Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

Show only Artist Names

Subject (A–Z)

Index Classification: Geography/Place


Works of Art (61)

Basket, 1731/32, John Edwards II (British), Silver, silver plate (2011.432a, b)
Beaker with the "Mala Strana" of Prague, ca. 1830, Bohemian, Glass (1990.328.2)
Bifolium from an antiphonary: Christ in Majesty in an Initial A, ca. 1405, Bohemian, Prague, Tempera, ink, and gold on parchment (2013.38)
Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., 1508, Workshop of Giovanni Maria Vasaro (Italian), Maiolica (tin-glazed earthenware) (1975.1.1015)
Cape, second half of 16th century, French, Velvet brocade with gold ground and small set pattern of geometric motifs woven in tan velvet of cut pile (06.941)
Ceremonial arrowheads, 1437–39
Bohemian, possibly Prague, Steel, engraved and inlaid with copper alloy, (66.199; 1984.17; 1988.170)
City and Country, ca. 1865, Jules-Ferdinand Jacquemart (French), Etching (2012.163.516)
Cross-Shaped Pendant and Four Other Motifs, 1622, Giovanni Battista Costantini (Italian), Blackwork and engraving (23.101.8)
Cup, third quarter of 14th century, Bohemian, Prague, Jasper, gilded silver (2000.504)
Design for a Pendant with an IHS Monogram, 1609, Master P.R.K. (Netherlandish), Blackwork and engraving (42.86.3[3])
Doorway, mid-12th century, French, Touraine; from the Church of Saint-Sulpice at Coulangé, near Tours, Limestone (25.120.878)
Double Portrait Presumed to Represent François de Jullienne (1722–1754) and His Wife (Marie Élisabeth de Séré de Rieux, 1724–1795), 1743, Charles Antoine Coypel (French), Pastel on paper (2011.84)
Doublet, early 1620s, French, Ivory silk faille brocaded with floral patterns in pink, yellow, mauve, green, and purple (1989.196)
Dutch Interior (III), 1926, Joan Miró (Spanish), Oil on Canvas (1996.403.8)
Eagle Attacking a Fish (one of five medallions from a coffret), ca. 1110–30, Conques, France, Gilt copper and champlevé enamel (17.190.689)
Evangelists Mark and Luke, ca. 1220–30, France (Limoges), Gilt copper and glass (2010.70.1, 2)
Ewer, ca. 1350–80, mounts ca. 1400, German or Rhenish, Jasper, gilded silver (17.190.610)
Frontispiece for an album of the Société des Aquafortistes, 1865, Félix Bracquemond (French), Etching; second and final state (63.625.11)
Glass bottle shaped like a bunch of grapes, Late Imperial, 3rd century A.D., Roman, Glass, blown in a three-part mold (X.21.190)
Gold Beaker, ca. 2000–1550 B.C., Central Europe, Early Bronze Age, Gold alloy (2011.185)
Head of a Bearded Man, 1355–80, Bohemian (Prague), Pen and ink, brush and gray black and brown ink, traces of white heightening, on white laid paper (2003.29)
Headquarters of the Société des Aquafortistes, 1864, Adolphe-Martial Potément, called Martial (French), Etching (50.616.15)
Infantry shield (pavise), ca. 1450, Bohemian, possibly Chomutov (now Czech Republic), Wood, leather, gesso, silver foil, polychromy (29.158.595)
Initial A with the Battle of the Maccabees, ca. 1360–70, Italy, probably Bologna, Tempera, gold, and ink on parchment (23.21.4)
The Jewish Angel, 1916, Giorgio de Chirico (Italian, born Greece), Oil on canvas (1999.363.15)
Lancet Windows, ca. 1250–1300, French, Normandy, Limestone (35.143.1–.3)
Lion from a Frieze, after 1200, Spanish; Made in Burgos, Castile-León, Fresco, mounted on canvas (31.38.1a)
Lunar-Shaped Ring Bezel and Grotesque Figures, ca. 1620–30, Noël Rouillard (French), Blackwork and engraving (42.40.1[1])
María Teresa (1638–1683), Infanta of Spain, 1651–54, Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish), Oil on canvas (49.7.43)
Mercury in a Decorative Frame with Grotesques, ca. 1600–1630, After Adriaen Collaert (Netherlandish, ca. 1560–1618), Blackwork and engraving (23.101.4)
Morphine Addicts, 1887, Paul-Albert Besnard (French), Etching (67.793.15)
Ornament Print with Schweifwerk and Two (Allegorical?) Figures, ca. 1615–20, Esaias von Hulsen (Dutch), Blackwork and engraving (2012.55)
Orphrey panels from a chasuble: Coronation of the Virgin Mary and Christ in Majesty, early 15th century, Bohemian, Silk and metal thread; 39 1/4 x 29 in. (99.7 x 73.7 cm), The Cloisters Collection, 1961 (61.16a–c)
Oval case decorated in Schweifwerk, ca. 1614–19, Jacques Hurtu (French), Blackwork and engraving (39.95.5)
Oval Print with Birds, Insects, and Fruits, ca. 1620, Claes Jansz Visscher (Dutch), copy after Hertzog von Brin (German), Blackwork (56.500.114)
Panel, late 13th–mid-14th century, Spain (Granada), Limestone (2011.182)
Pendant Shaped Like a Beetle with a Couple and a Young Man Playing an Instrument, 1619, Jean I Toutin (French), Blackwork and engraving (23.84.15)
Philip Stanhope Worsley, 1866, Julia Margaret Cameron (British), Albumen silver print from glass negative (2005.100.27)
Plates from Treatise on Etching, 1866, Maxime-François-Antoine Lalanne (French), Etchings (59.500.789, .790)
Portrait of Charles Meryon, in profile, 1854, Félix Bracquemond (French), Etching on thin wove paper; second of three states (17.78.60)
Portrait of Huysmans, from L'Estampe originale, Album VI, 1894, Eugène Delâtre (French), Etching and aquatint, in three colors (22.82.1-51)
Portrait of Meryon, 1853, Félix Bracquemond (French), Etching on laid paper; first state (40.63.13)
Saint Bernard of Clairvaux, Workshop of Fra Filippo Lippi (Italian, Florentine, ca. 1406–1469), Tempera and gold on wood (1975.1.70b)
Saints Procopius and Adalbert, 1340–50, Bohemian, Prague, Tempera and gold leaf on panel (2013.272)
Scene from the Legend of the True Cross, second half of 14th century, Northern French or Netherlandish, Stone (25.120.528)
Small Motifs of Insects and Plants, 1596, Georg Herman (German), Blackwork and engraving (42.86.4[8])
Smallsword, ca. 1655–60, French, probably Paris, Iron, gold, wood, copper alloy, steel (2011.63)
The Sofa, ca. 1894–96, Henri de Toulouse-Lautrec (French), Oil on cardboard (51.33.2)
Spinario (Boy Pulling a Thorn from His Foot), probably modeled by 1496, cast ca. 1501, Antico (Pier Jacopo Bonacolsi) (Italian), Bronze, partially gilt and silvered (2012.157)
Square Design in Silhouette Style with Schweifwerk and Grotesque Figures, 1617, Esaias von Hulsen (Dutch), Made in Stuttgart, Germany, Blackwork (32.123.11)
St. Nicholas Accuses the Consul from Scenes from the Life of St. Nicholas, ca. 1200–1210, French, Picardy, from the cathedral of Saint-Gervais-et-Saint-Protais at Soissons, Pot-metal glass, vitreous paint (1980.263.3)
Still Life with Jar, Cup, and Apples, ca. 1877, Paul Cézanne (French), Oil on canvas (29.100.66)
Title page to Eaux-fortes par Bracquemond, 1854, Félix Bracquemond (French), Etching (26.28.73)
Title page to the suite Eaux-fortes sur Paris, 1852, Charles Meryon (French), Etching on brown wove paper; first state (63.606.11)
The Vampire, 1853, Charles Meryon (French), Etching in brown ink on green laid paper; fifth state of ten (29.107.108)
Vertical Panel with a Man and Woman, ca. 1631, Hans Janssen (Dutch), Blackwork and engraving (47.108.11[2])
View of the City of Prague, 1606, Johannes Wechter (German), after Philip van den Bossche (Netherlandish, Published by Aegieius Sadeler, Antwerp, Etching (53.601.10[72–83])
The Watering Place, 1906, Pablo Picasso (Spanish), Drypoint, before steel facing (1984.1203.110)
Wedding Ensemble, 1864, French, White cotton organdy (26.250.2a–e)
Whalers, ca. 1845, Joseph Mallord William Turner (British), Oil on canvas (96.29)
Young Man, Seated, in a Velvet Beret, after Rembrandt, 1857, Edgar Degas (French) after Rembrandt (Rembrandt van Rijn) (Dutch), Etching; only state (1977.500)

Thematic Essays (0)

  • There are no Thematic Essays for the requested Index Term.