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| Artist |
| Timelines/Regions |
| Thematic Essays |
| Accession Number |
| Lists of Rulers |
| Useful Links |
| Selected Readings |
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And There's Nothing to Be Done (Y no hai remedio), 1810–23,
Francisco de Goya y Lucientes (Spanish),
Etching, drypoint, burin, and burnisher (32.62.17) |
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Condesa de Altamira and Her Daughter, Maria Agustina, 1787–88, Francisco de Goya y Lucientes (Spanish), Oil on canvas (1975.1.148) |
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Don Ignacio Garcini y Queralt (1770–1825), Brigadier of Engineers, 1804, Francisco de Goya y Lucientes (Spanish), Oil on canvas (55.145.1) |
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Don Manuel Osorio Manrique de Zuñiga (1784–1792), possibly 1790s, Francisco de Goya y Lucientes (Spanish), Oil on canvas (49.7.41)an |
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Don Sebastián Martínez y Pérez (1747–1800), 1792, Francisco de Goya y Lucientes (Spanish), Oil on canvas (06.289) |
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Don Tiburcio Pérez y Cuervo, the Architect, 1820, Francisco de Goya y Lucientes (Spanish), Oil on canvas (30.95.242) |
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Giant, by 1818, Francisco de Goya y Lucientes (Spanish), Spanish, Burnished aquatint, 1st state (35.42) |
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José Costa y Bonells (died 1870), Called Pepito, Francisco de Goya y Lucientes (Spanish), Oil on canvas (61.259) |
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Las Meninas, after Velázquez, ca. 1778, Francisco de Goya y Lucientes (Spanish), Etching, drypoint, burin, roulette, and aquatint; working proof of the third state, Promised Gift of Derald H. and Janet Ruttenberg |
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Majas on a Balcony, Attributed to Francisco de Goya y Lucientes (Spanish), Oil on canvas (29.100.10) |
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One Can't Look (No se puede mirar), 1863, Francisco de Goya y Lucientes (Spanish), Etching, burnished lavis, drypoint, and burin (22.60.25.26) |
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One Hunting for Teeth: Plate 12 of Los Caprichos, first edition, 1799, Francisco de Goya y Lucientes (Spanish), Etching, burnished aquatint, and burin (18.64.12) |
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The Blind Guitarist (El ciego de la guitarra), 18th century, Francisco de Goya y Lucientes (Spanish), Etching; working proof (22.63.29) |
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The Garrotted Man (El agarrotado), 1778–80, Francisco de Goya y Lucientes (Spanish), Etching printed in blue ink (20.22) |
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The Sleep of Reason Produces Monsters: Plate 43 of The Caprices (Los Caprichos), 1799, Francisco de Goya y Lucientes (Spanish), Etching, aquatint, drypoint, and burin (18.64) |
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The Swing, 1796–97, Francisco de Goya y Lucientes (Spanish), Brush and gray wash on laid Netherlandish paper (35.103.2) |
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