Works of Art (165)
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Abraham Sacrificing Isaac, late 19th century, Iran, Opaque watercolors and ink on paper (1970.275) |
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Abstract Trio, 1923, Paul Klee (German), Watercolor and transferred printing ink on paper, bordered with gouache and ink (1984.315.36) |
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Across the Campagna, 1872, George Inness (American), Watercolor, gouache, and graphite on off-white wove paper (67.55.145) |
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Adam and Little Eve, 1921, Paul Klee (German), Watercolor and transferred printing ink on paper (1987.455.7) |
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After Sir Christopher Wren, 1920,
Charles Demuth (American),
Watercolor, gouache, and pencil on cardboard (1984.433.156)
|
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Allan Melville, 1810, John Rubens Smith (American), Watercolor, gouache, and graphite on smooth surfaced off-white wove paper (46.192.4) |
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Allegory of Worldly and Otherworldly Drunkenness: Folio from the Divan (Collected Poems) of Hafiz, Safavid period (1501–1722), ca. 1531–33, Sultan Muhammad (Iranian, active first half of 16th century), Iran, Tabriz,
Opaque watercolor, ink, and gold on paper (1988.430) |
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American Institute, New York City (front elevation), ca. 1834–35 (project), Alexander J. Davis (American); Town & Davis, Watercolor, ink, and graphite on paper (24.66.438) |
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Angel of the Revelation, ca. 1803–5, William Blake (British), Watercolor, pen and black ink, over traces of graphite (14.81.1) |
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Architectural Study: Search for Volumes in an Isolated Building, ca. 1919, Virgilio Marchi (Italian), Pencil and watercolor on paper (1984.91) |
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The Artist's Garden at Saint-Clair,
Henri-Edmond Cross (French),
Watercolor on paper (48.10.7) |
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The Artist's Portfolio, Pont-Aven, 1894,
Paul Gauguin (French),
Two inside covers decorated in watercolor and gouache, over charcoal, with graphite; outer cover bound in leather, inscribed in pen and ink (2000.255) |
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Astor Hotel, New York City (perspective), ca. 1830 (project), Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.30) |
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A Basket of Clams, 1873, Winslow Homer (American), Watercolor on wove paper (1995.378) |
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Beauty Revealed, 1828,
Sarah Goodridge (American),
Watercolor on ivory (2006.235.74) |
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Bengal River Fish, ca. 1804, India; Calcutta School, Pencil, gouache, watercolor, and gilding on paper (2004.176) |
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Black Columns in a Landscape, 1919, Paul Klee (German), Watercolor, pen, and ink on paper (1987.455.1) |
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Black Stork in a Landscape, ca. 1780,
India (Lucknow),
Watercolor on European paper (2000.266) |
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Boys in a Dory, 1873,
Winslow Homer (American),
Watercolor washes and gouache over graphite underdrawing on medium rough textured white wove paper (2001.608.1) |
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The Brook, Nova Scotia, 1919,
George Luks (American),
Watercolor and pencil on paper (1974.356.13) |
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The Brush House, 1916, Childe Hassam (American), Watercolor and graphite on off-white wove paper (17.31.1) |
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Burgess Finding a Ford (illustration from Frederic Remington's Pony Tracks, 1895), 1895,
Frederic Remington (American),
Watercolor on paper (62.241.2) |
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Chand Bibi Hawking with Attendants in a Landscape, ca. 1700; Mughal,
India,
Opaque watercolors, gold, and silver on card-weight paper (1999.403) |
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The City and Hill Fortress of Ranthambhor, early 19th century, India (Rajasthan, Jaipur), Ink and opaque watercolor on paper (1996.100.6) |
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Coast Guard Station, Two Lights, Maine, 1927,
Edward Hopper (American),
Watercolor, gouache, and charcoal on paper (1974.356.25) |
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Colburn's Butte, South Utah, 1873,
Thomas Moran (American, born England),
Graphite, watercolor, and gouache on blue wove paper (2009.547) |
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Collect Pond, New York City, 1798, Attributed to Archibald Robertson (American), , Watercolor and black chalk on off-white laid paper (54.90.168) |
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A Common Indian Nightjar (Caprimulgus asiaticus), 18th century, India; Lucknow School, Watercolor on paper (2004.175) |
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Costume Study for Nijinsky in his Role in La Péri,
Léon Bakst (Russian),
Watercolor (22.226.1) |
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Craig Goch, Moel Hebog, North Wales, 1802, Cornelius Varley (British), Watercolor over graphite (1973.83) |
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Dark Prison ("Carcere Oscura"), after Piranesi, 1790s, Joseph Mallord William Turner (British), Watercolor over graphite (06.1051.3) |
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David Roentgen and Company in Saint Petersburg, 1784–86, Johann Friedrich Anthing (German, ca. 1753–1805), Cut paper, ink, watercolor, gold foil (48.73.1) |
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Death of the Demoness Putana: Page from a dispersed Bhagavata Purana (Ancient Stories of Lord Krishna), ca. 1610, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper (2002.176) |
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Design for Henry Field Memorial Gallery at the Art Institute of Chicago, ca. 1893–94,
Louis Comfort Tiffany (American); Tiffany Glass and Decorating Company,
Watercolor, pen and silver- and copper-colored metallic inks, brown and black inks, and graphite on off-white wove watercolor paper (67.654.4) |
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Dutch Fishing Boats, Verso: Sketches of Boats,
Johan Barthold Jongkind (Dutch),
Watercolor over black chalk on paper; verso black chalk (17.120.238) |
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Église du Saint Esprit, New York City (front elevation and plan), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.82)
Église du Saint Esprit, New York City (section and two plans), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.84) |
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Eight Men in Indian and Burmese Costume, 19th century,
India (Delhi),
Opaque watercolor, ink, and gold on paper (09.227.1) |
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Elijah Boardman, ca. 1790,
John Ramage (Irish, act. America),
Watercolor on ivory (1989.204) |
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Emaciated Horse and Rider, 'Adil Shahi period (1490–1686), ca. 1625, India, Deccan, Bijapur, Ink, opaque watercolor, and gold on paper, marbleized paper (44.154) |
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The Emperor Aurangzeb Carried on a Palanquin, Mughal period (1526–1858), ca. 1705–20, Bhavanidas (Indian, active ca. 1700–1748), India, Opaque watercolor and gold on paper (2003.430) |
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Ericstan for John J. Herrick, Tarrytown, New York (rear elevation), 1855–59, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.10) |
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Everyone Stands Under His Own Dome of Heaven, 1970,
Anselm Kiefer (German),
Watercolor, gouache, and graphite pencil on joined paper (1995.14.4) |
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Falnama (The Book of Omens), Safavid period, 1550s,
Iran, Qazvin,
Ink, opaque watercolor, and gold on paper (35.64.3) |
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Fishing Boats, Key West, 1903, Winslow Homer (American), Watercolor and graphite on off-white wove paper (10.228.1) |
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Fishing Boats, Le Pouliguen, 1928,
Paul Signac (French),
Watercolor and graphite on paper (1975.1.718) |
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Flower Garden and Bungalow, Bermuda, 1899, Winslow Homer (American), Watercolor and graphite on off-white wove paper (10.228.10) |
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Four Portraits: Leaf from the Shah Jahan Album, Mughal, period of Jahangir (1605–27), ca. 1610–15,
By Balchand, Daulat, Murad,
India,
Ink, opaque watercolor, and gold on paper (55.121.10.29) |
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Four Tulips, ca. 1635, Jakob Marrel (Dutch), Watercolor on vellum (68.66) |
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Fraktur Motifs, ca. 1770–1800, Johann Heinrich Otto (American), Watercolor, pen and iron gall ink, and graphite on off-white laid paper (66.242.1) |
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From Oscar Wilde, 1974,
Anselm Kiefer (German),
Watercolor and gouache on paper (2000.96.3) |
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Gate Lodge for Amos G. Hull, Newburgh, New York (front elevation), 1849, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.71) |
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Ghost Chamber with the Tall Door (New Version), 1925, Paul Klee (German), Sprayed and brushed watercolor, and transferred printing ink on paper, bordered with gouache and ink (1987.455.16) |
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Glen Ellen for Robert Gilmor, Towson, Maryland (perspective, elevation, and plan), 1832–33, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.17) |
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Goat, ca. 1934,
Arthur Dove (American),
Watercolor, gouache, and pencil on paperboard (49.70.75) |
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Golgotha, 1945,
Romare Bearden (American),
Watercolor, pen and India ink, and pencil on paper (54.143.9) |
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Grace Hill for Edwin C. Litchfield, Brooklyn, New York (front elevation), 1854, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.67) |
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Great Indian Fruit Bat, ca. 1777–82,
Circle of Bhawani Das,
India (Calcutta),
Pencil, ink, and watercolors on paper (2008.312) |
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Hammamet with Its Mosque, 1914,
Paul Klee (German, born Switzerland),
Watercolor and pencil on paper (1984.315.4) |
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Head of a Woman, ca. 1405–10,
Bohemia,
Watercolor on parchment laid down on secondary support (2010.119) |
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Head of Krishna, ca. 1800, Attributed to Sahib Ram, India (Rajasthan, Jaipur), Ink and watercolors on paper (1918.85.2) |
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A Hedgehog, before 1584,
Hans Hoffmann (German),
Watercolor and gouache on parchment (2005.347) |
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In the Generalife, 1912, John Singer Sargent (American), Watercolor, wax crayon, and graphite on white wove paper (15.142.8) |
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Inside the Bar, 1883, Winslow Homer (American), Watercolor and graphite on off-white wove paper (54.183) |
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Interior of a Mughal Tomb, or Hammam, Furnished in the English Taste, ca. 1830–40, India (Delhi), Opaque watercolor on paper (1994.71) |
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Inundated Ruins of a Monastery, ca. 1824,
Karl Blechen (German),
Pen and black ink, watercolor washes, sgrafitto (2008.109)
|
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John Biglin in a Single Scull, ca. 1873, Thomas Eakins (American), Watercolor on off-white wove paper (24.108) |
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Kāma Aims His Bow at Radha: Page from a Dispersed Gita Govinda (Loves of Krishna), ca. 1695, India (Rajasthan, Mewar), Ink and opaque watercolor on paper (1975.409.3) |
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King Siddharta Listens to an Astrologer Forecast the Conception and Birth of His Son, the Jina Mahavira: Folio from a Kalpasutra Manuscript, late 14th century, India (Gujarat), Opaque watercolor on paper (1997.133) |
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Kirtlington Park, Oxfordshire: View of the Dining Room, 1876,
Susan Alice Dashwood (English),
Watercolor and gouache over graphite (1993.28) |
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Lady in Gray, ca. 1883,
James McNeill Whistler (American),
Watercolor and gouache on dark brown wove paper (06.312) |
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Lady Lilith, 1867, Dante Gabriel Rossetti (British), Watercolor and gouache on paper (08.162.1) |
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A Lady Playing the Tanpura, ca. 1735,
India (Rajasthan, Kishangarh),
Ink, opaque and transparent watercolor, and gold on paper (1996.100.1) |
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Laila and Majnun at School: Page from the Khamsa of Nizami (Quintet of Nizami), A.H. 835 /1431–32 A.D.,
Artist: possibly Mir Khalil; calligrapher: Ja'far,
Herat, present-day Afghanistan,
Ink, opaque watercolors, and gold on paper (1994.232.4) |
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The Lake of Zug, 1843, Joseph Mallord William Turner (British), Watercolor over graphite (59.120) |
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Lake Squam from Red Hill, 1874, William Trost Richards (American), Watercolor, gouache, and graphite on light gray-green wove paper (80.1.6) |
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Leaf of calligraphy: Leaf from the Shah Jahan Album, Mughal; calligraphy, ca. 1500; margin, early 17th century,
Sultan cAli Mashhadi (calligraphy), Possibly Daulat (illumination),
Iran (calligraphy), India (margin),
Ink, opaque watercolor, and gold on paper (55.121.10.32) |
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Leaf of calligraphy: Leaf from the Shah Jahan Album, Mughal; calligraphy, ca. 1535–45; margin, 17th century,
Mir 'Ali of Herat (calligraphy),
Iran (calligraphy), India (illumination),
Ink, opaque watercolor, and gold on paper (55.121.10.4) |
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Lindisfarne Castle, Holy Island, ca. 1797, Thomas Girtin (British), Watercolor on rough cartridge paper (06.1051.1) |
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Lustration of the Infant Jina Mahavira: Folio from a Kalpasutra Manuscript, late 14th century, India (Gujarat), Opaque watercolor on paper (2005.35) |
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Lyndhurst for George Merritt, Tarrytown, New York (first floor plan), 1870, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.42) |
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Maharaja Bijay Singh in His Harem, ca. 1770, India, Rajasthan, Jodhpur, Ink, opaque watercolor, and gold on paper (2002.38) |
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Maharaja Sardar Singh of Bikaner, ca. 1860–70, Chotu, India (Rajasthan, Bikaner), Ink, opaque watercolor, and gold on paper (1996.100.7) |
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Maharana Sarup Singh Views a Prize Stallion, 1845, Tara (Indian, active 1836–68), India (Rajasthan, Mewar), Ink, opaque watercolor, and gold on paper (2001.344) |
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Man with Red Drapery, after 1900, John Singer Sargent (American), Watercolor and graphite on white wove paper (50.130.73) |
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Marbled page: Page from a manuscript of the Mantiq al-tayr (The Language of the Birds) of Farid al-Din cAttar, ca. 1600; Safavid,
Iran (Isfahan),
Opaque watercolor and ink on paper (63.210.44v) |
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Members of the City Troop and Other Philadelphia Soldiery, 1811–ca. 1813, John Lewis Krimmel (American), Watercolor, gouache, and graphite on white laid paper (42.95.21) |
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The Middleton Cousins, early 1750s,
Mary Roberts (English, active United States),
Watercolor on ivory (2007.61–.65) |
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Miraculous Landing, or the "112!", 1920, Paul Klee (German), Watercolor, transferred printing ink, pen, and ink on paper (1984.315.23) |
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Mountain Stream, ca. 1912–14, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (15.142.2) |
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Mu'is al ahrar fi daqa'iq al ashcar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, Ilkhanid period, A.H. 741/A.D. 1340–41,
Iran, Isfahan,
Ink, opaque watercolor, and gold on paper (19.68.1) |
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My Father Pledged Me a Sword, 1974–75,
Anselm Kiefer (German),
Watercolor, gouache, and ballpoint pen on paper (1995.14.14) |
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Negro Boy Dancing, 1878, Thomas Eakins (American), Watercolor on off-white wove paper (25.97.1) |
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Nilgai (blue bull): Leaf from the Shah Jahan Album, Mughal, period of Jahangir (1605–27), ca. 1620,
By Mansur,
India,
Ink, opaque watercolor, and gold on paper (55.121.10.13) |
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Olive Trees at Tivoli, 1873, George Inness (American), Gouache, watercolor, and graphite on blue wove paper with colored fibers (1989.287) |
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One of a Pair of Jain Manuscripts, early 12th century, India (Gujarat), Opaque watercolor on wood (1984.496.33b) |
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Osage Warrior, 1805–7, Charles Balthazar J. F. Saint-Mémin (American), Watercolor and graphite on off-white wove paper (54.82) |
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The Parable of the Wise and Foolish Virgins, ca. 1803–5, William Blake (British), Watercolor, brush and gray wash, pen and black ink over graphite (14.81.2) |
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The Photographer, 1942,
Jacob Lawrence (American),
Watercolor, gouache, and pencil on paper (2001.205) |
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Piazza di San Marco, ca. 1898–99, Maurice Prendergast (American), Watercolor and graphite on off-white wove paper (52.126.6) |
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Pity, second impression, ca. 1795, William Blake (British), Color print finished with pen and ink and watercolor, sheet, (58.603) |
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Plums, 1870, John William Hill (American), Watercolor, graphite, and gouache on off-white Bristol board (82.9.1) |
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The Pont Neuf, ca. 1912–14,
Hippolyte Petitjean (French),
Watercolor and gouache on paper (1975.1.681) |
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Pool Parlor, 1942, Jacob Lawrence (American), Watercolor and gouache on paper (42.167) |
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Portrait of a Lady, ca. 1827,
Henry Inman (American); Thomas Seir Cummings (American),
Watercolor on ivory (2003.520) |
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Preparations for a Hunt, ca. 1680; Mughal,
India,
Opaque watercolor on paper (2005.235a) |
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Prince and Ladies in a Garden, mid-18th century; Mughal, Attributed to Nidha Mal, Lucknow, India, Watercolor and gold on paper (2001.302) |
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A Prince Hunting Boars with His Retinue, late 18th–early 19th century, India (Rajasthan, Jhilai), Ink, opaque watercolor, and gold on paper (1996.100.4) |
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Prince Khurram (Shah Jahan) with His Son Dara Shikoh: Leaf from the Shah Jahan Album, Mughal, period of Jahangir (1605–27), ca. 1620,
By Nanha,
India,
Ink, opaque watercolor, and gold on paper (55.121.10.36) |
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Rachel Brewer Peale and Baby Eleanor, ca. 1791,
Charles Willson Peale (American),
Watercolor on ivory (2006.235.127) |
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Rama Receives Surgriva and Jambavat, the Monkey and Bear Kings: Leaf from a manuscript of the Ramayana, ca. 1605; Mughal,
India,
Opaque watercolor and gold on paper (2002.503) |
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Rama, Sita, and Lakshmana at the Hermitage of Bharadvaja: Page from a dispersed Ramayana (Story of King Rama), ca. 1780, India (Punjab Hills, Kangra), Ink and opaque watercolor on paper (1976.15) |
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Reading the News at the Weavers' Cottage, 1673,
Adriaen van Ostade (Dutch),
Pen and brown ink, watercolor, white heightening, traces of graphite, framing lines by the artist(?) in brown ink and gold (1997.117.10) |
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Red-Headed Vulture and Long-Billed Vulture: Leaf from the Shah Jahan Album, Mughal, period of Jahangir (1605–27), ca. 1615–20,
By Mansur,
India,
Ink, opaque watercolor, and gold on paper (55.121.10.12) |
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The Rehearsal of the Ballet Onstage, probably 1874,
Edgar Degas (French),
Oil colors freely mixed with turpentine, with traces of watercolor and pastel over pen-and-ink drawing on cream-colored wove paper, laid down on bristol board and mounted on canvas (29.160.26) |
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Saada, the Wife of Abraham Benchimol, and Préciada, One of Their Daughters, 1832, Eugène Delacroix (French), Watercolor over graphite (1972.118.210) |
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Saltillo Mansion, 1943,
Edward Hopper (American),
Watercolor on paper (45.157.2) |
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Schreckhorn, Eismeer (from the Splendid Mountain Watercolours Sketchbook), 1870, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (50.130.146f recto) |
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Self-Portrait, 1769,
John Singleton Copley (American),
Watercolor on ivory (2006.235.32) |
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Self-Portrait, 1911, Egon Schiele (Austrian), Watercolor, gouache, and pencil on paper (1984.433.298a) |
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A Sermon in a Village Church, ca. 1635–40,
Peter Paul Rubens (Flemish),
Black chalk, oil- and water-based paints (2000.483) |
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Shah Jahan on a Terrace Holding a Pendant Set with His Portrait, dated 1627/8; Mughal, Inscribed by Chitarman, dated 1627/8, India, Ink, opaque watercolor, and gold on paper (55.121.10.24) |
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Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series, dated 1694–95, Devidasa of Nurpur, India (Basohli, Jammu), Ink, opaque watercolor, silver, and gold on paper (57.185.2) |
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The Shoemaker, 1945,
Jacob Lawrence (American),
Watercolor and gouache on paper (46.73.2) |
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The Shop and Warehouse of Duncan Phyfe, 168–172 Fulton Street, New York, NY, 1816–20,
Unknown Artist,
New York City,
Watercolor, black ink, and gouache on white laid paper (22.28.1) |
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Shop Girls, ca. 1900,
William Glackens (American),
Pastel and watercolor on illustration board (23.230.1) |
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Sketch for Jesus the Son of Man, ca. 1923,
Gibran Khalil Gibran (American, born Lebanon),
Pencil and watercolor on paper (32.45.5) |
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Sketch of enamel bowl, ca. 1898–99,
Tiffany Glass and Decorating Company (American),
New York, New York,
Watercolor and graphite (2005.495) |
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Songs of Innocence and of Experience: The Tyger (Plate 42), 1794/ca. 1825,
William Blake (British), Copy Y, ca. 1825,
Relief etchings printed in orange-brown ink, heightened with watercolor and shell gold, with hand-painted decorative borders, (17.10.42) |
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St. Eustace, 1974,
Anselm Kiefer (German),
Watercolor, gouache, and colored pencil on paper (2000.96.4) |
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St. Paul's, Manhattan, 1914, John Marin (American), Watercolor and charcoal on paper (49.70.110) |
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Start of the Race of the Barbieri Horses, Rome, 1860,
Jean-Baptiste Carpeaux (French),
Pen and ink, watercolor, and gouache on wove paper (2000.105) |
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Still Life with Flowers, a Snail, and Insects, 1589,
Joris Hoefnagel (Netherlandish),
Watercolor, gouache, and shell gold on vellum (2008.110) |
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Studies of a Saddled Horse and a Horse with a Boy Astride; Study of a Bean Plant, ca. 1603,
Jacob de Gheyn (Netherlandish),
Pen and brown ink, with green and brown watercolor and gray wash on verso (2008.240a,b) |
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Study for Distortions; Isometric Systems in Isotropic Space—Map Projections: The Cube, 1978, Agnes Denes (American), Watercolor on graph paper, pen and ink on clear plastic overlay (1983.501.3) |
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Study for the Astor Library (front elevation), 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.419) |
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Study for two residential rows facing across a court, New York City (perspective), ca. 1831, Alexander J. Davis (American), Watercolor and ink on paper (24.66.1291) |
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Study of a double townhouse (front elevation), ca. 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.55) |
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Svetambara Enthroned Jina, with Attendant Yaksha and Yakshi, ca. second half of the 11th century, India (Gujarat), Copper alloy inlaid with silver and copper (1992.124.1) |
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A Syce Holding Two Carriage Horses, mid-19th century, India (Calcutta), Ink and opaque watercolor on paper (1994.280) |
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Tale à la Hoffmann, 1921, Paul Klee (German), Watercolor, pencil, and transferred printing ink on paper, bordered with metallic foil (1984.315.26) |
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Tommies Bathing, 1918, John Singer Sargent (American), Watercolor and graphite on white wove paper (50.130.48) |
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Tree, 1935,
Arthur Dove (American),
Watercolor, tempera, brush and ink on paper (49.70.96) |
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TThe Son Who Mourned His Father: Folio from the Mantiq al-tair (The Language of the Birds) of Farid al-Din 'Attar, Timurid period (1370–1507), dated A.H. 892 / A.D. 1487, Present-day Afghanistan, Herat, Opaque watercolor, silver, and gold on paper (63.210.35) |
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The Unknown Masterpiece, 1982,
Anselm Kiefer (German),
Watercolor, gouache, graphite pencil, cut-and-pasted printed papers on paper (2000.96.8) |
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Unwan: Leaf from the Shah Jahan Album, Mughal, period of Shah Jahan (1628–58), ca. 1630–40,
India,
Ink, opaque watercolor, and gold on paper (55.121.10.38)
Unwan: Leaf from the Shah Jahan Album, Mughal, period of Shah Jahan (1628–58), ca. 1630–40,
India,
Ink, opaque watercolor, and gold on paper (55.121.10.39) |
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Variations in Violet and Grey—Market Place, Dieppe, 1885,
James McNeill Whistler (American),
Gouache and watercolor on off white wove paper, mounted on academy board (2000.512) |
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Venetian Canal, 1913, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (15.142.10) |
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Ventriloquist and Crier in the Moor, 1923, Paul Klee (German), Watercolor and transferred printing ink on paper, bordered with ink (1984.315.35) |
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View of a Mosque and Gateway in Motijhil Bengal, British period (1858–1947), ca. 1814–23, Attributed to Sita Ram (Indian, active 1814–23), India, Bengal, Opaque watercolor on paper (2002.461) |
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View of Kensington Gardens, ca. 1811, John Linnell (British), Watercolor over graphite on paper (2000.238) |
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View of London from Greenwich, 1825, Joseph Mallord William Turner (British), Watercolor and gouache over graphite (59.23.23) |
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View of Rouen from St. Catherine's Hill, 1821–22, Richard Parkes Bonington (British), Watercolor over graphite on white wove paper (1996.277) |
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View of South Street, from Maiden Lane, New York City, ca. 1827, William James Bennett (American), Watercolor on off-white wove paper (54.90.130) |
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View of the Lake and the Island from the Lawn at Kew (plate 38), 1763, William Marlow (English), Designed by Sir William Chambers (English), Watercolor (25.19.38) |
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View of the Villa Lante on the Janiculum (Gianicolo) in Rome, 1782–83, John Robert Cozens (British), British, Watercolor over traces of graphite on white laid paper (67.68) |
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View of the Wilderness at Kew, 1763, William Marlow (English), Sir William Chambers (English), Watercolor (25.19.43) |
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View of University Park Looking Towards New College, Oxford, after 1825, William Turner of Oxford (British), Watercolor over graphite on paper (2000.242) |
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Virgil Reading the Aeneid to Augustus, Livia, and Octavia, 1809 or 1819(?),
Jean-Auguste-Dominique Ingres (French),
Pen and black ink, graphite, gray watercolor washes, white gouache heightening, Conté crayon on blue paper (2009.423) |
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Wild Emperor, 1975, Anselm Kiefer (German), Watercolor and acrylic on paper (1995.14.11) |
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Wild Roses and Irises, 1887, John La Farge (American), Gouache and watercolor on white wove paper, 1950 (50.113.3) |
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Winter Landscape, 1970,
Anselm Kiefer (German),
Watercolor, gouache, and graphite pencil on paper (1995.14.5) |
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Women Bathing by Moonlight: Folio from the Davis Album, 18th century, India, Ink, opaque watercolor, and gold on paper (30.95.174.23) |
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Young Jewish Woman of Algeria, Seated, 1846,
Théodore Chassériau (French),
Watercolor over graphite (64.188) |
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Your Golden Hair, Margarete, 1980,
Anselm Kiefer (German),
Watercolor, gouache, and acrylic on paper (2000.96.7) |
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The Zouave, ca. June 20, 1888,
Vincent van Gogh (Dutch),
Watercolor, reed pen and ink, wax crayon (62.151) |
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