Date: ca. 1520–30
Culture: Italian, Milan
Medium: Sardonyx and gold
Dimensions: 1 3/16 x 1 in. (3 x 2.6 cm); Visible cameo: 29 × 25 mm
Classification: Lapidary Work-Gems
Credit Line: The Milton Weil Collection, 1938
Accession Number: 38.150.4
The group echoes the new harmonies that Raphael and his school brought to a painting. Suggestive comparisons exist in Raphaelesque Madonnas engraved by Giulio Bonasone and Gian Giacomo Caraglio (who doubled as an engraver of hardstones), but the graceful composition is apparently unique to this piece. The cityscape in the background is executed in intaglio. The irregular chestnut-hued translucent band around the edge of the stone is void, probably because it was meant to be embedded in a gold setting.