Heilbrunn Timeline of Art History


    • Fall of the Giants, 1663
    Salvator Rosa (Italian, 1615–1673)
    Etching with drypoint
    Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 (24.63.1829)

    According to classical mythology, after the Golden Age had passed, the Silver Age succeeded, and then declined through the Bronze Age to the wicked Age of Iron. At the end of the Iron Age, brother fought against brother and "Justice fled from the bloody earth," as Ovid writes in the beginning of his Metamorphoses. "Heaven was no safer. Giants attacked the very throne of Heaven, piled Pelion on Ossa, mountain on mountain, up to the very stars. Jove struck them down with thunderbolts."

    Salvator Rosa was inspired by Giulio Romano's famous fresco of the Fall of the Giants in the Palazzo del Te in Mantua when he created this unusually large print, in which quotations from Michelangelo and Titian can also be recognized. There are more than a dozen surviving preparatory drawings for the etching, indicating the effort that Rosa put into its production. Although Rosa signed the work, Salvator Rosa Inv. pinx, the etching is not derived from a painting. In a letter to his friend Ricciardi, Rosa lamented that "even a fantasia like the Giants hasn't been sufficient to create the desire in anyone to see it painted." Obtaining few of the painting commissions that he coveted, Rosa used etching to explore the grand philosophical and mythological themes that fascinated him, yet was disappointed that prospective patrons who saw this dramatic episode in print did not request a painting of the same subject.

    The inscription attached to Rosa's dedication, "he is raised aloft that he may be hurled down in more headlong ruin," is from The First Book Against Rufinus by Claudian Claudianus, often called the last poet of classical Rome. This quotation links the downfall of the presumptuous Giants to the fate of the cruel and greedy tyrant Rufinus, whose reign was also portrayed as the end of a Golden Age.

    Related


    This work has been published in the Museum's Bulletin or Journal. These articles may or may not represent the most current scholarship.
  • Thompson, Wendy "Poets, Lovers, and Heroes in Italian Mythological Prints." The Metropolitan Museum of Art Bulletin, v. 61, no. 3 (Winter, 2004).
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    • Fall of the Giants, 1663
    Salvator Rosa (Italian, 1615–1673)
    Etching with drypoint
    Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 (24.63.1829)

    Study for "Fall of the Giants," ca. 1663
    Salvator Rosa (Italian, Neapolitan, 1615–1673)
    Pen and brown ink, over black chalk

    10 1/4 x 7 11/16 in. (26.1 x 19.5 cm)
    Rogers Fund, 1964 (64.197.6)

    There are more than a dozen preparatory drawings for Rosa's large etching, indicating the effort that he put into its creation. Some are compositional studies, as here; others are for individual groups; yet none corresponds in detail to the finished print, which Rosa seems to have worked out on the etching plate.


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