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Église du Saint Esprit, New York City (front elevation and plan), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.82)
Église du Saint Esprit, New York City (section and two plans), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.84) |
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American Institute, New York City (front elevation), ca. 1834–35 (project), Alexander J. Davis (American); Town & Davis, Watercolor, ink, and graphite on paper (24.66.438) |
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Astor Hotel, New York City (perspective), ca. 1830 (project), Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.30) |
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Design for Henry Field Memorial Gallery at the Art Institute of Chicago, ca. 1893–94,
Louis Comfort Tiffany (American); Tiffany Glass and Decorating Company,
Watercolor, pen and silver- and copper-colored metallic inks, brown and black inks, and graphite on off-white wove watercolor paper (67.654.4) |
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Ericstan for John J. Herrick, Tarrytown, New York (rear elevation), 1855–59, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.10) |
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Gate Lodge for Amos G. Hull, Newburgh, New York (front elevation), 1849, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.71) |
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Glen Ellen for Robert Gilmor, Towson, Maryland (perspective, elevation, and plan), 1832–33, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.17) |
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Grace Hill for Edwin C. Litchfield, Brooklyn, New York (front elevation), 1854, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.67) |
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Hugh Mercer, Jr. (Study for The Death of General Mercer at the Battle of Princeton, January 3, 1777), 1791, John Trumbull (American), Graphite on off-white laid paper (06.1346.2) |
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Lyndhurst for George Merritt, Tarrytown, New York (first floor plan), 1870, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.42) |
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Lyndhurst for George Merritt, Tarrytown, New York (west [rear] elevation and plan), 1865, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.14) |
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Study for The Ascension, 1774, John Singleton Copley (American), Ink ("Bistre") washes, pen and ink, black chalk, and graphite on off-white laid paper (60.44.16) |
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Study for The Siege of Gibraltar: three figures, 1785–86, John Singleton Copley (American), Black and red chalk on blue laid paper (60.44.19) |
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Study for the Astor Library (front elevation), 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.419) |
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Study for two residential rows facing across a court, New York City (perspective), ca. 1831, Alexander J. Davis (American), Watercolor and ink on paper (24.66.1291) |
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Study of a double townhouse (front elevation), ca. 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.55) |
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Study of Queen Victoria's Neckline (Study for Portrait of Queen Victoria), ca. 1838, Thomas Sully (American), Graphite on paper (L.1994.29.1) |
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Study of Queen Victoria's Train (Study for Portrait of Queen Victoria), ca. 1838, Thomas Sully (American), Graphite on paper (L.1994.29.3 recto) |
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Study of the Queen's Robes (Study for Portrait of Queen Victoria), ca. 1838, Thomas Sully (American), Graphite on paper (L.1994.29.4 recto) |
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Study of the Queen's Robes (Study for Portrait of Queen Victoria), ca. 1838, Thomas Sully (American,), Graphite on paper (L.1994.29.2) |
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Study of the Throne in the House of Lords (Study for Portrait of Queen Victoria), ca. 1838, Thomas Sully (American, Graphite on paper (L.1994.29.5 recto) |
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