Heilbrunn Timeline of Art History


    • Vanitas Still Life, 1603
    Jacques de Gheyn the Elder (Dutch, 1565–1629)
    Oil on wood; 32 1/2 x 21 1/4 in. (82.6 x 54 cm)
    Charles B. Curtis, Marquand, Victor Wilbour Memorial, and The Alfred N. Punnett Endowment Funds, 1974 (1974.1)

    De Gheyn was a wealthy amateur who is best known as a brilliant draftsman, but he also painted and engraved. He was prominent in intellectual circles at Leiden and the Hague. The Museum's panel is generally regarded as the earliest known vanitas still life in European painting. Images and texts of the period often compare human existence to a bubble, cut flowers, smoke, and other reminders of life's brevity. Fame and wealth share this fate, as is suggested by the Spanish coins (one of which represents the former Habsburg emperor Charles V and his mother, Joanna of Aragon and Castile). The laughing and weeping philosophers, Democritus and Heraclitus, reflect upon the vanity of human life, which is symbolized further by objects floating in the bubble, such as a wheel of torture, a leper's rattle, a broken glass, and a flaming heart.

    Related


    This work has been published in the Museum's Bulletin or Journal. These articles may or may not represent the most current scholarship.
  • Ettinghausen, Richard. "Islamic Carpets: The Joseph V. McMullan Collection." The Metropolitan Museum of Art Bulletin, v. 28, no. 10 (June, 1970).
    JSTOR | PDF
  • Bowlt, John E.. "A Russian Luminist School? Arkhip Kuindzhi's Red Sunset on the Dnepr." Metropolitan Museum Journal, Vol. 10 (1975).
    JSTOR | PDF
  • Newton, Douglas. "The Art of Africa, the Pacific Islands, and the Americas: A New Perspective." The Metropolitan Museum of Art Bulletin, v. 39, no. 2 (Fall, 1981).
    JSTOR | PDF
  • Harper, Prudence O., Barbara A. Porter, Oscar White Muscarella, Holly Pittman, and Ira Spar. "Ancient Near Eastern Art." The Metropolitan Museum of Art Bulletin, v. 41, no. 4 (Spring, 1984).
    JSTOR | PDF
  • Frazer, Margaret English. "Medieval Church Treasuries." The Metropolitan Museum of Art Bulletin, v. 43, no. 3 (Winter, 1985–86).
    JSTOR | PDF
  • Jenkins, Marilyn. "Islamic Glass: A Brief History." The Metropolitan Museum of Art Bulletin, v. 44, no. 2 (Autumn, 1986).
    JSTOR | PDF
  • Forsyth, William H.. "Popular Imagery in a Fifteenth-Century Burgundian Crèche." Metropolitan Museum Journal, Vol. 24 (1989).
    JSTOR | PDF
  • Libin, Laurence. "Keyboard Instruments." The Metropolitan Museum of Art Bulletin, v. 47, no. 1 (Summer, 1989).
    JSTOR | PDF
  • Draper, James David. "Thoughts of Clare Le Corbeiller." Metropolitan Museum Journal, Vol. 37 (2002).
    JSTOR | PDF
  • Le Corbeiller, Clare, and Alice Cooney Frelinghuysen. "Chinese Export Porcelain." The Metropolitan Museum of Art Bulletin, v. 60, no. 3 (Winter, 2003).
    JSTOR | PDF
  • Wixom, William D.. "Late Medieval Sculpture in the Metropolitan, 1400 to 1530." The Metropolitan Museum of Art Bulletin, v. 64, no. 4 (Spring, 2007).
  • Quodbach, Esmée. "The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art." The Metropolitan Museum of Art Bulletin, v. 65, no. 1 (Summer, 2007).
    • On view: Gallery 635
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    • Vanitas Still Life, 1603
    Jacques de Gheyn the Elder (Dutch, 1565–1629)
    Oil on wood; 32 1/2 x 21 1/4 in. (82.6 x 54 cm)
    Charles B. Curtis, Marquand, Victor Wilbour Memorial, and The Alfred N. Punnett Endowment Funds, 1974 (1974.1)

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