Heilbrunn Timeline of Art History

The Metropolitan Museum of Art



  • The Assembly of the Birds: Page from a manuscript of the Mantiq al-tair (The Language of the Birds) of Farid al-Din cAttar, ca. 1600; Safavid
    Painted by Habib Allah
    Iran (Isfahan)
    Ink, colors, and gold on paper

    H. 10 in. (25.4 cm), W. 4 1/2 in. (11.4 cm)
    Fletcher Fund, 1963 (63.210.11)

    The Mantiq al-tair, composed by the Persian poet Farid al-Din cAttar (ca. 1142–1220), is an allegorical text about man's quest for spiritual union. This royal copy of the manuscript was prepared, with four paintings, in the atelier of the Timurid sovereign and patron Sultan Husain Baiqara in 1486–87. It was later prized at the Safavid court under Shah cAbbas I, who had four paintings, including this one, added to the manuscript about 1600. In 1609, the manuscript was presented by Shah cAbbas to the shrine of his ancestors at Ardabil.

    In this painting, the birds symbolize individual souls in search of the simurgh (a mystical bird representing the ultimate spiritual unity) and are assembled here to begin their pilgrimage under the leadership of the hoopoe (perched on a rock at center right). The painting style is conservative and perfectly harmonious with the four paintings of the original Timurid manuscript except for a late-model firearm clutched by the hunter at the upper right, who has no place in the narrative.

    Related


    MoveSeparatorPrint
    Close
  • The Assembly of the Birds: Page from a manuscript of the Mantiq al-tair (The Language of the Birds) of Farid al-Din cAttar, ca. 1600; Safavid
    Painted by Habib Allah
    Iran (Isfahan)
    Ink, colors, and gold on paper

    H. 10 in. (25.4 cm), W. 4 1/2 in. (11.4 cm)
    Fletcher Fund, 1963 (63.210.11)