Works of Art (77)
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Jain Siddha Bahubali, Entwined with Forest Vines, late 6th–7th century, India (Karnataka), Copper Alloy (1987.142.339) |
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Amulet case, late 19th–early 20th century,
Central Asia,
Silver, glass (2006.544.9) |
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Androgyn III, 1985, Magdalena Abakanowicz (Polish), Burlap, resin, wood, nails, string (1986.221a,b) |
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"Antioch Chalice," first half of 6th century, Byzantine; Made in Antioch or Kaper Koraon (?), Silver, silver-gilt (50.4) |
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Bath scraper, 12th–13th century, Iran, Earthenware; unglazed, molded in relief (26.102.7) |
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Birds and Flowers of the Four Seasons, Momoyama period, early 17th century, Kano School, Japan, Pair of six-fold screens; color on gold-leafed paper (1987.342.1,2) |
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Bottle, Goryeo dynasty, 13th–14th century,
Korea,
Stoneware with inlaid decoration of chrysanthemums under celadon glaze (27.119.6) |
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Bowl with green, yellow, and brown splashed decoration, 10th century,
Found at Iran, Nishapur, Sabz Pushan, Well in Room 2, Lower Level,
Earthenware; white slip, incised and splashed with polychrome glazes under transparent glaze (sgraffito ware) (38.40.137) |
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Bowl, 1881–83, Made by the Faience Manufacturing Company, Painted and glazed earthenware (L.1991.45.2) |
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Casket, 11th12th century, Probably southern Italy or Sicily, Ivory (17.190.241) |
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Chasuable, 17th century, Turkey, Silk, metal-wrapped thread; lampas (kemha) (06.1210) |
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Covered vase, 1886–90, Made by the Faience Manufacturing Company, New York City, Earthenware (1981.432.4.) |
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Cranes, Peach Tree, and Chinese Roses, Qing dynasty (1644–1911),
After Shen Nanpin (Shen Quan) (Chinese),
Hanging scroll; ink and color on silk (1975.268.81) |
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[Dandelion Seeds], 1858 or later, William Henry Fox Talbot (British7), Photogravure (photoglyphic engraving from a copper plate) (2004.111) |
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Dish in the Shape of a Leaf, Tang dynasty, late 7thearly 8th century, China, Silver with parcel gilding (1974.268.11) |
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Dish with design of peonies, 15th century, Vietnam, Stoneware with underglaze cobalt-blue decoration (1989.157) |
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Ewer, 1886–90, Made by the Faience Manufacturing Company, Earthenware (1984.424) |
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Folio from the Kevorkian Album, ca. 1540, Bukhara, Uzbekistan, Calligraphy signed by Mir cAli Haravi, Ink, gold, and colors on paper (55.121.10.7v) |
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Four Portraits: Leaf from the Shah Jahan Album, Mughal, period of Jahangir (1605–27), ca. 1610–15,
By Balchand, Daulat, Murad,
India,
Ink, opaque watercolor, and gold on paper (55.121.10.29) |
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The Glorification of Akbar: Leaf from the Shah Jahan Album, Mughal, period of Jahangir (160527),
Attributed to Govardhan,
Ink, opaque watercolor, and gold on paper (55.121.10.22) |
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Goa stone container with stone and stand, late 17thearly 18th century,
India (Goa or western India),
Container and stand; worked gold; Goa stone: organic and inorganic material, gilded (2004.244ac) |
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Grapevine and Squirrels, Joseon dynasty, early 19th century,
Korea,
Hanging scroll, ink and light color on paper (1987.195) |
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Grapevine in the Wind, Joseon dynasty (13921910),
Unidentified artist (16th century),
Korea,
Hanging scroll, ink on silk (1994.439) |
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Ink tablet with peach tree, Ming dynasty, dated 1576,
China,
Black ink (30.76.197) |
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Ivy textile, 18831900,
Associated Artists (New York City),
Printed cotton velvet (28.70.1) |
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Large Jar, Joseon dynasty, second half of 15th century,
Korea,
Stoneware with sgrafitto decoration of peonies under buncheong glaze (16.122.1) |
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Leys jar with peanut plant, Ming dynasty, Chenghua period, late 15th century,
China,
Porcelain painted in underglaze blue (1986.208.1) |
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Loom width with serrated leaf design, ca. 1600–1625, Turkey, Bursa, Silk, metal-wrapped thread; lampas (kemha) (52.20.17) |
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Mask, 10th–6th century B.C.,
Mexico; Olmec,
Jadeite (1977.187.33) |
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Medallion, mid-Imperial, late 2nd–early 3rd century A.D.,
Roman,
Terracotta; Rhône valley ware (17.194.2125) |
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Nilgai (blue bull): Leaf from the Shah Jahan Album, Mughal, period of Jahangir (1605–27), ca. 1620,
By Mansur,
India,
Ink, opaque watercolor, and gold on paper (55.121.10.13) |
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Noh costume (atsuita) with clouds and hexagons, Edo period, 19th century,
Japan,
Silk twill damask with silk brocading wefts and supplementary weft patterning in metallic thread (19.88.3) |
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Noh costume (chôken) with water plants and mulberry leaves, Edo period, 18th century,
Japan,
Silk gauze (ro) brocaded with metallic thread (32.30.4) |
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Noh costume (surihaku) with water, water plants, and leaves, Edo period, 19th century,
Japan,
Gold leaf on plain-weave silk (58.97.1) |
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Oil bottle, Goryeo dynasty, late 12th century,
Korea,
Stoneware with reverse inlaid decoration of peonies under celadon glaze (17.175.9) |
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Pair of flower style doors, 17th century,
India,
Wood (2009.376a,b) |
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Peach-shaped cup with saucer, Qing dynasty, 19th century,
China,
Jade (jadeite) (02.18.433a,b) |
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Plate, Mamluk period (1250–1517), 14th century, Syria, glass, free blown, enameled and gilded, tooled on the pontil (91.1.1533) |
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Plum Branch, Joseon dynasty, 1888,
Yi Yuwon (Korean),
Hanging scroll, ink on paper (1990.230) |
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Portrait of Maharaja Bhim Kunwar: Leaf from the Shah Jahan Album, Mughal, period of Jahangir (1605–27), ca. 1615,
By Nanha,
India,
Ink, opaque watercolor, and gold on paper (55.121.10.2) |
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Preparation of Medicine from Honey: Leaf from an Arabic translation of the Materia Medica of Dioscorides, dated 1224,
Iraq, Baghdad School,
Colors and gold on paper (13.152.6) |
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Prince Khurram (Shah Jahan) with His Son Dara Shikoh: Leaf from the Shah Jahan Album, Mughal, period of Jahangir (1605–27), ca. 1620,
By Nanha,
India,
Ink, opaque watercolor, and gold on paper (55.121.10.36) |
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Pyxis depicting Christ's Entry into Jerusalem, Ayyubid period (1169–1260), mid-13th century, Syria, Brass, hammered, chased, inlaid with silver and black compound (1971.39a,b) |
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Rectangular tray with Daoist Immortals, Ming dynasty, 16th century,
China,
Black lacquer with mother-of-pearl inlay; basketry sides (2006.238) |
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Rosette (shamsa) bearing the name and titles of Emperor Shah Jahan (r. 1628–58), Mughal, 17th century,
Attributed to India,
Ink, opaque watercolor, and gold on paper (55.121.10.39) |
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Roundel with Amazons and a cross, 7th–9th century (?), Egypt or Syria (?), Weft-faced compound twill (samite) in green, beige, and brownish silk(1987.442.5) |
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Set of pruning tools, 15751600,
French; Moulins,
Steel, partly gilded, and mother-of-pearl (64.101.1470.1476)
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Shoulao, God of Longevity, Qing dynasty, Kangxi period (1662–1722),
China,
Porcelain painted in overglaze enamels (14.40.212) |
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Silk fragment with a rosebush, deer, and flower pattern, late 17th–early 18th century; Safavid, Iran, Silk, silver- and gilt-metal-wrapped thread; compound twill weave, brocaded (49.32.99) |
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Small Motifs of Insects and Plants, 1596, Georg Herman (German), Blackwork and engraving (42.86.4[8]) |
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Snow Flowers, 1951, Henri Matisse (French), Watercolor and gouache on cut and pasted papers (1999.363.46) |
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Spot sampler, mid-17th century,
English,
Linen canvas worked with silk and metal thread; stitches include tent, cross, back, plaited braid, detached buttonhole, knots, and laidwork (64.101.1328) |
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Stained-Glass Window, with Grisaille Decoration, ca. 1325, French; From the abbey church of Saint-Ouen, Rouen, France, Pot-metal and colorless glass, with silver stain and vitreous paint (1984.199.111 and 48.183.2) |
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Statuette of a Hippopotamus, Middle Kingdom, Dynasty 12, ca. 19911783 B.C., Egyptian; Middle Egypt, Meir, Faience (17.9.1) |
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Still Garden, 2011, Afruz Amighi (American, born Iran, 1974), Pe-cap and Plexiglas, (2011.427) |
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Still Life with a Ginger Jar and Eggplants, 1893–94,
Paul Cézanne (French),
Oil on canvas (61.101.4) |
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Study of a Tree Trunk, Roelandt Savery (Netherlandish), Graphite, charcoal dipped in oil, brush and gray wash, red chalk (1999.223) |
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Sycamore Fig Leaves, 1924–25 season,
Harry Burton (English),
The Egyptian Expedition of The Metropolitan Museum of Art,
Gelatin silver print (M6C 480) |
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Table carpet fragment, late 16th century,
English,
Canvas worked with wool and silk thread; tent stitch (54.7.8) |
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Tapestry with immortal holding a peach, Ming dynasty (1368–1644),
China,
Silk tapestry (kesi) (26.114.4) |
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Textile Fragment, 6th–7th century, Iraq or Syria, Silk (15.109) |
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Tile frieze, Ilkhanid period (1206–1353), second half of 13th century, Iran, Kashan, stonepaste, molded, in-glaze painted in blue and turquoise, luster painted on an opaque white glaze (10.9.1) |
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The Tree of Life, first half of 17th century,
English,
Canvas worked with silk thread; tent, Gobelin, and couching stitches (64.101.1305) |
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Tree, 1935,
Arthur Dove (American),
Watercolor, tempera, brush and ink on paper (49.70.96) |
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Two Birds on a Wintry Tree, Song dynasty, 13th century,
Formerly Attributed to Lidi (Chinese),
Fan mounted as an album leaf; ink and color on silk (1989.363.15) |
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Two Panels of an Ivory Diptych Announcing the Consulship of Justinian, 521, Byzantine; Made in Constantinople, Ivory (17.190.52, 53) |
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Tympanum, late 14thearly 15th century; Golden Horde, Daghestan region, Caucasus (probably Kubachi), Carved stone with traces of paint (38.96) |
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Unicorn in Captivity, ca. 14951505, South Netherlandish, Wool warp, wool, silk, silver, and gilt wefts (37.80.6) |
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Unwan: Leaf from the Shah Jahan Album, Mughal, period of Shah Jahan (1628–58), ca. 1630–40,
India,
Ink, opaque watercolor, and gold on paper (55.121.10.38)
Unwan: Leaf from the Shah Jahan Album, Mughal, period of Shah Jahan (1628–58), ca. 1630–40,
India,
Ink, opaque watercolor, and gold on paper (55.121.10.39) |
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Vase with immortals offering the peaches of longevity, Qing dynasty, Kangxi period (1662–1722),
China,
Porcelain painted with overglaze enamels (14.40.331) |
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Vase with peaches, Qing dynasty, Qianlong mark and period, 18th century,
China,
Porcelain with overglaze enamels (17.120.194) |
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Vase, 1883, Edward Lycett (American), Porcelain, overglaze enamel decoration and gilding (L.1991.74.1) |
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Vase, Coptic period (3rd–12th century), 8th century, Egypt, Ceramic, painted, unglazed (23.2.74) |
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Velvet cushion cover (yastik), ca. 1600, Turkey, Bursa, Silk, cotton, metal-wrapped thread; cut and voided velvet (çatma), brocaded (17.120.123) |
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Velvet panel with flowering plants, first half of 17th century; Safavid, Iran, Silk, cotton, flat metal thread; cut and voided velvet, brocaded (12.72.5) |
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The Vine, 1921; revised 1923; this cast, 1924,
Harriet Whitney Frishmuth (American),
Bronze (27.66) |
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Woman's jacket, ca. 1616,
English,
Linen worked with silk and metal thread, spangles; detached buttonhole variations, wrapped ladder stitch, straight, knot, chain, and satin stitches, metal bobbin lace (23.170.1) |
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