Works of Art (57)
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The Abduction of Rebecca, 1846,
Eugène Delacroix (French),
Oil on canvas (03.30) |
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Alfred Dedreux (1810–1860) as a Child, ca. 1819–20,
Théodore Gericault (French),
Oil on canvas (41.17) |
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And There's Nothing to Be Done (Y no hai remedio), 1810–23,
Francisco de Goya y Lucientes (Spanish),
Etching, drypoint, burin, and burnisher (32.62.17) |
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The Angel Gabriel Appearing to Zacharias, ca. 1799–1800, William Blake (British), Pen and black ink, tempera and glue size on canvas (51.30.1) |
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Angel of the Revelation, ca. 1803–5, William Blake (British), Watercolor, pen and black ink, over traces of graphite (14.81.1) |
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The Bay of Naples with Vesuvius in the Background, 1843,
Christen Købke (Danish),
Pen and black ink over pencil (2003.179) |
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The Blind Guitarist (El ciego de la guitarra), 18th century, Francisco de Goya y Lucientes (Spanish), Etching; working proof (22.63.29) |
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Boxers, 1818, Théodore Gericault (French), Lithograph (22.63.28) |
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Christ Asleep during the Tempest, ca. 1853,
Eugène Delacroix (French),
Oil on canvas (29.100.131) |
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Dark Prison ("Carcere Oscura"), after Piranesi, 1790s, Joseph Mallord William Turner (British), Watercolor over graphite (06.1051.3) |
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Diana and Actaeon, 1836,
Camille Corot (French),
Oil on canvas (1975.1.162) |
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Eastern Coast of Rügen Island with Shepherd, ca. 1805–6,
Caspar David Friedrich (German),
Sepia-colored ink, sepia-colored wash, white gouache, and graphite on off-white wove paper (2002.260) |
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Evening: Landscape with an Aqueduct, 1818,
Théodore Gericault (French),
Oil on canvas (1989.183) |
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The Ferryman, ca. 1865,
Camille Corot (French),
Oil on canvas (14.40.811) |
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The Garrotted Man (El agarrotado), 1778–80, Francisco de Goya y Lucientes (Spanish), Etching printed in blue ink (20.22) |
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Giant, by 1818, Francisco de Goya y Lucientes (Spanish), Spanish, Burnished aquatint, 1st state (35.42) |
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Hampstead Heath with Bathers, ca. 1821–22,
John Constable (English),
Oil on canvas (2009.400.26) |
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Honfleur: Calvary, ca. 1830,
Camille Corot (French),
Oil on wood (1974.3) |
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Inundated Ruins of a Monastery, ca. 1824,
Karl Blechen (German),
Pen and black ink, watercolor washes, sgrafitto (2008.109)
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The Lake of Zug, 1843, Joseph Mallord William Turner (British), Watercolor over graphite (59.120) |
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Lindisfarne Castle, Holy Island, ca. 1797, Thomas Girtin (British), Watercolor on rough cartridge paper (06.1051.1) |
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Majas on a Balcony, Attributed to Francisco de Goya y Lucientes (Spanish), Oil on canvas (29.100.10) |
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Mephistopheles in Flight, 1828, Eugène Delacroix (French), From Goethe's Faust, Paris, C. Motte, 1828, Lithograph (17.12) |
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Mother and Child by the Sea, 1830,
Johan Christian Dahl (Norwegian),
Oil on canvas (2007.164.2)
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One Can't Look (No se puede mirar), 1863, Francisco de Goya y Lucientes (Spanish), Etching, burnished lavis, drypoint, and burin (22.60.25.26) |
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One Hunting for Teeth: Plate 12 of Los Caprichos, first edition, 1799, Francisco de Goya y Lucientes (Spanish), Etching, burnished aquatint, and burin (18.64.12) |
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Ovid among the Scythians, 1862,
Eugène Delacroix (French),
Oil on paper laid down on wood (2008.101) |
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Pair of candelabra, modeled in 1840, Antoine-Louis Barye (French), Bronze (10.108.1a,b) |
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The Parable of the Wise and Foolish Virgins, ca. 1803–5, William Blake (British), Watercolor, brush and gray wash, pen and black ink over graphite (14.81.2) |
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Pilgrim at the Gate, 1827,
Karl Blechen (German),
Lithograph, second state of two (2007.225) |
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Pity, second impression, ca. 1795, William Blake (British), Color print finished with pen and ink and watercolor, sheet, (58.603) |
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Royal Tiger, 1829,
Eugène Delacroix (French),
Lithograph (67.630.7) |
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Saada, the Wife of Abraham Benchimol, and Préciada, One of Their Daughters, 1832, Eugène Delacroix (French), Watercolor over graphite (1972.118.210) |
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Salisbury Cathedral from the Bishop's Grounds, ca. 1825,
John Constable (English),
Oil on canvas (50.145.8) |
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Saltash with the Water Ferry, 1811,
Joseph Mallord William Turner (English),
Oil on canvas (89.15.9) |
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Scene in the Jewish Quarter of Constantine, 1851,
Théodore Chassériau (French),
Oil on canvas (1996.285) |
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The Sleep of Reason Produces Monsters: Plate 43 of The Caprices (Los Caprichos), 1799, Francisco de Goya y Lucientes (Spanish), Etching, aquatint, drypoint, and burin (18.64) |
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Songs of Innocence and of Experience: The Tyger (Plate 42), 1794/ca. 1825,
William Blake (British), Copy Y, ca. 1825,
Relief etchings printed in orange-brown ink, heightened with watercolor and shell gold, with hand-painted decorative borders, (17.10.42) |
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The Start of the Race of the Riderless Horses, by 1820,
Horace Vernet (French),
Oil on canvas (87.15.47) |
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Stormy Coast Scene after a Shipwreck,
Horace Vernet (French),
Oil on canvas (2003.42.56) |
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Summer Morning, ca. 1830, Made by David Lucas (British); Designed by John Constable (British), Mezzotint (39.68.27) |
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Sunset, ca. 1850,
Eugène Delacroix (French),
Pastel on blue laid paper, mounted on paper board (L.2000.64) |
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The Swing, 1796–97, Francisco de Goya y Lucientes (Spanish), Brush and gray wash on laid Netherlandish paper (35.103.2) |
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Théodore Gericault (1791–1824), probably 1822 or 1823,
Horace Vernet (French),
Oil on canvas (1998.84) |
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Two Men Contemplating the Moon, ca. 1825–30,
Caspar David Friedrich (German),
Oil on canvas (2000.51) |
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Ugolino and His Sons, modeled ca. 1860–61, executed in marble 1865–67,
Jean-Baptiste Carpeaux (French),
Saint-Béat marble (67.250) |
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Venice, from the Porch of Madonna della Salute, ca. 1835,
Joseph Mallord William Turner (English),
Oil on canvas (99.31) |
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View of Genzano, 1843,
Camille Corot (French),
Oil on paper laid down on canvas (2009.400.29) |
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View of London from Greenwich, 1825, Joseph Mallord William Turner (British), Watercolor and gouache over graphite (59.23.23) |
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View of Lormes, early 1840s,
Camille Corot (French),
Oil on canvas (1980.203.4) |
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View of Rouen from St. Catherine's Hill, 1821–22, Richard Parkes Bonington (British), Watercolor over graphite on white wove paper (1996.277) |
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View of University Park Looking Towards New College, Oxford, after 1825, William Turner of Oxford (British), Watercolor over graphite on paper (2000.242) |
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Ville-d'Avray, 1870,
Camille Corot (French),
Oil on canvas (87.15.141) |
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The Virgin Adoring the Host, 1852,
Jean-Auguste-Dominique Ingres (French),
Oil on canvas (2005.186) |
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Wanderer in the Storm, 1835,
Carl Julius von Leypold (German),
Oil on canvas (2008.7) |
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Waterfall at Terni, 1826,
Camille Corot (French),
Oil on paper laid down on wood (2003.42.13) |
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Young Jewish Woman of Algeria, Seated, 1846,
Théodore Chassériau (French),
Watercolor over graphite (64.188) |
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