Heilbrunn Timeline of Art History


    • Saint Anthony Tormented by Demons, ca. 1470–75
    Martin Schongauer (German, ca. 1445–1491)
    Engraving, first state of two; 11 1/2 x 8 5/8 in. (29.1 x 22 cm)
    Rogers Fund, 1920 (20.5.2)

    Saint Anthony gazes serenely out at the viewer as frenzied demons grab at his limbs, clothes, and hair and pound him with sticks. Schongauer depicted these imagined creatures in a remarkably convincing way. His realistic description of their scales and fur point to his direct observation of animals, yet he compiled these naturalistic details to produce some of the most fantastic and grotesque fabrications in the history of printmaking. Although this is one of Schongauer's earliest prints, it was probably his most influential: Vasari recounted that even Michelangelo made a color drawing of the work at the age of thirteen.

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    This work has been published in the Museum's Bulletin or Journal. These articles may or may not represent the most current scholarship.
  • Schub, Judith E.. "Prints by Martin Schongauer." The Metropolitan Museum of Art Bulletin, v. 29, no. 9 (May, 1971).
    JSTOR | PDF
  • Boorsch, Suzanne, and Nadine M. Orenstein. "The Print in the North: The Age of Albrecht Dürer and Lucas van Leyden." The Metropolitan Museum of Art Bulletin, v. 54, no. 4 (Spring, 1997).
    JSTOR | PDF
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    • Saint Anthony Tormented by Demons, ca. 1470–75
    Martin Schongauer (German, ca. 1445–1491)
    Engraving, first state of two; 11 1/2 x 8 5/8 in. (29.1 x 22 cm)
    Rogers Fund, 1920 (20.5.2)

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