Landscape—Scene from "Thanatopsis"
Inspired by William Cullen Bryant’s poem "Thanatopsis" (Greek for "view of death"), this landscape was first exhibited at the National Academy of Design in 1850. The inclusion of a funeral; a farmer engaged in daily work; and Egyptian, classical, and medieval ruins reflects the poem’s emphasis on the omnipresence of nature and the inevitability of death. After the exhibition, Durand’s painting was purchased by the American Art-Union and distributed to one of its subscribers. The organization often acquired contemporary landscapes, helping to popularize the genre with middle-class consumers who sought appealing and affordable works for display in their homes.
Artwork Details
- Title: Landscape—Scene from "Thanatopsis"
- Artist: Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey)
- Date: 1850
- Culture: American
- Medium: Oil on canvas
- Dimensions: 39 1/2 x 61 in. (100.3 x 154.9 cm)
- Credit Line: Gift of J. Pierpont Morgan, 1911
- Object Number: 11.156
- Curatorial Department: The American Wing
Audio
4348. Landscape—Scene from "Thanatopsis", Part 1
0:00
0:00
We're sorry, the transcript for this audio track is not available at this time. Please email info@metmuseum.org to request a transcript for this track.
Listen to more about this artwork
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
