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| Selected Readings |
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Angel of the Revelation, ca. 1803–5, William Blake (British), Watercolor, pen and black ink, over traces of graphite (14.81.1) |
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Chalice of Peter of Sassoferrato, ca. 1341–1342, Italian; Siena, from the Franciscan Church of Sassoferrato, Silver gilded and translucent enamel (1988.67) |
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Christ on the Cross, with the Virgin and Saints Mary Magdalene, John the Evangelist, Monica(?), Augustine(?), Peter Martyr, Thomas Aquinas, Francis, and Elizabeth of Hungary(?), ca. 1453–54,
Fra Angelico (Italian),
Tempera on panel (14.40.628) |
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Crucifixion with Donors and Saints Peter and Margaret, ca. 1525–27, Cornelis Engebrechtsz (Netherlandish), Oil on wood (88.3.88) |
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Frontispiece of the Apocalypse, 1555, Jean Duvet (French), Engraving (25.2.68) |
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Lamentation, recto and verso, early 1470s, Simon Marmion (French), Oil and tempera(?) on oak panel (1975.1.128) |
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Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger (Netherlandish), Pen and brown ink and wash, heightened with white, over red chalk on blue paper (2001.107b) |
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Plaque with Saint John the Evangelist, early 9th century; Early Medieval, Carolingian; Made in Aachen, Elephant ivory (1977.421) |
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Saint John the Evangelist (recto), Saint Mark (verso), Francesco Salviati (Francesco de' Rossi) (Italian, Florentine), Charcoal, highlighted with white chalk on blue paper; outlines heavily stylus-incised on recto, and partly so on verso (2001.409) |
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Saint John the Evangelist, part of a polyptych, 1320s, Segna di Buonaventura (Italian, Sienese), Tempera on wood, gold ground (41.100.22) |
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Standing Draped Male Figure, 1611–89, Baldassare Franceschini ("Il Volterrano") (Italian), Black chalk, highlighted wtih white, on blue-green paper, deckled edges; glued onto secondary paper support (1996.142.3) |
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The Crucifixion with the Virgin and Saint John, ca. 1625, Hendrick ter Brugghen (Dutch), Oil on canvas (56.228) |
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The Entombment, 1554,
Moretto da Brescia (Alessandro Bonvicino) (Italian, Brescian),
Oil on canvas (12.61) |
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