Met Director Thomas P. Campbell planned this itinerary for you to explore some of the masterpieces in this encyclopedic collection of world art. You'll see great works of art and great spaces as this two-part tour takes you through the centuries and introduces you to cultures throughout the world—and throughout the Museum. This itinerary is available as an audio guide for visitors who want to hear the Director's advice and insights in his own voice.
Second-floor galleries house extraordinary holdings from throughout Asia, one of the world's finest collections of old master paintings from Europe, the art of the Ancient Near East, and beloved masterpieces of Impressionist, post-Impressionist, and modern art.
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With a majestic view of the Met's magnificent architecture, the Great Hall Balcony is the perfect spot to begin a tour of the second floor of the Museum. From here, there is a different culture in every direction, spanning over 5,000 years of history.
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A soaring gallery of colossal Chinese Buddhist sculpture and painting serves as a threshold into the Met's extensive Asian art collections. The mix of visual traditions evident in a giant 6th-century stone figure reveals the international character of Buddhism and a monumental painting from a monastery shows a complex vision of paradise.
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The objects here chart the development of Chinese culture in antiquity and show a range of materials, from 5,000 year old ceramic vessels to beautifully worked jade and bronze. Of particular note, is an ancient ceramic figure of a female dancer. The graceful figure was buried in a tomb to entertain the deceased in the afterlife.
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Built by a team of Chinese artisans, this exquisite courtyard is based on a 17th-century garden near Shanghai and is one of the highlights of the Met's Asian wing. A covered walkway reveals different perspectives as you move through it, mimicking the act of unrolling a Chinese scroll painting.
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A jewel within our Southeast Asian galleries, this 12th-century twisting figure embodies the Indian idea that physical perfection is a sign of spiritual fulfillment. The dancer is a beautiful study of surface and form, using contrasting textures and contours to evoke sensuous movement.
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This gallery transports us to 12th-century Japan. The sculpture here reflects Japanese Buddhism and its pantheon of sacred figures in a setting designed to evoke a Buddhist temple.
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The massive 18th-century paintings in this gallery were designed to function as complete environments, surrounding the viewer within the opulent rooms of a Venetian palace. Tiepolo had a wonderful way of handling paint and a genius for presenting scenes from history or myth in a vividly dramatic way.
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El Greco was an artist with a truly unique vision, and this arresting landscape is singular in his body of work. The artist settled in Toledo, Spain at the very end of the 16th century and painted this portrait of his adopted city with the deep color and unusual brushwork that were his hallmark. This gallery also includes other paintings by El Greco, allowing visitors to explore a range of work by this compelling artist.
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This painting is one of the great masterpieces by Rembrandt. With dramatic contrasts of light and dark, Rembrandt portrays three luminaries of classical antiquity—Aristotle, Homer, and Alexander the Great—linking generations of thinkers and rulers to craft a poignant portrait of wisdom and humanity.
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There are only 36 paintings by Vermeer known to exist, and this work is among the most iconic. Here, Vermeer captures the nuance of light's optical effects within a simple domestic interior. The result is a luminous picture, superbly structured, with every element in perfect balance.
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Travel back over 2,500 years in time to a royal palace built for the capital of the Assyrian empire. The sculptural decoration in this gallery was created to honor the Assyrian king, as images of supernatural creatures demonstrate his majesty and divine right as ruler.
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Monet was one of the pioneers of Impressionism in the late 19th century. These paintings show him working outdoors and in series—painting the same subject at different times and in different atmospheric conditions to convey the changing effects of light.
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Van Gogh also painted directly from nature and when he arrived in the south of France in 1888, he was drawn to the clarity of light, the vibrant colors, and the majestic cypress trees throughout the landscape. In this rich and saturated painting, van Gogh captures the rush of the wind, the extreme heat of the afternoon, and a sense of immediacy through his thick layers of paint.
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Abstract Expressionism would herald a new way of painting in the 1950s, and this work was one of the movement's most powerful examples. Jackson Pollack redefined painting by laying his canvas on the floor and allowing his actions to dictate his composition. Paint is poured and dripped across the vast field of canvas, an extension of the artist's physical movement and emotional intensity.
