Heilbrunn Timeline of Art History



  • Cottage among Trees, 1648–50
    Rembrandt (Rembrandt van Rijn) (Dutch, 1606–1669)
    Pen and brown ink, brush and brown wash, on paper washed with brown; 6 3/4 x 10 7/8 in. (17.1 x 27.6 cm); vertical strip 6 3/4 x 1 1/4 in. (17.2 x 3.2 cm) added by artist to the sheet at right
    H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.939)

    Among Rembrandt's sketches of rustic farmhouses and cottages, this drawing is unusually finished in execution and formal in composition. Rembrandt drew the scene with fine pen lines of fairly even width. He applied wash sparingly and rendered the texture of the thatch roof with heavily inked strokes reminiscent of a drypoint burr. In so doing, he created a work related in feeling to his etchings. Rembrandt situated the cottage parallel to the picture plane and framed it symmetrically by adding at the right of the original sheet a strip of paper, on which he extended the tree branches, the fences, and the distant horizon. In its reinterpretation of Italian Renaissance principles of composition, this drawing reveals parallels with paintings Rembrandt made in the years 1648–50, most notably the Supper at Emmaus of 1648 (Musée du Louvre, Paris).

    This work of art also appears on Connections: The Master Class

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  • Cottage among Trees, 1648–50
    Rembrandt (Rembrandt van Rijn) (Dutch, 1606–1669)
    Pen and brown ink, brush and brown wash, on paper washed with brown; 6 3/4 x 10 7/8 in. (17.1 x 27.6 cm); vertical strip 6 3/4 x 1 1/4 in. (17.2 x 3.2 cm) added by artist to the sheet at right
    H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.939)

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