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| Timelines/Regions |
| Thematic Essays |
| Accession Number |
| Lists of Rulers |
| Useful Links |
| Selected Readings |
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A Gorge in the Mountains (Kauterskill Clove), 1862, Sanford Robinson Gifford (American), Oil on canvas (15.30.62) |
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[Amateur Snapshot Album], 1890–92, Unknown Artist, American School, 286 cyanotypes and gelatin silver prints (1997.54) |
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Approaching Thunder Storm, 1859, Martin Johnson Heade (American), Oil on canvas (1975.160) |
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Arques-la-Bataille, 1884, John Henry Twachtman (American), Oil on canvas (1991.130) |
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Black Canyon, From Camp 8, Looking Above, 1871, Timothy O'Sullivan (American), Albumen silver print from glass negative (1986.1054.19) |
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Black Place II, 1944, Georgia O'Keeffe (American), Oil on canvas (59.204.1) |
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Canyon of Kanab Wash, Looking South, 1872, William H. Bell (American), Albumen silver print from glass negative (2005.100.585 (1–35)) |
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Cape Horn near Celilo, 1867, Carleton E. Watkins (American), Albumen silver print from glass negative (2005.100.109) |
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Celia Thaxter's Garden, Isles of Shoals, Maine, 1890, Childe Hassam (American), Oil on canvas (1994.567) |
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Clouds and Water, 1930,
Arthur Dove (American),
Oil on canvas (49.70.40) |
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Coast Guard Station, Two Lights, Maine, 1927,
Edward Hopper (American),
Watercolor, gouache, and charcoal on paper (1974.356.25) |
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Coast Scene, Isles of Shoals, 1901, Childe Hassam (American), Oil on canvas (09.72.6) |
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Collect Pond, New York City, 1798, Attributed to Archibald Robertson (American), , Watercolor and black chalk on off-white laid paper (54.90.168) |
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Devil's Canyon, Geysers, Looking Down, 1868–70, Carleton E. Watkins (American), Albumen silver print from glass negative (1989.1082) |
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Dunes, Oceano, 1936, Edward Weston (American), Gelatin silver print (1987.1100.129) |
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Easy chair, 1758, Caleb Gardner (American), American; Newport, Rhode Island, Walnut, maple (50.228.3) |
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Eaton's Neck, Long Island, 1872, John F. Kensett (American), Oil on canvas (74.29) |
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Flower Garden and Bungalow, Bermuda, 1899, Winslow Homer (American), Watercolor and graphite on off-white wove paper (10.228.10) |
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Francis Brinley, 1729, John Smibert (Scottish), American, Oil on canvas (62.79.1) |
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Garden Landscape and Fountain, ca. 1905–15,
Louis Comfort Tiffany (American); Tiffany Studios,
Favrile glass, cement (1976.105) |
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Golden Afternoon, 1908, Childe Hassam (American), Oil on canvas (11.40) |
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In the Woods, 1855, Asher B. Durand (American), Oil on canvas (95.13.1) |
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Lake George, 1869, John F. Kensett (American), Oil on canvas (15.30.61) |
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Lake Squam from Red Hill, 1874, William Trost Richards (American), Watercolor, gouache, and graphite on light gray-green wove paper (80.1.6) |
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Magnolia and Irises, ca. 1908,
Louis Comfort Tiffany (American); Tiffany Studios,
Leaded Favrile glass (1981.159) |
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Motiv aux Pommern, 1895–96, printed 1902, Hugo Henneberg (Austrian), Gum bichromate print (33.43.412) |
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Mountain Stream, ca. 1912–14, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (15.142.2) |
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Multnomah Falls Cascade, Columbia River, 1867, Carleton E. Watkins (American), Albumen silver print from glass negative (2005.100.108) |
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Newburyport Meadows, ca. 1876–81, Martin Johnson Heade (American), Oil on canvas (1985.117) |
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Niagara Falls, ca. 1855, Attributed to Silas A. Holmes (American), Salted paper print from glass negative (1997.382.52) |
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Paneling from Marmion, the Fitzhugh House, ca. 1758; painting ca. 1770-80,
King George County, Virginia (16.112) |
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Panoramic view of the the Palace and Gardens of Versailles, 1818–19, John Vanderlyn (American), Oil on canvas (52.184) |
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Peach Blossoms—Villiers-le-Bel, ca. 1887–89, Childe Hassam (American), Oil on canvas (1979.490.9) |
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[Rocky Hillside, Possibly near West Point, New York], ca. 1854, Victor Prevost (French), Salted paper print from paper negative (40.102.9) |
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Stage Fort across Gloucester Harbor, 1862, Fitz Henry Lane (formerly Fitz Hugh Lane) (American), Oil on canvas (1978.203) |
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Storm Clouds, 1935,
Arthur Dove (American),
Wax emulsion on canvas in artist's frame (2006.32.14)
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Strait of Carquennes, from South Vallejo, 1868–69, Carleton E. Watkins (American), Albumen silver print from glass negative (2005.100.110) |
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Surf, Isles of Shoals, 1913, Childe Hassam (American), Oil on canvas (1996.382) |
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Tantalus Canyon, Utah, 1870s, William Henry Jackson (American), Albumen silver print from glass negative (1973.641.3) |
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The Beeches, 1845, Asher B. Durand (American), Oil on canvas (15.30.59) |
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The Dayspring from on High, 1890s–1900s, Alexander Keighley (British), Carbon print (54.549.20)
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The Falls of Niagara, ca. 1825, Edward Hicks (American), Oil on canvas (62.256.3) |
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The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst, 1843, Thomas Cole (American), Graphite and white gouache on green wove paper (1977.182.7) |
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The Lighthouse at Two Lights, 1929,
Edward Hopper (American),
Oil on canvas (62.95) |
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The North Country, 1923, Willard Metcalf (American), Oil on canvas (24.60) |
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The Plantation, ca. 1825, Unknown artist (American), Oil on wood (63.201.3) |
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The Red Bridge, 1895, Julian Alden Weir (American), Oil on canvas (14.141) |
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The Road West, 1938, Dorothea Lange (American), Gelatin silver print (1990.1005)
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The Rocky Mountains, Lander's Peak, 1863, Albert Bierstadt (American), Oil on canvas (07.123) |
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The Titian's Goblet, 1833, Thomas Cole (American), Oil on canvas (04.29.2) |
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The Town on the Hill, New Almaden, 1863, Carleton E. Watkins (American), Albumen silver print from glass negative (1989.1083) |
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The Trout Pool, 1870, Worthington Whittredge (American), Oil on canvas (21.115.4) |
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The Valley of Wyoming, 1865, Jasper Francis Cropsey (American), Oil on canvas (66.113) |
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The Water Garden, 1909, Childe Hassam (American), Oil on canvas (1994.450) |
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View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, 1836, Thomas Cole (American), Oil on canvas (08.228) |
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View from the Sentinel Dome, Yosemite, 1865–66, Carleton E. Watkins (American), Albumen silver print from glass negative (1989.1084.1–.3) |
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View on the Columbia, Cascades, 1867, Carleton E. Watkins (American), Albumen silver print from glass negative (40 x 52.4 cm) (1979.622) |
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Wheatfield in Which General Reynolds Was Shot, July 1863, Mathew B. Brady (American), Albumen silver prints from glass negatives (33.65.391), (33.65.352) |
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Winter Yosemite Valley, 1933–34, Ansel Adams (American), Gelatin silver print (49.55.177) |
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