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| Thematic Essays |
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| Selected Readings |
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Allegory of the Planets and Continents, sketch, 1752, Giovanni Battista Tiepolo (Italian, Venetian), Oil on canvas (1977.1.3) |
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Amphora, ca. 530 B.C.; Archaic; red-figure, Signed by Andokides, as potter; Attributed to the Andokides Painter (red-figure decoration); Attributed to Psiax (black-figure decoration), Greek, Attic, Terracotta (63.11.6) |
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Annibale Carracci Introduces Painting to Apollo and Minerva, Pietro Aquila (Italian), after a drawing by Carlo Maratta (Italian), Etching (51.501.2593) |
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Apollo and Daphne, ca. 1538–40, Andrea Schiavone (Andrea Medulich or Meldolla) (Italian, Venetian), Etching (26.70.3[195]) |
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Apollo and Diana, ca. 1500–1505, Jacopo de' Barbari (Italian), Engraving (20.92.2) |
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Apollo and the Muses on Parnassus, 1784, Raphael Morghen (Italian, Neapolitan), after Anton Raphael Mengs (German), Engraving and etching (28.22.36) |
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Apollo and the Muses on Parnassus, ca. 1514–20, Marcantonio Raimondi (Italian), after Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Engraving (17.37.150) |
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Apollo Belvedere,ca. 1530–34, Marcantonio Raimondi (Italian), Engraving (49.97.114) |
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Apollo Slays the Python and Quarrels with Cupid: From the series The Story of Apollo and Daphne, mid-16th century, Master of the Die, after Baldassare Tommaso Peruzzi (Italian, Sienese), Engraving (49.97.323) |
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Apollo, Marsyas, and the Judgment of Midas, 1582, Melchior Meier (German, active Tuscany), Engraving (41.1.210) |
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Apollo, Pan, and a Putto Blowing a Horn, 1560s, Giorgio Ghisi (Italian, Mantuan), after Francesco Primaticcio (Italian, Bolognese), Engraving (49.95.161) |
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Apollo, Pegasus, and the Hippocrene Spring, mid-16th century, Angiolo Falconetto (Italian), after Giulio Romano (Italian, Roman, ca. 1499–1546), Etching (49.95.286) |
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Apollo, 1588, Hendrick Goltzius (Netherlandish), Engraving (51.501.3) |
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Apollo, ca. 1595–97, Adriaen de Vries (Netherlandish), Bronze (41.190.534) |
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Apotheosis of the Spanish Monarchy, sketch for a ceiling painting, Giovanni Battista Tiepolo (Italian, Venetian), Oil on canvas (1980.363) |
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Armorial Plate (Tondino), ca. 1520–25 (or 1519?), Nicolò da Urbino (probably Nicola di Bagriele Sbarage) (Italian), Majolica (1975.1.1019) |
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Feast of the Gods at the Marriage of Cupid and Psyche, 1587, Hendrick Goltzius (Netherlandish), after Bartholomeus Spranger (Netherlandish), Engraving, printed from three plates on three attached sheets; second state of four (2000.113) |
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Hercules Chasing Avarice from the Temple of the Muses, ca. 1518 (?), Ugo da Carpi (Italian); Designed by Baldassare Tommaso Peruzzi (Italian, Sienese), Chiaroscuro woodcut from two blocks (20.24.76) |
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Le Bassin d'Apollon (The Fountain of Apollo, Versailles): From the series Veues des plus Beaux Lieux de France et d'Italie . . ., 1680s, Adam Perelle (French), Nicolas Langlois, Paris, Etching (52.519.84.88) |
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Lekythos (oil flask), ca. 460–450 B.C.; red-figure Attributed to the Nikon Painter Greek, Attic Terracotta (53.224) |
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Marcantonio Pasqualini (1614–1691) Crowned by Apollo, 1641, Andrea Sacchi (Italian, Roman), Oil on canvas (1981.317) |
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Poynter Apollo, 1501–3, Albrecht Dürer (German), Pen and brown and black ink (63.212) |
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The Destruction of the Children of Niobe: From a set of The Horses, early 1630s, Francis Clein; Woven at the Mortlake manufactory, 1650–70, English, Wool and silk (36.149.1) |
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Vase, 18th century (1780), Made by Wedgwood and Co., Etruria/Staffordshire, England, Black basalt (66.17) |
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