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| Timelines/Regions |
| Thematic Essays |
| Accession Number |
| Lists of Rulers |
| Useful Links |
| Selected Readings |
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15, rue Maître-Albert, 1912, Eugène Atget (French), Gelatin silver print (1991.1233)
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A Domestic Scene, Annibale Carracci (Italian, Bolognese), Pen and black ink, brush and gray and brown wash (1972.133.2) |
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A Maid Asleep, 1656–57, Johannes Vermeer (Dutch), Oil on canvas (14.40.611) |
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A Young Woman at Her Toilet with a Maid, ca. 1650–51,
Gerard ter Borch (Dutch),
Oil on wood (17.190.10) |
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[Album of 131 Views of a French Family and Their Travels], 1880s–1900s, Unknown Artist, French School, Album of 50 plates with 121 gelatin silver prints and 10 cyanotypes (1990.1181) |
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An Evening School, probably early 1660s,
Gerard Dou (Dutch),
Oil on wood (40.64)
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Barrio Chino, Barcelona, 1933, Henri Cartier-Bresson (French), Gelatin silver print (1987.1100.125) |
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Broken Eggs,
Jean-Baptiste Greuze (French),
Oil on canvas (20.155.8) |
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Charleston on the Bauhaus Roof, 1927, Lux Feininger (American, born Germany), Gelatin silver print (1987.1100.107) |
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Curiosity, ca. 1660,
Gerard ter Borch (Dutch),
Oil on canvas (49.7.38) |
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Double Virginal, 1581, Made by Hans Ruckers the Elder (Flemish), Antwerp, Flanders, Wood and various other materials (29.90) |
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[Five Gentlemen Conversing around a Table], 1920s–30s, Erich Salomon (German), Gelatin silver print (1987.1100.268) |
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Guardroom with the Deliverance of Saint Peter, ca. 1645–47, David Teniers the Younger (Flemish), Oil on wood (64.65.5) |
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Harvesters, 1565, Pieter Bruegel the Elder (Netherlandish), Oil on wood (19.164) |
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Interior with a Young Couple, early 1660s,
Pieter de Hooch (Dutch),
Oil on canvas (14.40.613) |
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Italian Interior, ca. 1760,
Jean-Honoré Fragonard (French),
Oil on canvas (46.30) |
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Kitchen Scene, 1620s,
Peter Wtewael (Dutch),
Oil on canvas (06.288)
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Liberia, 1931, Martin Munkacsi (American, born Hungary), Gelatin silver print) (1987.1100.35) |
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Merrymakers at Shrovetide, ca. 1615, Frans Hals (Dutch), Oil on canvas (14.40.605) |
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[Miss Mary and Lotte at the Hill Crest], ca. 1910, Heinrich Kühn (Austrian, born Germany), Autochrome (2005.100.370) |
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Paying the Hostess, mid-1670s,
Pieter de Hooch (Dutch),
Oil on canvas (58.144) |
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Peasants Dancing, 1651,
Johannes Lingelbach (Dutch),
Oil on canvas (71.123)
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Plaque depicting Bernard Palissy, 1846,
Painter of plaque: Nicolas-Marie Moriot (French); Painter of enamels: Jacob Meyer-Heine (French),
France; Sèvres,
Hard-paste porcelain with gilt-bronze, enamel, and biscuit porcelain frame (2007.221) |
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Puyo, Demachy, and de Singly with Model, ca. 1909, Émile Joachim Constant Puyo (French), Platinum print (2005.100.118) |
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Rabbit Hunt, 1560, Pieter Bruegel the Elder (Netherlandish), Etching (25.2.11) |
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San Zaccaria, 1995, Thomas Struth (German),
Chromogenic print (1996.297) |
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Sentimental Conversation, 1660s,
Quiringh Gerritsz. van Brekelenkam (Dutch),
Oil on wood (32.100.19) |
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Soap Bubbles, ca. 1734,
Jean Siméon Chardin (French),
Oil on canvas (49.24)
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Summer, 1570, Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; first state of two (26.72.23) |
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Sunday on the Banks of the Marne, 1938, Henri Cartier-Bresson (French), Gelatin silver print (2002.614.1)
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Teasing a Sleeping Girl, Gaspare Traversi (Italian, Neapolitan), Oil on canvas (1976.100.19) |
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The Baker's Cart, 1656,
Jean Michelin (French),
Oil on canvas (27.59) |
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The Card Players, early 1890s, Paul Cézanne (French), Oil on canvas (61.101.1) |
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The Dissolute Household,
Jan Havicksz. Steen (Dutch) ,
Oil on canvas (1982.60.31) |
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The Englishman (William Tom Warrener) at the Moulin Rouge, 1892,
Henri de Toulouse-Lautrec (French),
Oil on cardboard (67.187.108) |
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The Ferry Beach and Inn at Saltash, Cornwall, 1811, Joseph Mallord William Turner (British), Oil on canvas (89.15.9) |
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The Fortune Teller, probably 1630s, Georges de La Tour (French), Oil on canvas (60.30) |
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The Harvest: From a set of "Teniers" tapestries, 1712–28, Woven in the workshop of Urban Leyniers and Daniel Leyniers, Flemish (Brussels), Wool and silk (41.190.254) |
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The Honorable Henry Fane (1739–1802) with His Guardians, Inigo Jones and Charles Blair, 1761–66, Sir Joshua Reynolds (British), Oil on canvas (87.16) |
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The Lacemaker, 1656–57,
Nicolaes Maes (Dutch),
Oil on canvas (32.100.5) |
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The Love Letter, ca. 1670,
Jakob Ochtervelt (Dutch),
Oil on canvas (1980.203.5)
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The Lovesick Maiden, ca. 1660,
Jan Havicksz. Steen (Dutch),
Oil on canvas (46.13.2)
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The Nurse, from a model of ca. 1607–8,
Probably designed by Guillaume Dupré (French),
Lead-glazed earthenware (1974.356.303)
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The Open Door, 1844, William Henry Fox Talbot (British), Salted paper print from paper negative (2005.100.498) |
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The Smokers, probably ca. 1636,
Adriaen Brouwer (Flemish),
Oil on wood (32.100.21) |
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The Stolen Kiss, 1756–61, Jean Honoré Fragonard (French), Oil on canvas (56.100.1) |
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The Visit, 1746, Pietro Longhi (Pietro Falca) (Italian, Venetian), Oil on canvas (14.32.2) |
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The Visit, ca. 1657,
Pieter de Hooch (Dutch),
Oil on wood (29.100.7)
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Tipos Locales [Local Types], 1858, Charles Clifford (British), Albumen silver print from glass negative (1988.1104) |
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Two Children Teasing a Cat, ca. 1590, Attributed to Annibale Carracci (Italian, Bolognese), Oil on canvas (1994.142) |
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Woman with a Lute, early 1660s, Johannes Vermeer (Dutch), Oil on canvas (25.110.24) |
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Young Man and Woman in an Inn ("Yonker Ramp and His Sweetheart"), 1623,
Frans Hals (Dutch),
Oil on canvas (14.40.602)
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Young Woman with a Water Pitcher, ca. 1660–67, Johannes Vermeer (Dutch), Oil on canvas (89.15.21) |
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