Furniture | Subject Index | Timeline of Art History

		Étagère, mid-19th century, English, Black lacquered, painted, and gilded wood and papier-mâché, mother-of-pearl (1999.50.2)

		"Akari E" lamp, ca. 1966, Isamu Noguchi (American); Manufacturer: Ozeki & Co., Ltd., Mulberry bark paper, bamboo, wire (1990.74)

		"Alada" table, ca. 1985, Oscar Tusquets Blanca (Spanish); Manufacturer: CASAS, Painted wood, etched glass, bronze (1990.68ab)

		"Architettura" trumeau, 1952, Piero Fornasetti (Italian); Gio Ponti (Italian), Screen-printed wood fiberboard, mahogany, brass, wire, electric light (1997.460.2ab)

		*Armchair (bergère en cabriolet) (one of a pair)*, ca. 1760–70, Stamped by Claude-Louis Burgat (French), Carved and gilded beechwood (1982.60.89)

		*Armchair (bergère en cabriolet)*, 1788, Jean-Baptiste-Claude Sené (French), Carved, painted, and gilded walnut (41.205.2)

		Armchair (from a set), ca. 1902–3, Made by Frank Lloyd Wright (American), White oak (1972.60.4)

		Armchair (part of a large set), 1753, Stamped by Nicolas-Quinibert Foliot (French), Carved and gilded beechwood, covered with the original silk and wool Beauvais tapestry covers (35.145.9)

		Armchair, 1640–1700, American; Essex County, Massachusetts, Oak (1995.98)

		Armchair, 1765–75, Attributed to Thomas Affleck (British, active in America), American, Mahogany, white oak (59.154)

		Armchair, 1801, Attributed to Samuel McIntire (American), American, Mahogany, birch, white pine (45.105)

		Armchair, 1805–12, Charles-Honoré Lannuier (French), New York City, Mahogany (31.44.2)

		Armchair, 1843, Auguste-Émile Ringuet-Leprince (French; firm active Paris), Ebonized fruitwood (apple or pear), beech, gilt bronze mounts, original upholstery (69.262.3)

		Armchair, 1868–70, Attributed to John Jelliff (American; firm active Newark, New Jersey), Rosewood, ash, mother-of-pearl (68.133.3)

		Armchair, ca. 1710 French, Carved and gilded walnut, covered in late 17th-century wool, velvet (1983.526)

		Armchair, ca. 1775, American, Mahogany, red oak, sweet gum (1984.287)

		Armchair, ca. 1828, Karl Friedrich Schinkel (German), Gilded mountain ash, brass (1996.30)

		Armchair, ca. 1850, Chair frame by firm of Joseph-Pierre-François Jeanselme (French); upholstery by firm of Jacques-Michel Dulud, Carved rosewood, leather, silk, serge (1995.164)

		Armchair, ca. 1855, Attributed to Gustave Herter (American, born Germany; firm active New York City), Walnut (1986.204)

		Armchair, ca. 1860, French, Gilded wood, upholstered in modern green tufted velvet (1998.382)

		Armchair, ca. 1891–92, Louis Comfort Tiffany (American); Samuel Colman (American), Oak, silk velvet (1992.125)

		Armchair, ca. 1905, Designer: Henri-Jules-Ferdinand Bellery-Desfontaines (French), French (Paris), Walnut, copper, brass, tapestry covers, brown plush (1990.213)

		Autumn Grasses in Moonlight, Meiji period, ca. 1872–91, Shibata Zeshin (Japanese), Two-panel folding screen; ink, lacquer, and silver leaf on paper (1975.268.137)

		"B35" armchair, 1928–29, Marcel Breuer (American, born Hungary); manufactured by Gebrüder Thonet GmbH, Tubular steel, wood, and canvas (1985.127)

		Bamboo in the Four Seasons, Muromachi period (1392–1573), Attributed to Tosa Mitsunobu (Japanese), Pair of six-panel folding screens; color, ink, and gold on paper (1975.268.44,45)

		Bedroom from Sagredo Palace, Venice, 18th century (ca. 1718), Stuccowork probably by Abbondio Stazio of Massagno (1675–1745) and Carpoforo Mazzetti (ca. 1684–1748); ceiling painting probably by Gasparo Diziani of Belluno (1689–1767), Italian (Venice), Wood, stucco, marble, glass (06.1335.1a-d)

		Birds and Flowers of the Four Seasons, Momoyama period, early 17th century, Kano School, Japan, Pair of six-fold screens; color on gold-leafed paper (1987.342.1,2)

		Birds and Flowers, Chosôn dynasty, late 19th century, Korea, Ten-panel folding screen, ink and color on paper (1993.255)

		Brazier, second half of 13th century, Mamluk, Rasulid; Egypt, Cast bronze inlaid with silver (91.1.540)

		Bureau table, ca. 1765, Attributed to John Townsend (American), Made in New England, Newport, Rhode Island, Mahogany, chestnut, tulip poplar, white pine (10.125.83)

		"Butterfly" stool (model no. T-0521), 1956, Sori Yanagi (Japanese); Manufacturer: Tendo Co. Ltd., Rosewood, stainless steel (1988.195)

		Cabinet on base, ca. 1939, Charlotte Perriand (French), Aluminum, pine, and walnut (1987.461.2ab)

		Cabinet on stand, ca. 1700–1710, Attributed to Jan van Mekeren (Dutch), Dutch; Amsterdam, Oak veneered with kingwood, tulipwood, rosewood, ebony, olive wood, holly, and other marquetry woods (1995.371)

		Cabinet-vitrine, 1899, Gustave Serrurier-Bovy (Belgian), Belgian (Liège), Red narra wood, ash, copper, enamel, glass (1981.512.4)

		Cabinet, 17th–18th century, Thailand, Wood with lacquer and gold (1971.139)

		Cabinet, 1861, Philip Webb (British), Designer; Morris, Marshall, Faulkner & Co., Maker; Sir Edward Coley Burne-Jones (British), Painter, Made in England, Painted pine, oil paint on leather, brass, copper (26.54)

		Cabinet, 1926, Émile-Jacques Ruhlmann (French), Designer, Macassar ebony, amaranth, and ivory (25.231.1)

		Cabinet, ca. 1866, Alexander Roux (American, born France; firm active New York City), Rosewood, tulipwood, cherry, poplar, pine (68.100.10

		Cabinet, ca. 1877–80, Attributed to Daniel Pabst (American; firm active Philadelphia), Walnut, maple, white pine, glass (1985.116)

		Card table (one of a pair), 1817, Charles-Honoré Lannuier (French), American (New York City), Mahogany, white pine, yellow poplar, basswood, ash; mahogany veneer, gilt gesso, faux-bronze patination, gilt brass (1995.377.1)

		Card table, 1810–20, Unidentified Maker, New York City, Mahogany, tulip poplar, brass (31.44.11)

		Card table, ca. 1786, John Townsend (American), Newport, Rhode Island, Mahogany, maple, chestnut, tulip poplar (27.161)

		Cassone, 1461–65, Marco del Buono Giamberti (Italian, Florentine); Apollonio di Giovanni di Tomaso (Italian, Florentine), Italian (Florence), Painted and gilded gesso on poplar, set with a wooden panel painted in tempera and gold (14.39)

		Center table, 1870–75, Attributed to Pottier and Stymus and Company (New York City), Rosewood, walnut, marble (68.207a,b)

		Chair panel of Thutmose IV, New Kingdom, Dynasty 18, reign of Thutmose IV, ca. 1400–1390 B.C., Egyptian, Cedar (30.8.45)

		Chair, 19th–20th century, Chokwe peoples; Angola, Wood, brass, tacks, leather (1978.412.619)

		Chair, New Kingdom, Dynasty 18, early co-reign of Thutmose III and Hatshepsut, ca. 1479–1473 B.C., Egyptian; From the tomb of Hatnofer and Ramose, western Thebes, Boxwood, cypress, ebony, linen cord (36.3.152)

		Chest of drawers, 1695–1720, American; New York City or western Long Island, Gumwood, yellow poplar, pine, oak (36.112a,b)

		Chest of drawers, 1765, John Townsend (American), Newport, Rhode Island, Mahogany, white pine, chestnut, tulip poplar (27.57.1)

		Chest of drawers, ca. 1762–75, American; Made in Mid-Atlantic, Philadelphia, Pennsylvania, America, Mahogany, tulip poplar, yellow pine (18.110.4)

		Chest, 1660–80, Attributed to William Searle (American); or Thomas Dennis (American), Made in New England, Ipswich, Massachusetts, America, Red oak, white oak (10.125.685)

		Chest, Chosôn dynasty, 19th century, Korea, Lacquered wood with mother-of-pearl, tortoiseshell, sharkskin, and brass-wire inlay, and brass fittings (63.121.1a,b)

		*Choir Screen (Reja)*, completed in 1764, Probably by Rafael Amezúa (Spanish), Wrought- and cold-chiseled iron, partly gilt; limestone, with traces of paint (56.234.1)

		Coin cabinet, ca. 1805, Probably by François-Honoré-Georges Jacob-Desmalter (French); silver mounts by Martin-Guillaume Biennais (French); designed by Charles Percier (French); decoration after drawings by Baron Dominique Vivant-Denon (French), Mahogany, silver (26.168.77)

		Collector's Cabinet, ca. 1570–90, South German or Tyrolean, Pine, walnet, ash, various fruitwoods, maple, ebony, partly stained (marquetry veneer); gilt bronze (25.135.112)

		*Commode (commode à vantaux)*, ca. 1790, Stamped by Adam Weisweiler (French), Oak veneered with Japanese lacquer and European japanning, ebony, gilt-bronze mounts, violet brocatelle marble top (1977.1.12)

		Commode, ca. 1745–49, Charles Cressent (French), Pine and oak veneered with purplewood, mahogany, and bois satiné (bloodwood), gilt-bronze mounts, portor marble top (1982.60.56)

		"Contour" chair, designed 1970, manufactured ca. 1982, Frank Gehry (American); Manufacturer: Easy Edges Inc., Corrugated cardboard, Masonite (1987.357)

		*Corner cabinet (encoignure) (one of a pair)*, 1745–49, Stamped by Bernard van Risenburgh (French), Oak veneered with ebony and Chinese Coromandel lacquer, cherry, and purple wood, gilt-bronze mounts, Spanish brocatelle marble (1983.185.1a,b)

		Crib of the Infant Jesus, 15th century, South Netherlandish; Made in Brabant, Carved and polychromed oak, copper gilt, silver gilt, painted parchment, and silk embroidered with seed pearls, gold thread, tinsel, and translucent enamels (1974.121)

		Cylinder desk and bookcase, 1815–20, Attributed to Duncan Phyfe (Scottish), New York City, Mahogany, satinwood, tulip poplar, pine (1985.236a,b)

		Design for a Commode and Console: Plate 9 of Collection de meubles et objets de goût, 1802, Pierre de La Mésangère (French), Paris, Colored engraving (30.80)

		Design for a Tablet for a Chimney Piece: Plate 5 of a A New Book of Ornaments, 1762, Published by Thomas Johnson (British), British, Crayon manner and stipple engraving (1985.1099)

		Design for the Scrolled End of a Bedstead: Plate 15 of Recueil de décorations intérieures, 1812, Charles Percier (French); Pierre-François-Léonard Fontaine (French), Engraving (28.40.1)

		*Desk (secrétaire)*, ca. 1804–15, French, Amboyna on pine with gilt-bronze mounts (23.147.1)

		Desk and bookcase, ca. 1779, Workshop of Nathaniel Gould (American), American; Salem, Massachusetts, Mahogany, white pine (10.125.81a)

		*Desk chair (fauteuil de bureau)*, French, Mahogany, gilt bronze, satin-velvet upholstery (voided, green and red) (07.225.53)

		Desk-on-frame, 1695–1720, American; New York City, Gumwood, possibly mahogany veneer, yellow poplar (44.47)

		Desk, 1890–92, Designer: Mervyn Macartney (British); W. Hall for Kenton & Co., London, Mahogany veneered with Macassar ebony, silver molding, silver-plated brass knobs (2006.4)

		Desk, ca. 1877, Kimbel & Cabus (New York City), Oak, nickel-plated brass and iron hardware (2000.58)

		Desk, ca. 1902, Carlo Bugatti (Italian), Walnut, copper, pewter, vellum (1970.181.3)

		Drop-leaf dining table, 1756, John Townsend (American), Newport, Rhode Island, Mahogany, maple (L.2001.53.1)

		Drop-leaf Pembroke table, 1790–1800, John Townsend (American), Newport, Rhode Island, Mahogany, satinwood, chestnut (1980.293)

		Easy chair, 1758, Caleb Gardner (American), American; Newport, Rhode Island, Walnut, maple (50.228.3)

		Egyptianizing figures on either side of a tree with a winged disk, 8th–7th century B.C.; Neo-Assyrian, Mesopotamia, Nimrud (ancient Kalhu), Ivory (62.269.3)

		Eight-Planked Bridge (Yatsuhashi), Ogata Korin (Japanese), Pair of six-panel folding screens; ink and color on gilded paper (53.7.1-2)

		Farnese Table, Italian (Rome), Marble, alabaster, and semi-precious stones (58.57)

		Firescreen, 1771, Attributed to Thomas Affleck (British, active in America), American; Philadelphia, Pennsylvania, Mahogany (49.51a,b)

		Folding stool (one of a pair), 1786, Jean-Baptiste-Claude Sené (French), Beechwood, carved and painted, upholstered in pink silk (1977.102.9,.10)

		Furniture support: female sphinx with Hathor-style curls, 1820–1740 B.C.; Old Assyrian Trading Colony period, Probably Acemhöyük, Central Anatolia, Ivory (Hippopotamus), gold foil (32.161.46)

		Gable-topped chest and linens, New Kingdom, Dynasty 18, 1550–1295 B.C., Egyptian; From the tomb of Hatnofer and Ramose, western Thebes, Whitewashed wood; linen (36.3.56,.54,.111,.140)

		Gibbons, Muromachi period (1392–1573), Attributed to Sesson Shukei (Japanese), Japan, Pair of six-panel screens; ink on paper (1992.8.1,2)

		Hanging cabinet, ca. 1890, Émile Gallé (French), French (Nancy), Beechwood, various marquetry woods (1982.246)

		Headrest, 19th–20th century, Somalia; Somali (?) people, Wood (1979.206.31)

		Headrest, 19th–20th century, South Africa or Mozambique; Tsonga people, Wood (1999.47.101)

		Headrest, 19th–20th century, Zimbabwe; Shona people, Wood (2001.759.2)

		Headrest, 19th–20th century, Zimbabwe; Shona people, Wood (2001.759.4)

		"How High the Moon" armchair, 1986, Shiro Kuramata (Japanese); Manufacturer: Vitra AG, Basel, Nickel-plated steel mesh (1988.186)

		"Java" armchair, ca. 1930, Ilonka Karasz (American, born Hungary), Teak wood (1983.228.5)

		Jewelry casket, 1857, Pietro Giusti (Italian), Carved walnut, ebony, lined with red velvet (1998.19)

		Kast, 1650–1700, American; New York City or vicinity, White and red oak (1988.21)

		Kast, 1690–1720, American; New York City, Yellow poplar, red oak, white pine (09.175)

		Lamp, 1904–15, Louis Comfort Tiffany (American); Tiffany Studios, Leaded Favrile glass, bronze (1974.214.15a,b)

		Landscape and Chinese Figures, Nagasawa Rosetsu (Japanese), Pair of six-panel folding screens; ink on gilded paper (1975.268.75, 76)

		Landscape of the Four Seasons, Muromachi period, early 16th century, Kangaku Shinso (Soami) (Japanese), Pair of six-fold screens, ink on paper (41.59.1,2)

		Lion head plaque, Iron Age II, 9th century B.C., Iran; Excavated at Hasanlu, Ivory (65.163.22)

		Lion head terminal, Iron Age II, 9th century B.C., Northwestern Iran; Excavated at Hasanlu, Bronze (63.109.1)

		Looking glass, ca. 1775, American, Pine (1990.18)

		Loom-width piece of velvet, late 15th century, Probably Bursa, Turkey, possibly Venice, Silk velvet pile and voided areas brocaded with silver-gilt-wrapped silk wefts (53.157)

		Mechanical table, 1778 Jean-Henri Riesener (French), Oak veneered with bois satiné (bloodwood), holly, black stained holly, amaranth, berberis, stained sycamore, and green lacquered wood, gilt-bronze mounts (33.12)

		Mechanical table, ca. 1761–63 Stamped by Jean-François Oeben and Roger Vandercruse Lacroix (French), Oak veneered with mahogany, kingwood, and tulipwood with marquetry of mahogany, rosewood, holly, and various other woods, gilt-bronze mounts (1982.60.61)

		Meridienne (Couch), 1837, Attributed to Duncan Phyfe (Scottish), New York City, Mahogany, pine, ash (66.221.1)

		Miniature Secretary Incorporating a Clock, probably ca. 1766–72, By James Cox (English), Case: gold, agate, gilt bronze, pearls, and paste jewels; Dial: white enamel with black numerals; Movement: brass and steel (46.184a–c)

		Mirror Frame, ca. 1568, Wenzel Jamnitzer (German, Nuremberg), Silver gilt, ebony, and mirror plate (17.190.620)

		Model No. 41 lounge chair, 1931–32, Alvar Aalto (Finnish), Laminated birch (2000.375)

		Morning Glories, Edo period, 19th century, Suzuki Kiitsu (Japanese), Pair of six-panel folding screens; ink, color, and gold on gilded paper (54.69.1,2)

		"MR" armchair, 1927, Ludwig Mies van der Rohe (American, born Germany, Designer, Tubular steel, painted caning (1980.351)

		Music stand, 1962, Wharton Esherick (American), Designer, Cherry wood (1979.320)

		"Nomos" table, 1987, Sir Norman Foster (British); Manufacturer: Techno S.p.A., Glass, stainless steel, rubber (1998.379ab)

		Nubian with oryx, monkey, and leopard skins, 8th–7th century B.C.; Neo-Assyrian period; Phoenician style, Excavated at Fort Shalmaneser, Nimrud (ancient Kalhu), Mesopotamia, Ivory (60.145.11)

		Pair of candelabra, ca. 1810–15, Pierre-Philippe Thomire (French), Bronze-gilt (26.256.2,.3)

		Panel from a set of Bed Curtains, first half of 18th century, Greek Islands, Cyclades, Linen embroidered with silk (64.278.2)

		Panel with Cross and Griffins, 500–700, Byzantine; Made in Egypt, Wood (28.12)

		Paneling from Marmion, the Fitzhugh House, ca. 1758; painting ca. 1770-80, King George County, Virginia (16.112)

		Parlour Chair: Plate 9 of The Cabinet and Chair-Maker's Real Friend and Companion, 1765, By Robert Manwaring (British); engraved by Robert Pranker (British); published by Henry Webley, London, 1765, British, Etching and engraving (32.9.6)

		Part of a throne with deity on a bull, late 8th–7th century B.C.; Urartian style, Probably Toprakkale, eastern Anatolia, Bronze (50.163)

		Persimmon Tree, Edo period, late autumn 1816, Sakai Hoitsu (Japanese), Two-panel screen; ink and color on paper (57.156.3)

		Pieced panel of brocaded silk, second half of 16th century, Probably Bursa, Turkey, Silk velvet pile and voided areas brocaded with silver-gilt-wrapped silk wefts (17.29.10)

		Pier table, 1815–19, Charles-Honoré Lannuier (French), New York City, Rosewood, white pine, ash, marble, lead, brass (53.181a,b)

		Pietre dure cabinet, 1615–20, Court workshop of the grand dukes of Tuscany (Italian, Florence), Various exotic hardwoods veneered on oak, with ebony moldings; plaques of hardstones and slate; pietre dure work of various hardstones, colored marbles, and rock crystal (1988.19)

		Plaque with "woman at the window" motif, 9th–8th century B.C.; Neo-Assyrian period; Phoenician style, Probably Arslan Tash, Syria, Ivory inlaid with glass (57.80.12)

		Print table, Made by Frank Lloyd Wright (American), Manufactured by William E. Nemmers, White oak (1972.60.8a,b)

		"Queen Anne" side chair, 1984, Robert Venturi (American); Manufacturer: Knoll International, Inc., Molded plywood and laminated finish (1985.113.1)

		Qur’an stand, 1360, Iran, Carved and inlaid wood (10.218)

		Revolving armchair, ca. 1904, Made by Frank Lloyd Wright (American), Steel, wood (1979.130)

		Ritual Cabinet,18th century, Tibet, Lacquer and gilt on wood with metal additions (L.1993.88.1)

		Room from the Hart House, 1680, Ipswich, Massachusetts (36.127)

		Room from the Hewlett House, ca. 1740–60, Woodbury, New York (10.183)

		Room from the Powel House, 1765–66; remodeled 1769–71, Philadelphia, Pennsylvania (18.87.1-.4)

		Rough Waves, Edo period, ca. 1704–9, Ogata Korin (Japanese), Two-panel screen; ink, color, and gold on gilded paper (26.117)

		Secrétaire à abattant, ca. 1815–20, with later additions, Austrian, Walnut, parcel-ebonized and mounted with gilt bronze; leather, glass, brass (1991.470)

		Secretary bookcase, 1795–1805, Philadelphia, Mahogany, mahogany and satinwood veneers, holly stringing and inlay, white pine, yellow pine, tulip poplar, and cedar (67.203)

		Secretary, ca. 1776, Attributed to Martin Carlin (French), Paris, Oak; tulipwood, purplewood, holly, and sycamore veneer; porcelain and tôle painted to imitate porcelain; gilt bronze (1976.155.110)

		"September" armchair, 1973, Shigeru Uchida (Japanese); Manufacturer: Build Co. Ltd., Melamine baked steel pipe, melamine baked stainless steel wire (1988.192)

		Settee, 1760–90, American, Mahogany, maple, cedar, birch, white pine (30.120.59)

		Settee, ca. 1876–85, George Hunzinger (American; firm active New York City), Ebonized cherry, fabric-covered steel mesh (1992.269)

		Sgabello, ca. 1489–91, Italian (Florence), Walnut, maple, ebony, ebonized wood, and fruitwood, traces of gilding and red paint (30.93.2)

		*Side chair (chaise) (one of a pair)*, 1784, Georges Jacob (French), carved by Jules Hugues Rousseau (French) and his brother Jean-Siméon Rousseau (French), Carved and gilded walnut (1977.102.13,14)

		Side chair (from a set), 1760–70, American, Walnut, white oak, white pine (39.184.3–8)

		Side chair (part of a set), ca. 1899, Édouard Colonna, for L'Art Nouveau Bing, Paris French, Palissander wood, damask upholstery (26.228.5)

		Side chair, 1690–1720, American; New York City or vicinity, Cherry (1997.68)

		Side chair, 1765–75, American, Mahogany, yellow pine (51.140)

		Side chair, 1790–1800, Hartford, Connecticut, Mahogany, chestnut, poplar (1982.223)

		Side chair, 1794–99, Attributed to Samuel McIntire (American), Made in New England, Salem, Massachusetts, America, Mahogany, ebony, ash, birch, white pine (62.16)

		Side chair, 1815–20, Attributed to Duncan Phyfe (Scottish), New York City, Mahogany, maple, birch, white pine, brass (60.4.4)

		Side chair, 1815–20, Attributed to Duncan Phyfe (Scottish), New York City Mahogany, ash, tulip poplar (65.188.2)

		Side chair, 1870, Edward Welby Pugin (British), Stained oak, ebony, and brass (1993.134)

		Side chair, 1901–2, Made by Frank Lloyd Wright (American), Oak (1978.189)

		Side chair, ca. 1730, Giles Grendey (English), Beech (37.115)

		Side chair, ca. 1770, Attributed to Thomas Affleck (British, active in America), American; Philadelphia, Pennsylvania, Mahogany, northern white cedar (1974.325)

		Side chair, ca. 1830, Attributed to Duncan Phyfe (Scottish), New York City, Rosewood, ash (68.202.1)

		Side chair, ca. 1857, Designer: Alexander J. Davis (American); Manufacturer: Probably Burns and Brother (New York City), Walnut (replacement upholstery) (1995.111)

		Side chair, ca. 1870, Attributed to Pottier and Stymus and Company (New York City), Walnut, mahogany, rosewood, cedar (1983.68)

		Side chair, ca. 1870, Christopher Dresser (British), Gilt, ebonized, and carved wood (1994.529)

		Side chairs, 1765–90, American, Mahogany, maple, white pine (39.88.1,2)

		Side table, 1871, Edward William Godwin (British), Walnut and brass (1991.87)

		Sideboard, ca. 1853–57, Alexander Roux (American, born France), Black walnut, pine (1993.168)

		"Siega a dossier basculant" Armchair LC/1 (model B 301), 1929, Le Corbusier (Charles-Édouard Jeanneret) (French, born Switzerland), Chrome-plated tubular steel, canvas (2003.293)

		Slipper chair, 1850–60, John H. Belter (American, born Germany; firm active New York City), Rosewood, ash (51.79.9)

		*Small desk (bonheur-du-jour)*, 1768 Martin Carlin (French), Oak veneered with tulipwood, amaranth, stained sycamore and mahogany drawers, gilt-bronze mounts, Sèvres plaques (58.75.48)

		Sofa and armchairs, ca. 1832–35, Filippo Pelagio Palagi (Italian), Mahogany with maplewood and mahogany inlay, upholstered with modern silk (1987.62.1,.2,.3)

		Sofa, 1800, Attributed to Samuel McIntire (American), American, Mahogany, birch, white pine (46.171.1a,b)

		Sofa, 1850–60, John H. Belter (American, born Germany), American; New York City, Rosewood (1999.396)

		Sofa, ca. 1856, Ringuet-Leprince and L. Marcotte (French and American), Ebonized maple, gilt bronze (68.69.1)

		Sofa, ca. 1898, Ernest F. Hagen (German), New York City, Mahogany, cane (61.254)

		Statuette of a philosopher on a lamp stand, Early Imperial, Augustan, late 1st century B.C., Roman, Marble (10.231.1)

		Stool: Kneeling Female Caryatid, 19th century (?), Democratic Republic of Congo; Luba or Shankadi, Wood, glass beads (1978.412.317)

		Stool, 19th century, The Buli Master, Luba peoples; Democratic Republic of Congo, Wood, metal studs (1979.290)

		Stool, 19th–20th century, Ghana; Akan, Wood (1986.478.2)

		Stove, ca. 1684–85, Attributed to the pottery of David II Pfau; Possibly assisted by Hans Heinrich III Pfau; Decoration after designs by Tobias Stimmer and Christoph Murer, Swiss (Winterthur), Faience (tin-enameled earthenware) (06.968.2)

		Study of the Throne in the House of Lords (Study for Portrait of Queen Victoria), ca. 1838, Thomas Sully (American, Graphite on paper (L.1994.29.5 recto)

		Table Top, 400–600, Byzantine; Said to be from Rome, Italy, Marble (47.100.50)

		Table, 1834, Royal Porcelain Manufactory, Berlin; Possibly designed by Karl Friedrich Schinkel (German); Decorator: August von Kloeber (German) and Gottfried Wilhelm Voelker (German), Hard-paste porcelain and gilt bronze (2000.189)

		Table, 1912–15, Made by Frank Lloyd Wright (American), White oak (1972.60.3)

		Table, ca. 1775–80, Italian (Rome), Wood, carved, painted, and partly gilded; replaced green-black granite top (41.188)

		Table, ca. 1850–60, American, probably New York City, Walnut, marble (1986.78)

		Table, ca. 1940, Made by Frank Lloyd Wright (American), Cyprus plycore, cyprus veneer (1981.438.2)

		Tall clock, 1789, John Townsend (American) and William Tomlinson (British), Newport, Rhode Island, Mahogany, chestnut, tulip poplar, maple (27.57.2)

		Tea table, 1765–75, American, Mahogany (25.115.31)

		The Battles of Hogen and Heiji, Edo period, 17th century, Japanese, Pair of six-panel folding screens; ink, color, and gold on paper (57.156.4-5)

		The Four Accomplishments, Muromachi period, mid-16th century, Kano Motonobu (Japanese), Pair of six-panel screens; ink and color on paper (1991.480.1,.2)

		The Old Plum, Edo period, ca. 1645, Attributed to Kano Sansetsu (Japanese), Four sliding door panels (fusuma); ink, color, gold leaf on paper (1975.268.48a-d)

		The Seehof garden furniture, ca. 1763–64, German, Painted and gilded lindenwood (1974.356.114-.121)

		Tula center table, ca. 1780–85 Russian; Tula, Imperial Armory, Steel, silver, gilt copper, birch (2002.115)

		*Upright secretary (secrétaire à abattant)*, ca. 1786–87, Maker: Guillaume Beneman (French) (1971.206.17)

		"Vertebra" armchair, 1974–76, Emilio Ambasz (Argentinian); Giancarlo Piretti (Italian), Polyurethane and leather (1989.48)

		Wardrobe, Ming dynasty, 16th century, China, Wood (Huanghuali/Dalbergia odoriferal) (1976.193.8)

		*Washstand (athénienne* or lavabo)**, 1804–14, Design attributed to Charles Percier (French); mounts attributed to Martin-Guillaume Biennais (French), Yew wood, gilt bronze (26.256.1)

		Washstand, 1904, Charles Rennie Mackintosh (Scottish), Designer, Oak, ceramic tile, colored and mirror glass, and lead (1994.120)

		"Wassily" chair, 1925, Marcel Breuer (American, born Hungary), Chrome-plated steel, canvas upholstery (1988.256)

		Woodwork from the Ballroom at Gadsby's Tavern, 1792–93, Alexandria, Virginia (17.116.1-5)

		Woodwork from the Great Hall of Van Rensselaer Manor House, 1765–69, Albany, New York (28.143); Doors from the Great Hall of Van Rensselaer Manor House, 1765–69, Albany, New York (31.95.1-2,6); Wallpaper, ca. 1768, Tempera on watercolor paper (28.224)

		Woodwork of a Room from the Colden House, 1767, Coldenham, New York (40.127)

		*Work and writing table (table en chiffonnière), ca. 1760, Stamped by Bernard van Risenburgh (French), Oak and pine veneered with tulipwood, kingwood, purplewood, and bois satiné* (bloodwood), gilt-bronze mounts (1984.471.1)

		*Writing table (bureau plat)*, 1759, Gilles Joubert (French), Red and gold japanning on oak, gilt-bronze mounts, leather top (1973.315.1)

		Writing table, 1760–85, American, Mahogany, sweet gum, yellow pine, white cedar (32.125.1)

		Ritual Seat for a Noble (Osa'osa), 19th century, Ono Niha people, Gomo and Tae River area, Central region, Nias Island, Indonesia, Stone (1988.125.1)

		The Cabinet-Maker and Upholsterer's Drawing-Book: Frontispiece and title page (vol. 1), plates 33 and 35 (vol. 2), 1793, Thomas Sheraton (British) London (161 Sh5)

		The Cabinet-Maker and Upholsterer's Guide: Title page, plates 2 and 6, 1788, George Hepplewhite (British), London (161 H41)

		The Cabinet-Makers' London Book of Prices: Frontispiece, title page, plates 1 and 6, 1793, Published by W. Brown and A. O'Neil, London (161 L841)

		Jali screen (one of a pair), second half of 16th century; Mughal, Probably from Fatehpur Sikri, India, Carved red sandstone (1993.67.2)