink and color on paper (2005.312)
Lucretia, 1508–12, Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Pen and brown ink over black chalk, partially incised with a stylus (recto), rubbed with black chalk for transfer (verso) (1997.153)
Man Protected by the Shield of Faith, 1559, Maarten van Heemskerck (Netherlandish), Pen and brown ink, over traces of black chalk, on paper (2000.150)
Martyrdom of Saint Lawrence, Attributed to Anthony van Dyck (Flemish), Black chalk, pen and brown ink, brown wash, heightened with white; contours traced with stylus for transfer (61.68)
A Mercenary Holding the Banner of the Canton Glarus, 1521, Urs Graf (Swiss), Pen and brown ink (2003.323)
The Mourning of Pallas, Anne-Louis Girodet-Trioson (French), Pen and brown ink, brush and gray and brown wash, heightened with white (1996.567)
Nursery on the Schenkweg, April 1882, Vincent van Gogh (Dutch), Reed pen and iron gall ink; brush and wash; touches of gouache and scraping on laid paper (1972.118.281)
Nymphs and Satyrs in a Landscape, 1599 or before, Joseph Heintz the Elder (Swiss), Pen and brown ink, brown wash, red chalk, heightened with white body color, on yellow tinted paper (2007.174)
Otto, Count of Nassau, and his Wife Adelheid van Vianden, ca. 1530, Bernaert van Orley (Flemish), Pen and brown ink, watercolor over traces of black chalk; on verso, tracing in black chalk of the figures on recto (1995.12)
The Parable of the Wise and Foolish Virgins, ca. 1803–5, William Blake (British), Watercolor, brush and gray wash, pen and black ink over graphite (14.81.2)
Perseus and the Origin of Coral, ca. 1671
Claude Lorrain (Claude Gellée) (French), Black chalk, sepia and black ink, sepia and gray wash heightened with white (1975.1.661)
Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger (Netherlandish), Pen and brown ink and wash, heightened with white, over red chalk on blue paper (2001.107b)
Peter of Poitiers' Genealogy of Christ, ca. 1230, English, Ink on vellum (2002.433)
Pity, second impression, ca. 1795, William Blake (British), Color print finished with pen and ink and watercolor, sheet, (58.603)
Poynter Apollo, 1501–3, Albrecht Dürer (German), Pen and brown and black ink (63.212)
The Presentation in the Temple, Peter Paul Rubens (Flemish), Pen, brush, and brown ink on pale tan paper; reverse, black chalk and brown ink (52.214.3)
Project for a Wall Tomb for Pope Julius II, Michelangelo Buonarroti (Italian), Pen and brown ink, brush and brown wash, over leadpoint or black chalk and ruling (62.93.1)
Queen Esther Approaching the Palace of Ahasuerus, 1658, Claude Lorrain (Claude Gellée) (French), Pen and brown ink, brown wash over black chalk, heightened with white (1997.156)
Reading the News at the Weavers' Cottage, 1673, Adriaen van Ostade (Dutch), Pen and brown ink, watercolor, white heightening, traces of graphite, framing lines by the artist(?) in brown ink and gold (1997.117.10)
The Rehearsal of the Ballet Onstage, probably 1874, Edgar Degas (French), Oil colors freely mixed with turpentine, with traces of watercolor and pastel over pen-and-ink drawing on cream-colored wove paper, laid down on bristol board and mounted on canvas (29.160.26)
The Rehearsal Onstage, 1874?, Edgar Degas (French), Pastel over brush-and-ink drawing on thin cream-colored wove paper, laid down on bristol board and mounted on canvas (29.100.39)
Sailing Vessels at Wilders Plads, Copenhagen, 1830, Christoffer Wilhelm Eckersberg (Danish), Pen and gray ink with brown wash (2003.180)
Samson, ca. 1612–16, Jacques Bellange (French), Pen and brown ink, brush and brown and gray wash, on tan antique laid paper (2001.568)
The Scene of the Two Carriages, Claude Gillot (French), Pen and black ink, brush and red wash (2006.93)
Seated River God, Nymph with an Oar, and Putto, 1696–1770, Giovanni Battista Tiepolo (Italian), Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk (37.165.32)
Set of Fifty-Two Playing Cards, ca. 1475, South Netherlandish (Burgundian Territories), Pasteboard with pen and ink, tempera, applied gold and silver (1983.515.1–.52)
Sheep Shearing Beneath a Tree, ca. 1854, Jean-François Millet (French), Conté crayon with stumping, pen and brown ink, heightened with white on beige wove paper (40.12.3)
The Sorcerer Altante Abducting Pinabello's Lady, Nicolas Poussin (French), Pen and brown ink (1972.118.224)
Start of the Race of the Barbieri Horses, Rome, 1860, Jean-Baptiste Carpeaux (French), Pen and ink, watercolor, and gouache on wove paper (2000.105)
Street in Saintes-Maries, ca. July 17, 1888, Vincent van Gogh (Dutch), Pens (including reed pen), brush, and iron gall ink over chalk on wove paper (backed with wove paper) (48.190.1)
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso), 1506–8, Leonardo da Vinci (Italian), Pen and brown ink, charcoal or soft black chalk (recto), charcoal or soft black chalk (verso) (2000.328a,b)
Studies for The Allegories of Love, 1528–88, Paolo Veronese (Paolo Caliari) (Italian), Pen and brown ink, brush and brown wash (1975.150)
Studies for the Nativity (recto); Three Geometrical Diagrams and a Caricature of a Head (verso), 1480–85, Leonardo da Vinci (Italian), Italian, Metalpoint largely reworked with pen and brown ink on salmon-pink prepared paper (17.142.1)
Studies of a Saddled Horse and a Horse with a Boy Astride; Study of a Bean Plant, ca. 1603, Jacob de Gheyn II (Netherlandish), Pen and brown ink, with green and brown watercolor and gray wash on verso (2008.240a,b)
Study for the Fonte Gaia, Siena, Jacopo della Quercia (Italian), Pen and brown ink, brush and brown wash, on vellum (49.141)
Study for the Modeling Stand of the Ugolino Group, ca. 1860, Jean-Baptiste Carpeaux (French), Pen and brown ink (1975.98.1)
Study of a Palm Tree (recto); Mountain Landscape (verso), ca. 1635–40, Nicolas Poussin (French), Pen and brown ink, over traces of black chalk (recto); pen and brown ink (verso) (2002.39a,b)
Study of Count Albert of Arenberg, Anthony van Dyck (Flemish), Pen and brown ink (40.91.16)
Study of Eleven Heads, ca. 1604(?), Jacques de Gheyn II (Netherlandish), Pen and three shades of brown ink with black chalk (2006.101)
Temple Types: In Antis and Prostyle, ca. 1530–50, Attributed to the Sangallo family, Florence, Pen and brown ink (2008.105.2)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-Length (verso), ca. 1430–38, Stefano da Verona (Stefano di Giovanni) (Italian), Pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (1996.364a,b)
Turkish Lancer and Onlookers Approaching a Town, ca. 1760–70, Giovanni Domenico Tiepolo (Italian, Venetian), Pen and brown ink, brush and pale brown wash, over traces of black chalk; framing outlines by the artist in pen and brown ink on paper (37.165.67)
Two Riders on Horseback, 1879–81, Henri de Toulouse-Lautrec (French), Pen and blue ink and graphite (1974.356.45)
Two Satyrs in a Landscape, ca. 1509–15, Titian (Tiziano Vecellio) (Italian, Venetian), Pen and brown ink, white gouache, on fine off-white laid paper (1999.28)
View of Rome, Seen from the Janiculum Hill, Anton van den Wyngaerde (Flemish), Pen and brown ink, brown wash (52.124.1)
View of the Queen's Theatre from the Rotunda, ca. 1739, Jacques Rigaud (French), Ink and wash (42.79.7)
Virgil Reading the Aeneid to Augustus, Livia, and Octavia, 1809 or 1819(?), Jean Auguste Dominique Ingres (French), Pen and black ink, graphite, gray watercolor washes, white gouache heightening, Conté crayon on blue paper (2009.423)
The Virgin Adored by Saints, ca. 1627, Peter Paul Rubens (Flemish), Pen and brown ink (2002.12a)
Virgin and Child Attended by Angels, ca. 1495–1500, Attributed to Filippino Lippi (Italian, Florentine), Pen and brown ink, brush and brown wash, highlighted with white gouache (68.204)
Warwick Castle: The East Front, 1752, Canaletto (Giovanni Antonio Canal) (Italian, Venetian), Pen and brown ink, gray wash (1975.1.297)
Woman from Altmark, 1570, Melchior Lorch (Danish), Pen and brown ink (1995.299)