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| Timelines/Regions |
| Thematic Essays |
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| Lists of Rulers |
| Useful Links |
| Selected Readings |
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Aeneas and His Family Fleeing Troy, 1595, Agostino Carracci (Italian, Bolognese), after Federico Barocci (Italian), Engraving (47.100.1023) |
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Amorini Celebrate the Rape of Proserpina, 1805–12, Francesco Rosaspina (Italian), after an oil painting by Francesco Albani (Italian), Engraving and etching (45.78.123) |
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Apollo and Diana, ca. 1500–1505, Jacopo de' Barbari (Italian), Engraving (20.92.2) |
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Apollo and the Muses on Parnassus, 1784, Raphael Morghen (Italian, Neapolitan), after Anton Raphael Mengs (German), Engraving and etching (28.22.36) |
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Apollo and the Muses on Parnassus, ca. 1514–20, Marcantonio Raimondi (Italian), after Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Engraving (17.37.150) |
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Apollo Belvedere,ca. 1530–34, Marcantonio Raimondi (Italian), Engraving (49.97.114) |
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Apollo Slays the Python and Quarrels with Cupid: From the series The Story of Apollo and Daphne, mid-16th century, Master of the Die, after Baldassare Tommaso Peruzzi (Italian, Sienese), Engraving (49.97.323) |
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Apollo, Marsyas, and the Judgment of Midas, 1582, Melchior Meier (German, active Tuscany), Engraving (41.1.210) |
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Apollo, Pan, and a Putto Blowing a Horn, 1560s, Giorgio Ghisi (Italian, Mantuan), after Francesco Primaticcio (Italian, Bolognese), Engraving (49.95.161) |
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Apollo, 1588, Hendrick Goltzius (Netherlandish), Engraving (51.501.3) |
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Bacchanal with a Wine Vat, ca. 1490, After Andrea Mantegna (Italian, Paduan), Italian, Engraving (1986.1159) |
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Bacchanal with Silenus, ca. 1470s, Andrea Mantegna (Italian, Paduan), Engraving (29.44.15) |
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Cupid with the Arms of Mars, ca. 1547–62, Adamo Scultori (Italian, Mantuan), Engraving (49.97.479) |
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Diana: From the series Gods in Niches, 1526, Giovanni Jacopo Caraglio (Italian, Veronese or Parmese), after Rosso Fiorentino (Italian, Florentine), Engraving, as retouched by Franceso Villamena (Italian) (49.97.233) |
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Fall of the Giants, ca. 1530s–40s, Attributed to Girolamo Fagiuoli (Italian, active Bologna), after Perino del Vaga (Italian), Engraving (49.95.8) |
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Feast of the Gods at the Marriage of Cupid and Psyche, 1587, Hendrick Goltzius (Netherlandish), after Bartholomeus Spranger (Netherlandish), Engraving, printed from three plates on three attached sheets; second state of four (2000.113) |
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Hercules and Achelous in the Form of a Bull, ca. 1524–25, Giovanni Jacopo Caraglio (Italian, Veronese or Parmese), after Rosso Fiorentino (Italian, Florentine), Engraving (49.50.208) |
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Hercules and the Hydra of Lerna, ca. 1500–1520, Robetta (Cristofano di Michele Martini) (Italian, Florentine), after Antonio Pollaiuolo (Italian, Florentine), Engraving (27.20.2) |
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Hercules Farnese, ca. 1592 (published and dated 1617), Hendrick Goltzius (Netherlandish), Engraving (17.37.59) |
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Hurdy-Gurdy Playing Satyr with a Sleeping Nymph, Master of 1515 (Italian [?]), Engraving with drypoint burr; plate (31.31.19) |
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Judgment of Paris, ca. 1510–20, Marcantonio Raimondi (Italian); Designed by Raphael (Raffaello Sanzio or Santi) (Italian), Italian, Engraving (19.74.1) |
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L'Autonne, ca. 1715–16, Faissar, after Antoine Watteau (French, Etching and engraving (28.113 (2), pl.52) |
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Lament of the Art of Painting, ca. 1572–78, Cornelis Cort (Flemish), after Federico Zuccaro (Italian), Engraving from two plates (1988.1086) |
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Naval Battle between Trojans and Greeks, 1538, Giovanni Battista Scultori (Italian, Mantuan), Engraving printed in brown ink (53.600.996)fi |
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Omnia vincit Amor, 1599, Agostino Carracci (Italian, Bolognese) (17.3.1853) |
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Orpheus and Eurydice, ca. 1505–6, Marcantonio Raimondi (Italian), Engraving (56.581.12) |
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Orpheus and Eurydice, ca. 1590–95, Agostino Carracci (Italian, Bolognese), Engraving (17.37.170) |
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Orpheus Charming the Beasts with His Music, late 15th century, Peregrino da Cesena (Italian, active Bologna), Niello print (28.97.99) |
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Poetry, ca. 1465–67, Engraving with applied gilding (59.570.32); The Muse Euterpe, ca. 1465–67, Ferrarese school, Engraving (19.52.18) |
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Procession of Silenus, ca. 1520–25, Agostino Veneziano (Agostino dei Musi) (Italian), Engraving (49.97.82) |
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Tantalus, Icarus, Phaeton, and Ixion: From the series The Four Disgracers, 1588, Hendrick Goltzius (Netherlandish), after Cornelisz van Haarlem (Netherlandish), Engraving (53.601.338 [3-5, and 65]) |
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The Drunken Silenus ("The Tazza Farnese"), ca. 1600, Annibale Carracci (Italian, Bolognese), Engraving from a silver plate printed in brown ink (27.78.1.150); Study for The Drunken Silenus ("The Tazza Farnese"), 1597–1601, Annibale Carracci (Italian, Bolognese), Pen and brown ink and wash over black chalk, incised for transfer (1972.133.4) |
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The Fall of Phaeton: From the series The Metamorphoses, ca. 1588, Anonymous engraver, after Hendrick Goltzius (Netherlandish), Engraving (49.97.662) |
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The Great Hercules, 1589, Hendrick Goltzius (Netherlandish), Engraving (46.140.28) |
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The Power of Cupid (Jupiter Disarmed), ca. 1530–50, Master of the Die (active Rome), after Baldassare Tommaso Peruzzi (Italian, Sienese), Engraving (49.97.328) |
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The Rape of Ganymede, ca. 1500–1505, Giulio Campagnola (Italian, Paduan), Engraving (37.3.10) |
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The Triumph of Love, ca. 1485–90, Francesco Rosselli (Italian, Florentine), Engraving (25.2.33) |
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The Trojans Pulling the Wooden Horse into the City, 1545, Giulio Bonasone (Italian, Bolognese), after Francesco Primaticcio (Italian, Bolognese), Engraving (53.600.4450) |
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Venus and Adonis, ca. 1556–57, Giorgio Ghisi (Italian, Mantuan), after Teodoro Ghisi (Italian, Mantuan), Engraving (53.522.28) |
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Venus Whipping Cupid with Roses, early 17th century, Giovanni Luigi Valesio (Italian), Engraving (17.50.16[188]) |
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Venus Wounded by the Rose's Thorn, ca. 1516, Marco Dente da Ravenna (Italian), after Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian) or Giulio Romano (Italian, Roman), Engraving (1986.1180.213) |
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Vulcan at His Forge with Mars and Venus, 1543, Enea Vico (Italian), after Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma), Engraving (49.97.351) |
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Farnese Hercules,1562, Jacob Bos (Netherlandish, born 's Hertogenbosch), Published by Antonio Lafréri (French), From the Metropolitan Museum's copy of the Speculum Romanae magnificentiae (Mirror of Rome's Magnificence), Engraving (41.72[2.63]) |
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