|
 |
|
 Subject |
| Artist |
| Timelines/Regions |
| Thematic Essays |
| Accession Number |
| Lists of Rulers |
| Useful Links |
| Selected Readings |
|
 |
|
|
 |
|
Allegorical Design (recto), Stage Design (verso), Leonardo da Vinci (Italian), Pen and brown ink (17.142.2) |
| |
 |
|
Grotesque Head: Man in Profile to Right, Copy after Leonardo da Vinci (Italian), Italian, Pen and brown ink, on beige paper (17.142.3) |
| |
 |
|
Head of a Man in Profile to Left, Leonardo da Vinci (Italian), Italian, Pen and brown ink, over black chalk (10.45.1) |
| |
 |
|
Head of a Woman in Profile to Lower Left, Follower of Leonardo da Vinci (Italian), Italian, Metalpoint, heightened with white, on pale blue-green prepared paper (19.76.3) |
| |
 |
|
Head of the Virgin in Three-Quarter View Facing Right, 1508–12, Leonardo da Vinci (Italian), Italian, Charcoal, black and red chalks; traces of framing line in pen and brown ink at upper right (51.90) |
| |
 |
|
Self-Portrait Looking at The Last Supper, 1982–84, Marisol (Marisol Escobar) (American, born France), Painted and drawn wood, plywood, brownstone, plaster, aluminum(1986.430.1-129) |
| |
 |
|
Studies for the Movements of Water, Male Nude Sheathing or Unsheathing a Sword, and Hercules Holding a Club Seen in Frontal View (recto); Study of Hercules Holding a Club Seen in Rear View (verso), 1506–8, Leonardo da Vinci (Italian), Charcoal or soft black chalk; pen and dark brown ink, on off-white laid paper (2000.328a,b) |
| |
 |
|
Studies for the Nativity (recto); Three Geometrical Diagrams and a Caricature of a Head (verso), 1480–85, Leonardo da Vinci (Italian), Italian, Metalpoint largely reworked with pen and brown ink on salmon-pink prepared paper (17.142.1) |
| |
|
|
|
|
|
