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   Preparatory Study, Drawing, North America
Works of Art (21)
Église du Saint Esprit, New York City (front elevation and plan), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.82)
Église du Saint Esprit, New York City (section and two plans), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.84)
 
 
American Institute, New York City (front elevation), ca. 1834–35 (project), Alexander J. Davis (American); Town & Davis, Watercolor, ink, and graphite on paper (24.66.438) 
 
Astor Hotel, New York City (perspective), ca. 1830 (project), Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.30) 
 
Design for Henry Field Memorial Gallery at the Art Institute of Chicago, ca. 1893–94, Louis Comfort Tiffany (American); Tiffany Glass and Decorating Company, Watercolor, pen and silver- and copper-colored metallic inks, brown and black inks, and graphite on off-white wove watercolor paper (67.654.4) 
 
Ericstan for John J. Herrick, Tarrytown, New York (rear elevation), 1855–59, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.10) 
 
Gate Lodge for Amos G. Hull, Newburgh, New York (front elevation), 1849, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.71) 
 
Glen Ellen for Robert Gilmor, Towson, Maryland (perspective, elevation, and plan), 1832–33, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.17) 
 
Grace Hill for Edwin C. Litchfield, Brooklyn, New York (front elevation), 1854, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.67) 
 
Hugh Mercer, Jr. (Study for The Death of General Mercer at the Battle of Princeton, January 3, 1777), 1791, John Trumbull (American), Graphite on off-white laid paper (06.1346.2) 
 
Lyndhurst for George Merritt, Tarrytown, New York (first floor plan), 1870, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.42) 
 
Lyndhurst for George Merritt, Tarrytown, New York (west [rear] elevation and plan), 1865, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.14) 
 
Study for The Ascension, 1774, John Singleton Copley (American), Ink ("Bistre") washes, pen and ink, black chalk, and graphite on off-white laid paper (60.44.16) 
 
Study for The Siege of Gibraltar: three figures, 1785–86, John Singleton Copley (American), Black and red chalk on blue laid paper (60.44.19) 
 
Study for the Astor Library (front elevation), 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.419)  
 
Study for two residential rows facing across a court, New York City (perspective), ca. 1831, Alexander J. Davis (American), Watercolor and ink on paper (24.66.1291) 
 
Study of a double townhouse (front elevation), ca. 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.55) 
 
Study of Queen Victoria's Neckline (Study for Portrait of Queen Victoria), ca. 1838, Thomas Sully (American), Graphite on paper (L.1994.29.1) 
 
Study of Queen Victoria's Train (Study for Portrait of Queen Victoria), ca. 1838, Thomas Sully (American), Graphite on paper (L.1994.29.3 recto) 
 
Study of the Queen's Robes (Study for Portrait of Queen Victoria), ca. 1838, Thomas Sully (American), Graphite on paper (L.1994.29.4 recto) 
 
Study of the Queen's Robes (Study for Portrait of Queen Victoria), ca. 1838, Thomas Sully (American,), Graphite on paper (L.1994.29.2) 
 
Study of the Throne in the House of Lords (Study for Portrait of Queen Victoria), ca. 1838, Thomas Sully (American, Graphite on paper (L.1994.29.5 recto) 
 
Thematic Essays (0)
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