Maso di Banco (Italian, Florentine, active 1320–46)
Tempera on wood, gold ground
Arched top 29 1/4 x 16 in. (74.3 x 40.6 cm)
Maitland F. Griggs Collection, Bequest of Maitland F. Griggs, 1943 (43.98.13)
Although much damaged, this representation of Saint Anthony has the weight and gravity that are characteristic of the work of Maso di Banco, Giotto's greatest follower. It is the right-hand panel of a polyptych of which only the central Madonna and Child survive (Gemäldegalerie, Berlin).