Heilbrunn Timeline of Art History

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Engraving with Mythological Theme

Print, Engraving, Mythological

Works of Art (48)

Aeneas and His Family Fleeing Troy, 1595, Agostino Carracci (Italian, Bolognese), after Federico Barocci (Italian), Engraving (47.100.1023)
Amorini Celebrate the Rape of Proserpina, 1805–12, Francesco Rosaspina (Italian), after an oil painting by Francesco Albani (Italian), Engraving and etching (45.78.123)
Apollo and Diana, ca. 1500–1505, JBarbari, Jacopo de' (Italian), Engraving (20.92.2)
Apollo and the Muses on Parnassus, 1784, Raphael Morghen (Italian, Neapolitan), after Anton Raphael Mengs (German), Engraving and etching (28.22.36)
Apollo and the Muses on Parnassus, ca. 1514–20, Marcantonio Raimondi (Italian), after Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Engraving (17.37.150)
Apollo Belvedere,ca. 1530–34, Marcantonio Raimondi (Italian), Engraving (49.97.114)
Apollo Slays the Python and Quarrels with Cupid: From the series The Story of Apollo and Daphne, mid-16th century, Master of the Die (Italian, active Rome), after Baldassare Tommaso Peruzzi (Italian), Engraving (49.97.323)
Apollo, 1588, Hendrick Goltzius (Netherlandish), Engraving (51.501.3)
Apollo, Marsyas, and the Judgment of Midas, 1582, Melchior Meier (German, active Tuscany), Engraving (41.1.210)
Apollo, Pan, and a Putto Blowing a Horn, 1560s, Giorgio Ghisi (Italian, Mantuan), after Francesco Primaticcio (Italian, Bolognese), Engraving (49.95.161)
Bacchanal with a Wine Vat, 1470s, Andrea Mantegna (Italian, Paduan), Engraving and drypoint (1986.1159)
Bacchanal with Silenus, ca. 1470s, Andrea Mantegna (Italian, Paduan), Engraving (29.44.15)
Cupid with the Arms of Mars, ca. 1547–62, Adamo Scultori (Italian, Mantuan), Engraving (49.97.479)
Diana: From the series Gods in Niches, 1526, Giovanni (Gian) Jacopo (Giacomo) Caraglio (Italian, Veronese or Parmese), after Rosso Fiorentino (Italian, Florentine), Engraving, as retouched by Franceso Villamena (Italian) (49.97.233)
The Drunken Silenus ("The Tazza Farnese"), ca. 1600, Annibale Carracci (Italian, Bolognese), Engraving from a silver plate printed in brown ink (27.78.1.150)

Study for The Drunken Silenus ("The Tazza Farnese"), 1597–1601, Annibale Carracci (Italian, Bolognese), Pen and brown ink and wash over black chalk, incised for transfer (1972.133.4)
Fables, 1802, Author: Jean de La Fontaine (French), Illustrator: Charles Percier (French), Publisher: Pierre Didot the Elder (French), Printed book with engraved headpiece illustrations (67.703)

The Fall of Phaeton: From the series The Metamorphoses, ca. 1588, Anonymous engraver, after Hendrick Goltzius (Netherlandish), Engraving (49.97.662)
Fall of the Giants, ca. 1530s–40s, Attributed to Girolamo Fagiuoli (Italian, active Bologna), after Perino del Vaga (Pietro Buonaccorsi) (Italian), Engraving (49.95.8)
Farnese Hercules,1562, Jacob Bos (Netherlandish, born 's Hertogenbosch), Published by Antonio Lafréri (French), From the Metropolitan Museum's copy of the Speculum Romanae magnificentiae (Mirror of Rome's Magnificence), Engraving (41.72[2.63])
Feast of the Gods at the Marriage of Cupid and Psyche, 1587, Hendrick Goltzius (Netherlandish), after Bartholomeus Spranger (Netherlandish), Engraving, printed from three plates on three attached sheets; second state of four (2000.113)
The Great Hercules, 1589, Hendrick Goltzius (Netherlandish), Engraving (46.140.28)
Hercules and Achelous in the Form of a Bull, ca. 1524–25, Giovanni (Gian) Jacopo (Giacomo) Caraglio (Italian, Veronese or Parmese), after Rosso Fiorentino (Italian, Florentine), Engraving (49.50.208)
Hercules and the Hydra of Lerna, ca. 1500–1520, Robetta (Cristofano di Michele Martini) (Italian, Florentine), after Antonio Pollaiuolo (Italian, Florentine), Engraving (27.20.2)
Hercules Farnese, ca. 1592 (published and dated 1617), Hendrick Goltzius (Netherlandish), Engraving (17.37.59)
Hurdy-Gurdy Playing Satyr with a Sleeping Nymph, Master of 1515 (Italian [?]), Engraving with drypoint burr; plate (31.31.19)
Judgment of Paris, ca. 1510–20, Marcantonio Raimondi (Italian); Designed by Raphael (Raffaello Sanzio or Santi) (Italian), Italian, Engraving (19.74.1)
L'Autonne, ca. 1715–16, Faissar, after Antoine Watteau (French, Etching and engraving (28.113 (2), pl.52)
Lament of the Art of Painting, ca. 1572–78, Cornelis Cort (Flemish), after Federico Zuccaro (Italian), Engraving from two plates (1988.1086)
Mercury in a Decorative Frame with Grotesques, ca. 1600–1630, After Adriaen Collaert (Netherlandish, ca. 1560–1618), Blackwork and engraving (23.101.4)
Naval Battle between Trojans and Greeks, 1538, Giovanni Battista Scultori (Italian, Mantuan), Engraving printed in brown ink (53.600.996)fi
Oeuvres de Jean Racine, 1801, Author: Jean Racine (French), Illustrators: Pierre Paul Prud'hon (French); Jean-Guillaume Moitte (French); Anne-Louis Girodet-Trioson (French); Nicolas Antoine Taunay (French); Antoine Denis Chaudet (French); Francois Gè (French), Engraver: Jean Baptiste Michel Duprèel (French), Printed book with engraved illustrations (58.635.1(1))

Oeuvres de Jean Racine, 1801, Author: Jean Racine (French), Illustrators: Pierre Paul Prud'hon (French); Jean-Guillaume Moitte (French): Anne-Louis Girodet-Trioson (French); Nicolas Antoine Taunay (French); Antoine Denis Chaudet (French,); Francois Gèrard, called Baron Gèrard (French), Engraver: Jean Baptiste Michel Duprèel (French), Publisher: Pierre Didot the Elder (French), Printed Book with engraved illustrations (58.635.1(2))

Omnia vincit Amor, 1599, Agostino Carracci (Italian, Bolognese) (17.3.1853)
Orpheus and Eurydice, ca. 1505–6, Marcantonio Raimondi (Italian), Engraving (56.581.12)
Orpheus and Eurydice, ca. 1590–95, Agostino Carracci (Italian, Bolognese), Engraving (17.37.170)
Orpheus Charming the Beasts with His Music, late 15th century, Peregrino da Cesena (Italian, active Bologna), Niello print (28.97.99)
Poetry, ca. 1465–67, Engraving with applied gilding (59.570.32)

The Muse Euterpe, ca. 1465–67, Ferrarese school, Engraving (19.52.18)
The Power of Cupid (Jupiter Disarmed), ca. 1530–50, Master of the Die (Italian, active Rome), after Baldassare Tommaso Peruzzi (Italian), Engraving (49.97.328)
Procession of Silenus, ca. 1520–25, Agostino Veneziano (Agostino dei Musi) (Italian), Engraving (49.97.82)
The Rape of Ganymede, ca. 1500–1505, Giulio Campagnola (Italian, Paduan), Engraving (37.3.10)
Tantalus, Icarus, Phaeton, and Ixion: From the series The Four Disgracers, 1588, Hendrick Goltzius (Netherlandish), after Cornelis Cornelisz van Haarlem (Netherlandish), Engraving (53.601.338 [3-5, and 65])
The Triumph of Love, ca. 1485–90, Francesco Rosselli (Italian, Florentine), Engraving (25.2.33)
The Trojans Pulling the Wooden Horse into the City, 1545, Giulio Bonasone (Italian, Bolognese), after Francesco Primaticcio (Italian, Bolognese), Engraving (53.600.4450)
Venus and Adonis, ca. 1556–57, Giorgio Ghisi (Italian, Mantuan), after Teodoro Ghisi (Italian, Mantuan), Engraving (53.522.28)
Venus Whipping Cupid with Roses, early 17th century, Giovanni Luigi Valesio (Italian), Engraving (17.50.16[188])
Venus Wounded by the Rose's Thorn, ca. 1516, Marco Dente (Italian), after Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian) or Giulio Romano (Italian, Roman), Engraving (1986.1180.213)
Visus, late 16th century, Adriaen Collaert (Flemish), after Maarten de Vos (Netherlandish), Engraving, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 (56.597.41[2])
Vulcan at His Forge with Mars and Venus, 1543, Enea Vico (Italian), after Parmigianino (Girolamo Francesco Maria Mazzola) (Italian), Engraving (49.97.351)