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 Subject |
| Artist |
| Timelines/Regions |
| Thematic Essays |
| Accession Number |
| Lists of Rulers |
| Useful Links |
| Selected Readings |
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And There's Nothing to Be Done (Y no hai remedio), 1810–23,
Francisco de Goya y Lucientes (Spanish),
Etching, drypoint, burin, and burnisher (32.62.17) |
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Casspirs Full of Love, 1989–2000, William Kentridge (South African), South Africa, Drypoint (2001.602) |
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Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Drypoint printed on vellum; second state (41.1.31) |
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Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Drypoint, engraving, and scraping; fourth state of five (41.1.33) |
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Christ Presented to the People, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Drypoint; eighth (final) state (41.1.36) |
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Christ Presented to the People, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Drypoint; second state of eight (41.1.34) |
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Clump of Trees with a Vista, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Drypoint; second state of two (20.46.4) |
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Holy Family with Saint John, the Magdalene, and Nicodemus, ca. 1512, Albrecht Dürer (German), Drypoint, first state (19.73.51) |
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Jan Lutma, 1656, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching and drypoint printed on Japan paper; first state of three (20.46.18) |
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Mary Cassatt at the Louvre: The Etruscan Gallery, 1879–80,
Hilaire-Germain-Edgar Degas (French),
Softground etching, drypoint, aquatint, and etching, third state of nine (19.29.2) |
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Maternal Caress, 1891,
Mary Cassatt (American),
Drypoint and soft-ground etching, third state, printed in color (16.2.5) |
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Minerva and the Muses, mid-16th century, Emilian (?) school, Etching and drypoint (27.78.2[99]) |
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"Negress" Lying Down, 1658, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching, drypoint, engraving; 3 3/16 x 6 1/4 in. (8.1 x 15.8 cm) (29.107.28) |
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Recruits Going to Join the Regiment, 1716–17,
Jean Antoine Watteau (French),
Etching with drypoint, first state of three (2006.43) |
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Saint William of Maleval, 1661, Salvator Rosa (Italian, Neapolitan), Etching and drypoint (17.50.17.90) |
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The Dream of Aeneas, ca. 1663–64), Salvator Rosa (Italian, Neapolitan), Etching with drypoint (17.50.17.85) |
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The Entombment, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching, drypoint, and engraving; second state of four (23.51.7) |
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The Good Samaritan, 1633, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching and drypoint; first state of four (41.1.53) |
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The Skeletons: From the Grotteschi, ca. 1748, Giovanni Battista Piranesi (Italian), Etching with engraving, drypoint, and burnishing, second state (37.45.3.38) |
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The Three Trees, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching with drypoint and engraving (29.107.31) |
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Untitled, 1944–45, Jackson Pollock (American), Engraving and drypoint (1975.647.4) |
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Victor Hugo, Three-Quarter View, 1885, Auguste Rodin (French), Drypoint, second of eight described states (16.37.2) |
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Wooded Landscape at L'Hermitage, Pontoise, 1879,
Camille Pissarro (French),
Softground etching, drypoint, and aquatint on china paper, sixth state (21.46.1) |
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