Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

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Subject (A–Z)

Index Classification: Art Movement/Style

Baroque Art in Seventeenth- and Eighteenth-Centuries

European Art in the Seventeenth and Eighteenth Centuries, Baroque

Works of Art (127)

Abraham and Isaac, Rembrandt (Rembrandt van Rijn) (Dutch), Etching and burin; only state (29.107.26)
Aeneas and His Family Fleeing Troy, 1595, Agostino Carracci (Italian, Bolognese), after Federico Barocci (Italian), Engraving (47.100.1023)
Allegory of Music, 1649, Laurent de La Hyre (French), Oil on canvas (50.189)
Anatomical Studies: A Left Forearm in Two Positions and a Right Forearm, 1600–1608, Peter Paul Rubens (Flemish), Drawing, pen and brown ink (1996.75)
The Annunciation, 1672, Luca Giordano (Italian, Neapolitan), Oil on canvas (1973.311.2)
Archlute, 1725, David Tecchler (German, active Rome), Italy (Rome), Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, various other materials (1988.87)
Aristotle with a Bust of Homer, 1653, Rembrandt (Rembrandt van Rijn) (Dutch), Oil on canvas (61.198)
Armchair, ca. 1710, French, Carved and gilded walnut, covered in late 17th-century wool, velvet (1983.526)
The Artist's Mother: Head and Bust, Three-Quarters Right, Rembrandt (Rembrandt van Rijn) (Dutch), Etching (18.72)
Bacchanal: A Faun Teased by Children, ca. 1616–17, Gian Lorenzo Bernini (Italian), Italian (Rome), Marble (1976.92)
Beggar Leaning on a Stick, Facing Left, Rembrandt (Rembrandt van Rijn) (Dutch), Etching (26.72.156)
Bust of Marsyas, ca. 1680–85, Balthasar Permoser (German), Marble, black marble socle inlaid with light marble (2002.468)
Bust-Length Portrait of a Woman (recto); Study of a Girl (verso), Agostino Carracci (Italian, Bolognese), Red chalk over possible traces of black chalk (1994.143)
Card table, 1760–90, New York, Mahogany, white oak, tulip poplar, white pine (47.35)
Chasuble, 18th century, Italian (probably Sicily), Silk and metal thread (1984.462.1)
Chocolate pot, 1700–1710, Edward Winslow (American), Made in New England, Boston, Massachusetts, Silver (33.120.221)
Christ and the Pharisees, Anthony van Dyck (Flemish), Pen and brown ink, brush and brown wash (1980.515)
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint printed on vellum; second state (41.1.31)
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint, engraving, and scraping; fourth state of five (41.1.33)
Christ Presented to the People, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint; eighth (final) state (41.1.36)
Christ Presented to the People, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint; second state of eight (41.1.34)
Clump of Trees with a Vista, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint; second state of two (20.46.4)
Coast View with Perseus and the Origin of Coral, 17th century, Claude Lorrain (Claude Gellée) (French), Pen, brown ink, brown, blue, and gray wash, heightened with white gouache (64.253)
Conversion of Saint Paul, 1587–89, Ludovico Carracci (Italian, Bolognese), Pen and brown ink, brush and brown wash, highlighted with white gouache and cream color oil paint over some black chalk underdrawing (2002.33)
The Coronation of the Virgin, after 1595, Annibale Carracci (Italian, Bolognese), Oil on canvas (1971.155)
The Coronation of the Virgin, Peter Paul Rubens (Flemish), Oil on wood (1984.433.336)
Cottage among Trees, 1648–50, Rembrandt (Rembrandt van Rijn) (Dutch), Pen and brown ink, brush and brown wash, on paper washed with brown (29.100.939)
The Cowherd, 1636, Claude Lorrain (Claude Gellée) (French), Etching; third state of six (Mannocci) (37.3.14)
The Denial of Saint Peter, Caravaggio (Michelangelo Merisi) (Italian, Lombard), Oil on canvas (1997.167)
Departure of the Amazons, 1620s, Claude Déruet (French), Oil on canvas (1976.100.6)
A Domestic Scene, Annibale Carracci (Italian, Bolognese), Pen and black ink, brush and gray and brown wash (1972.133.2)
The Drunken Silenus ("The Tazza Farnese"), ca. 1600, Annibale Carracci (Italian, Bolognese), Engraving from a silver plate printed in brown ink (27.78.1.150)

Study for The Drunken Silenus ("The Tazza Farnese"), 1597–1601, Annibale Carracci (Italian, Bolognese), Pen and brown ink and wash over black chalk, incised for transfer (1972.133.4)
The Entombment, ca. 1654, Rembrandt (Rembrandt van Rijn) (Dutch), Etching printed on Chinese paper; first state of four (20.46.17)
The Entombment, Rembrandt (Rembrandt van Rijn) (Dutch), Etching, drypoint, and engraving; second state of four (23.51.7)
Ewer and basin (lavabo set), ca. 1680–85, Moldavia (Chisinau), most likely court workshop, Partially gilded silver (2005.62.1,.2a,b)
Falconer's Bag, 1695, Jan Weenix (Dutch), Oil on canvas (50.55)
The Feast of Acheloüs, ca. 1615, Peter Paul Rubens (Flemish); and Jan Brueghel the Elder (Flemish), Oil on wood (45.141)
Figure Studies, ca. 1638–39, Rembrandt (Rembrandt van Rijn) (Dutch), Pen and brown ink (2005.330.16)
The Flight into Egypt, Luca Giordano (Italian, Neapolitan), Oil on canvas (61.50)
Flora, probably early 1650s, Rembrandt (Rembrandt van Rijn) (Dutch), Oil on canvas (26.101.10)
The Ford, possibly 1636, Claude Lorrain (Claude Gellée) (French), Oil on canvas (28.117)
A Forest at Dawn with a Deer Hunt, ca. 1635, Peter Paul Rubens (Flemish), Oil on wood (1990.196)
The Garden of Love (two parts), Peter Paul Rubens (Flemish); Christoffel Jegher (Flemish), Pen and brown ink, brown and green wash, heightened with light body color, over black chalk (58.96.1,.2)
The Glorification of the Eucharist, probably ca. 1630, Peter Paul Rubens (Flemish), Oil on wood (37.160.12)
The Good Samaritan, 1633, Rembrandt (Rembrandt van Rijn) (Dutch), Etching and drypoint; first state of four (41.1.53)
Grand Duke Cosimo III de' Medici (1642–1723) and Grand Prince Ferdinando de' Medici (1669–1713), ca. 1676–82, Giovanni Battista Foggini (Italian), Marble (1993.332.1,.2)
Harpsichord, ca. 1675, Made by Michele Todini (Italian), Rome, Italy, Wood, various materials (89.4.2929)
Hendrickje Stoffels (born about 1625/26, died 1663), 1660, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Oil on canvas (26.101.9)
Herman Doomer (born about 1595, died 1650), 1640, Rembrandt (Rembrandt van Rijn) (Dutch), Oil on wood (29.100.1)
The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist, probably early 1630s, Peter Paul Rubens (Flemish), Oil on canvas (02.24)
Holy-water stoup with relief of Saint Mary of Egypt, Giovanni Giardini (Italian), Gilt bronze, lapis lazuli, and silver (1995.110)
The Investiture of Bishop Harold as Duke of Franconia, sketch, ca. 1751–52, Giovanni Battista Tiepolo (Italian, Venetian), Oil on canvas (71.121)
James Stuart (1612–1655), Duke of Richmond and Lennox, ca. 1634–35, Anthony van Dyck (Flemish), Oil on canvas (89.15.16)
Jan Lutma, 1656, Rembrandt (Rembrandt van Rijn) (Dutch), Etching and drypoint printed on Japan paper; first state of three (20.46.18)
Jeremiah Dictating the Word of God to Baruch, Peter Paul Rubens (Flemish), after Raphael (Italian), Red chalk, brush and red wash, body color, heightened with white, on paper washed with pink (1995.401)
Jewel box, 1920, Dagobert Peche (Austrian); Manufacturer: Wiener Werkstätte, Gilded silver (1978.8a-c)
Kast, 1690–1720, American; New York City or vicinity, Painted yellow poplar, red oak, white pine (09.175)
Lace border, 17th century, Italian, Linen (33.90.35)
The Lamentation, ca. 1582, Ludovico Carracci (Italian, Bolognese), Oil on canvas (2000.68)
Landscape with a Tree and a Farm Building, Anthony van Dyck (Flemish), Pen and brown ink, brush and brown wash (2003.27)
Landscape with Wine Harvest, ca. 1628–30, Pietro da Cortona (Pietro Berrettini) (Italian), Brush and gray wash, touches of pen and brown ink, over traces of black chalk, illusionistic frame in yellow and brown wash (2003.101)
Le Bassin d'Apollon (The Fountain of Apollo, Versailles): From the series Veues des plus Beaux Lieux de France et d'Italie . . ., 1680s, Adam Perelle (French), Nicolas Langlois, Paris, Etching (52.519.84.88)
Lucas van Uffel (died 1637), ca. 1621–27, Anthony van Dyck (Flemish), Oil on canvas (14.40.619)
Madonna and Child with Saints, 1607, Ludovico Carracci (Italian, Bolognese), Oil on copper (2007.330)
Madonna in the Clouds, ca. 1581 (no later than 1582), Federico Barocci (Italian), Etching and engraving; sheet (17.50.18.147)
Man in Oriental Costume ("The Noble Slav"), 1632, Rembrandt (Rembrandt van Rijn) (Dutch), Oil on canvas (20.155.2)
Man with a Magnifying Glass, early 1660s, Rembrandt (Rembrandt van Rijn) (Dutch), Oil on canvas (14.40.621)
Manuel Osorio Manrique de Zuñiga (1784–1792), possibly 1790s, Francisco de Goya y Lucientes (Spanish), Oil on canvas (49.7.41)
Marcantonio Pasqualini (1614–1691) Crowned by Apollo, 1641, Andrea Sacchi (Italian, Roman), Oil on canvas (1981.317)
Martyrdom of Saint Lawrence, Attributed to Anthony van Dyck (Flemish), Black chalk, pen and brown ink, brown wash, heightened with white; contours traced with stylus for transfer (61.68)
Martyrdom of Saint Lawrence, Lucas Vorsterman the Elder (Flemish), after Peter Paul Rubens (Flemish), Engraving (51.501.7125)
The Musicians, ca. 1595, Caravaggio (Michelangelo Merisi) (Italian, Lombard), Oil on canvas (52.81)
"Negress" Lying Down, 1658, Rembrandt (Rembrandt van Rijn) (Dutch), Etching, drypoint, engraving; 3 3/16 x 6 1/4 in. (8.1 x 15.8 cm) (29.107.28)
Omnia vincit Amor, 1599, Agostino Carracci (Italian, Bolognese) (17.3.1853)
Orpheus and Eurydice, ca. 1590–95, Agostino Carracci (Italian, Bolognese), Engraving (17.37.170)
Parade helmet à l'antique, ca. 1620–30, French (possibly Paris), Steel, brass, paint, and textile (1997.341)
Perseus and the Origin of Coral, ca. 1671
Claude Lorrain (Claude Gellée) (French), Black chalk, sepia and black ink, sepia and gray wash heightened with white (1975.1.661)
Pope Innocent X, Giovanni Battista Pamphilj (1574–1655, r. 1644–1655), second half of 17th century, After Alessandro Algardi (Italian), Bronze (08.49)
Portrait of a Man, 1632 Rembrandt (Rembrandt van Rijn) (Dutch), Oil on wood (64.126)
Portrait of a Woman, Probably Susanna Lunden (née Fourment, 1599–1628), Peter Paul Rubens (Flemish), Oil on wood (1976.218)
Portrait of a Young Woman with a Fan, 1633, Rembrandt (Rembrandt van Rijn) (Dutch), Oil on canvas (43.125)
Portrait of Gerard de Lairesse, ca. 1665, Rembrandt (Rembrandt van Rijn) (Dutch), Oil on canvas (1975.1.140)
Portrait of Nicolas Trigault in Chinese Costume, 1617, Peter Paul Rubens (Flemish), Black, red, and white chalk, blue pastel, and pen and brown ink on light brown laid paper (1999.222)
The Preaching of Saint John the Baptist, 1634, Bartholomeus Breenbergh (Dutch), Oil on wood (1991.305)
The Presentation in the Temple, Peter Paul Rubens (Flemish), Pen, brush, and brown ink on pale tan paper; reverse, black chalk and brown ink (52.214.3)
Queen Esther Approaching the Palace of Ahasuerus, 1658, Claude Lorrain (Claude Gellée) (French), Pen and brown ink, brown wash over black chalk, heightened with white (1997.156)
A Roman Landscape with Figures, probably 1630s, Goffredo Wals (German), Oil on copper (1997.157)
Rubens, His Wife Helena Fourment (1614–1673), and Their Son Peter Paul (born 1637), mid- to late 1630s, Peter Paul Rubens (Flemish), Oil on wood (1981.238)
Saint Jerome in the Wilderness, ca. 1591, Annibale Carracci (Italian, Bolognese), Etching and engraving, third state of four6 (26.70.4.20)
Saint John the Baptist Bearing Witness, ca. 1600–1602, Annibale Carracci (Italian), Oil on copper (2009.252)
Saint Rosalie Interceding for the Plague-Stricken of Palermo, 1624, Anthony van Dyck (Flemish), Oil on canvas (71.41)
Secondo prospetto per fianco del palazzo con diversa veduta del giardino del Bel respiro . . . Pamphilio (View of the side facade of the Palazzo Pamphilj and its garden): Plate 20 of Li Giardini di Roma, 1670 and 1683, Giovanni Battista Falda (Italian), Giovanni Giacomo de' Rossi (Italian), Etching (61.532.26.20)
Self-Portrait, 1660, Rembrandt (Rembrandt van Rijn) (Dutch), Oil on canvas (14.40.618)
Self-Portrait, ca. 1630, Anthony van Dyck (Flemish), Etching (50.583.4)
Self-Portrait, possibly 1620–21, Anthony van Dyck (Flemish) Oil on canvas (49.7.25)
A Sermon in a Village Church, ca. 1635–40, Peter Paul Rubens (Flemish), Black chalk, oil- and water-based paints (2000.483)
Sheet with Two Studies: A Tree and the Upper Part of a Head of Rembrandt Wearing a Velvet Cap, Rembrandt (Rembrandt van Rijn) (Dutch), Etching; only state (1970.705)
Staircase, ca. 1677–80, Attributed to Edmund Pearce (English), From Cassiobury Park, Watford, Hertfordshire, England (destroyed 1922), Pine, ash, oak (32.152)
The Standard Bearer (Floris Soop, 1604–1657), 1654, Rembrandt (Rembrandt van Rijn) (Dutch), Oil on canvas (49.7.35)
Statuette of Saint Agnes after Gian Lorenzo Bernini (1598–1680), third quarter of 17th century, Cast after a terracotta sketch-model for one of the statues over the colonnades of Saint Peter's Square, Rome, Bronze, brown natural patina, traces of red-gold lacquer (1978.202)
Studies after Pietro da Cortona, Jacques Louis David (French), Black chalk (63.92.1)
Study for a Portrait of a Lady, Anthony van Dyck (Flemish), Black chalk heightene (1972.118.279)
Study for a Triton (recto); Anatomical Studies (?) (verso), 1642–44, Gian Lorenzo Bernini (Italian), Drawing in red chalk, background tinted with an almost imperceptible pale brown wash, framing lines in pen and brown ink (recto); black chalk (verso) (1973.265)
Study Head of a Young Woman, possibly 1618–20, Anthony van Dyck (Flemish), Oil on paper, laid down on wood (57.37)
Study of Count Albert of Arenberg, Anthony van Dyck (Flemish), Pen and brown ink (40.91.16)
Study of the Belvedere Torso, ca. 1601–2, Peter Paul Rubens (Flemish), Red chalk (2002.12b)
Study of Two Heads, Peter Paul Rubens (Flemish), Oil on wood (67.187.99)
Tankard, ca. 1700, By Johann Berend (Livonian), Silver, partly gilt (32.75.84)
The Three Trees, Rembrandt (Rembrandt van Rijn) (Dutch), 1643, Etching with drypoint and engraving (29.107.31)
Triton Sounding a Conch Shell, ca. 1597–1602, Annibale Carracci (Italian, Bolognese), Black chalk on blue paper (1970.15)
The Triumph of Henry IV, sketch, 1627–31, Peter Paul Rubens (Flemish), Oil on wood (42.187)
The Trojan Women Setting Fire to Their Fleet, Claude Lorrain (Claude Gellée) (French), Oil on canvas (55.119)
Two Children Teasing a Cat, ca. 1590, Attributed to Annibale Carracci (Italian, Bolognese), Oil on canvas (1994.142)
Two Winged Putti, ca. 1748–50, François Boucher (French), Black chalk, brush and gray wash, heightened with white chalk, on beige paper (60.175.1)
Venus and Adonis, mid- or late 1630s, Peter Paul Rubens (Flemish), Oil on canvas (37.162)
View of La Crescenza, 1648–50, Claude Lorrain (Claude Gellée) (French), Oil on canvas (1978.205)
View of the Palazzo Mancini, Rome, 1752, Giovanni Battista Piranesi (Italian), Etching (41.71.1.16.29)
View of the Vestibule of Santa Maria Maggiore, Rome, 1765, Georges-François Blondel (French), Mezzotint (67.797.6)
Villa Borghese: From Li giardini di Roma (plate 15), after 1677, Artist: Simone Felice (Italian), Rome: Giovanni Giacomo de' Rossi, after 1677, Etching (61.532.26[15])
Violin, 1693, Made by Antonio Stradivari (Italian), Cremona, Italy, Wood (55.86a-c)
The Virgin Adored by Saints, ca. 1627, Peter Paul Rubens (Flemish), Pen and brown ink (2002.12a)
Virgin and Child with Saint Catherine of Alexandria, Anthony van Dyck (Flemish), Oil on canvas (60.71.5)
The Wedding of Stephen Beckingham and Mary Cox, 1729, William Hogarth (British), Oil on canvas (36.111)
The Windmill, 1641, Rembrandt (Rembrandt van Rijn) (Dutch), Etching (41.1.12)
Wolf and Fox Hunt, ca. 1615–21, Peter Paul Rubens and Workshop (Flemish), Oil on canvas (10.73)
Woman with a Pink, early 1660s, Rembrandt (Rembrandt van Rijn) (Dutch), Oil on canvas (14.40.622)

Thematic Essays (53)