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| Timelines/Regions |
| Thematic Essays |
| Accession Number |
| Lists of Rulers |
| Useful Links |
| Selected Readings |
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A Rushy Shore, 1887–88, Peter Henry Emerson (British, born Cuba), Platinum print (1994.520.2) |
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Craig Goch, Moel Hebog, North Wales, 1802, Cornelius Varley (British), Watercolor over graphite (1973.83) |
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Falls of the Llugwy, at Pont y Pair, 1857, Roger Fenton (British), Albumen silver print from glass negative (1988.1027) |
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[Landscape with Clouds], probably 1856, Roger Fenton (British), Salted paper print from glass negative (1997.382.35) |
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Nocturne: The Thames at Battersea, 1878, James Abbott McNeill Whistler (American), Lithograph(17.3.159) |
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Reapers Resting in a Wheat Field, 1885, John Singer Sargent (American), Oil on canvas (50.130.14) |
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Summer Morning, ca. 1830, Made by David Lucas (British); Designed by John Constable (British), Mezzotint (39.68.27) |
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The Fairy Tree at Colinton, ca. 1846, David Octavius Hill (Scottish,); Robert Adamson (Scottish), Salted paper print from paper negative (1997.382.29) |
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The Iron Forge between Dolgelli and Barmouth in Merioneth Shire: Plate 6 of XII Views in North Wales, 1776, Paul Sandby (British), London, Etching and aquatint printed in brown ink (36.8.30) |
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The Lake of Zug, 1843, Joseph Mallord William Turner (British), Watercolor over graphite (59.120) |
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View of Kensington Gardens, ca. 1811, John Linnell (British), Watercolor over graphite on paper (2000.238) |
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View of St. Peter's and the Vatican from the Janiculum (Gianicolo), 1754, Richard Wilson (British), British, Black and white chalks with stumping, on gray paper laid down on original artist's mount, colored with purple wash (1972.118.294) |
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View of the Lake and the Island from the Lawn at Kew (plate 38), 1763, William Marlow (English), Designed by Sir William Chambers (English), Watercolor (25.19.38) |
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View of the Villa Lante on the Janiculum (Gianicolo) in Rome, 1782–83, John Robert Cozens (British), British, Watercolor over traces of graphite on white laid paper (67.68) |
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View of the Wilderness at Kew, 1763, William Marlow (English), Sir William Chambers (English), Watercolor (25.19.43) |
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Wilton Garden (plate 1), ca. 1640, Written and designed by Isaac de Caus (French), Peter Stent (British), Thomas Rowlett, London, Etching (27.66.2) |
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Wooded Landscape with Herdsmen and Cows, mid- to late 1780s, Thomas Gainsborough (British), Aquatint, printed in brown ink (49.95.59) |
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Wooded Upland Landscape, probably 1783, Thomas Gainsborough (British), Oil on canvas (06.1279) |
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