Excavated at Tell el-Duweir (ancient Lachish), southern Levant
Ceramic
H. 7 1/8 in. (18.1 cm)
Gift of Harris D. and H. Dunscombe Colt, 1934 (34.126.53)
This type of pillar figurine is typical of those produced in great numbers in the kingdom of Judah at this time. Tell el-Duweir is ancient Lachish, the major fortified center in Judah that was destroyed by the Assyrian army under Sennacherib (701 B.C.). The city's fate is chronicled in the Bible and represented in wall reliefs from the Assyrian palace at Nineveh. This buxom goddess figurine with pillar base is nude and supports her breasts in her hands. The head is simply rendered with a short, tightly curled caplike hairdo articulated in ridges, and the facial features are mold-made and clearly articulated. This imagery and that on clay plaques with nude female figures probably represents fertility or mother goddesses. The figurines are found in domestic contexts and point to popular cults that coexisted with monotheistic Judaism. Outside influences are evident in the religion of ancient Israel and Judah at this time, and Syrian cults focusing on the worship of Asherah may have been an influence. Asherah was the wife of El, head of the Canaanite pantheon, and probably the mother of the gods in Canaanite and later Jewish tradition. Some literary evidence in ancient Israel even speaks of Asherah as the consort of Yahweh himself.
Related
Index Terms
Art Movement/Style
Material and Technique
- Ceramic from West Asia
- Sculpture in the Round from West Asia
- Sculpture, In the Round
- Unglazed Ceramic
- Unglazed Ceramic from West Asia
Subject Matter/Theme
- Deity
- Indigenous Deity
- Indigenous Deity from West Asia
- Judaica
- Judaism
- Sculpture in the Round in Jewish Art
