Heilbrunn Timeline of Art History



  • Bust of Marsyas, ca. 1680–85
    Balthasar Permoser (German, 1651–1732)
    Marble, black marble socle inlaid with light marble; H. 28 in. (70.5 cm)
    Purchase, Rogers Fund and Harris Brisbane Dick Fund, 2002 (2002.468)

    Permoser's grimacing and contorted stone figures on the Zwinger Palace in Dresden embody the German Baroque in sculpture. This agonizingly expressive bust of Marsyas, carved in Italy early in his career, reveals his absorption of the style of Gian Lorenzo Bernini and forecasts the distinctive manner Permoser would develop in his native country. The tortured expression of the screaming satyr Marsyas, flayed alive after losing a musical contest with the god Apollo, responds especially to Bernini's Damned Soul of 1619. The savage face riven by clenched brows and eyes squinting in pain, however, is distinctly the sculptor's own creation. Deliberately rough, flamelike hair contrasts excruciatingly precise details like the torn tongue. The bust's unfinished back and emplacement for a bracket suggest that it was originally intended for a niche, perhaps in a palace courtyard.

    This work of art also appears on Connections: Touch , Unstrung

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    On view: Gallery 548
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  • Bust of Marsyas, ca. 1680–85
    Balthasar Permoser (German, 1651–1732)
    Marble, black marble socle inlaid with light marble; H. 28 in. (70.5 cm)
    Purchase, Rogers Fund and Harris Brisbane Dick Fund, 2002 (2002.468)


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