Gallery 627 - North Italian Gothic Painting

Part of European Paintings

European Paintings Gallery 627

Madonna and Child
Carlo Crivelli (Italian, Venice (?), active by 1457–died 1495 Ascoli Piceno)
Date: ca. 1480
Accession Number: 49.7.5
The Flight into Egypt
Cosmè Tura (Cosimo di Domenico di Bonaventura) (Italian, Ferrara ca. 1433–1495 Ferrara)
Date: 1470s
Accession Number: 49.7.17
Madonna and Child with Saints Philip and Agnes
Donato de' Bardi (Italian, Lombard, active by 1426–died 1450/51)
Date: ca. 1425–30
Accession Number: 37.163.1–3
The Marriage of the Virgin
Michelino da Besozzo (Michelino de Mulinari) (Italian, Lombardy, active 1388–1450)
Date: ca. 1430
Accession Number: 43.98.7
Madonna and Child with the Donor, Pietro de' Lardi, Presented by Saint Nicholas
Master G.Z. (Italian, active Ferrara first third 15th century)
Date: ca. 1420–30
Accession Number: 65.181.5

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The centers of North Italian painting were Milan, Venice, Bologna, and Ferrara. Venice aside, the art of each of these schools was an art of the courts, with a premium placed on rich surface treatment, naturalistic details, and elegance. The defining mediums were goldsmith's work and illuminated manuscripts, from which paintings often borrowed their aesthetic. A self-conscious style modeled on the prevailing intricacy of literary description was highly valued. Only gradually over the course of the fifteenth century did the Renaissance sensibility forged in Florence, with its emphasis on the imitation of classical art, gain the upper hand.

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