Heilbrunn Timeline of Art History



  • A Corridor in the Asylum, late May or early June 1889
    Vincent van Gogh (Dutch, 1853–1890)
    Black chalk and gouache on pink Ingres paper; 25 5/8 x 19 5/16 in. (65.1 x 49.1 cm)
    Bequest of Abby Aldrich Rockefeller, 1948 (48.190.2)

    This haunting view of a sharply receding corridor is the artist's most powerful depiction of the asylum of Saint-Paul-de-Mausole in Saint-Rémy, where he spent twelve months near the end of his life and where he painted the Museum's oils of olive groves, cypresses, roses, and irises (Women Picking Olives [1995.535.44], Olive Orchard [1998.325.1], Cypresses [49.30], Wheat Field with Cypresses [1993.132], Irises [58.187], Vase of Roses [1993.400.5]). The buildings (largely remains of a twelfth-century monastery) were divided into men's and women's wards, but most of the small cells looking out on the neglected garden were empty when Van Gogh was there. One of the rooms he was able to use as a studio. The artist sent this unusually large and colorful drawing to his brother Theo, to give a picture of his surroundings.

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  • A Corridor in the Asylum, late May or early June 1889
    Vincent van Gogh (Dutch, 1853–1890)
    Black chalk and gouache on pink Ingres paper; 25 5/8 x 19 5/16 in. (65.1 x 49.1 cm)
    Bequest of Abby Aldrich Rockefeller, 1948 (48.190.2)

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