Signatures, Inscriptions, and Markings Signed and dated (lower right): Julius Schrader. 1859.
Provenance Albert Havemeyer, New York (1859–d. 1874; commissioned from the artist in 1859; his estate, 1874–89; his estate sale, Ortgies, New York, April 12, 1889, for $2250 to Havemeyer); H. O. Havemeyer, New York (1889)
Exhibition History New York. The Metropolitan Museum of Art. "The Taste of the Seventies," April 2–September 10, 1946, no. 152.
New York. The Metropolitan Museum of Art. "Splendid Legacy: The Havemeyer Collection," March 27–June 20, 1993, no. A475.
New York. The Metropolitan Museum of Art. "Church's Great Picture: The Heart of the Andes," October 5, 1993–January 2, 1994, unnumbered cat. (fig. 4).
References Independent (May 24, 1860), p. 2.New York Times (September 1, 1869), p. 2.Art Amateur (May 1889), p. 123.Catalogue of the Paintings in the Metropolitan Museum of Art . New York, 1898, p. 161, no. 537.Metropolitan Museum of Art Bulletin 4 (October 1945), p. 63, ill.Alexander von Humboldt: His Portraits and Their Artists, a Documentary Iconography . Berlin, 1980, pp. 163–69, ill. (color, overall and detail).The Havemeyers: Impressionism Comes to America . New York, 1986, p. 55.in Splendid Legacy: The Havemeyer Collection . Exh. cat., The Metropolitan Museum of Art. New York, 1993, p. 208.in Splendid Legacy: The Havemeyer Collection . Exh. cat., The Metropolitan Museum of Art. New York, 1993, p. 377, no. A475, ill.
Add to My Met Gallery
Print
List View
Enlarge
Zoom