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Illustrated Legends of the Kitano Shrine (Kitano Tenjin Engi), Kamakura period (11851333), 13th century
Unidentified artist
Japan
Handscroll; ink and color on paper; 11 3/4 in. x 28 ft. 3 3/4 in. (29.8 x 863 cm)
Fletcher Fund, 1925 (25.224ae)
Co-Producers: Paul Caro and Teresa Russo
Writer: Elizabeth Hammer
Narrator: Stephanie Wada
Excerpted from The Paths Dreams Take: Japanese Art from the Collections of Mary Griggs Burke and The Metropolitan Museum of Art. CD-ROM. New York: The Metropolitan Museum of Art, 2000.
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The Japanese narrative picture scroll; emaki; is ideal for
presenting heroic military sagas, biographies of important
peoples, histories of famous places, and tales of romance
and courtly intrigue.
The process of viewing a handscroll section by section allows
the painter to create a cinematic effect.As the composition is
gradually revealed, the story unfolds and dramatic anticipation
builds. Between viewings, the handscroll is kept in a specially
made, fitted box that helps to protect it from damage, humidity,
and insects. Before viewing, it is removed from the box and
placed on a flat surface, usually a low table.This process gives
the viewer time to focus his attention so that he can become
fully engaged with the work of art at hand.The silk cord used to
bind it is untied, folded over, and tucked away.To view the scroll,
it is unrolled about an arm's length, moving from right to left.
As one section is completed, the viewer opens the next,
revealing only one portion at a time. |  |


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In addition to enjoying the painting, the viewer examines any
inscriptions and seals to deepen his appreciation and
understanding of the scroll.
When viewing is finished, the handscroll is carefully re-rolled to
the beginning,providing a brief opportunity to review the scenes
and reflect on them.The scroll is re-tied, and returned to its box
until the next encounter. |
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