Heilbrunn Timeline of Art History



  • Head of Athena, ca. 138–92 a.d.; Antonine
    Roman; copy of a Greek statue of ca. 430 b.c. attributed to the sculptor Pheidias
    Marble; H. 7 3/4 in. (19.7 cm)
    Rogers Fund, 2007 (2007.293)

    Only rarely is it possible to get an impression of the majesty and beauty of the statues produced in Athens during the mid-fifth century B.C.—the High Classical period. This head is from a fine Roman copy of an overlifesize statue of the goddess Athena that has long been attributed to Pheidias, the most famous artist of that era. The marble face is modeled with extreme restraint and sensibility, imparting a powerful yet youthful radiance to the expression. The eyes were once inset with colored stones. The head retains part of the frontlet and neck guard of an Attic helmet that was originally completed in wood and gilded. This combination of marble and wood, whereby the drapery and attributes such as the helmet were worked in wood and gilded while the flesh parts were carved in marble, is known as the acrolithic technique. It imitated the appearance of immensely valuable gold and ivory statues such as the great Athena Parthenos that stood inside the Parthenon in Athens and the colossal seated statue of Zeus at Olympia.

    Related


    On view: Gallery 153
    Move Separator Print
    Close
  • Head of Athena, ca. 138–92 A.D.; Antonine
    Roman; copy of a Greek statue of ca. 430 B.C. attributed to the sculptor Pheidias
    Marble; H. 7 3/4 in. (19.7 cm)
    Rogers Fund, 2007 (2007.293)


    Move
    Close