Signed (lower right): Claude Monet

London. Tate Gallery. "The Annenberg Collection," September 2–October 8, 1969, no. 21 (as "Camille Monet dans le jardin, Argenteuil").

Philadelphia Museum of Art. "Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection," May 21–September 17, 1989, unnumbered cat. (as "Camille Monet in the Garden at the House in Argenteuil").

Washington. National Gallery of Art. "Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection," May 6–August 5, 1990, unnumbered cat.

Los Angeles County Museum of Art. "Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection," August 16–November 11, 1990, unnumbered cat.

New York. The Metropolitan Museum of Art. "Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection," June 4–October 13, 1991, unnumbered cat.

Luigina Rossi Bortolatto. L'opera completa di Claude Monet, 1870–1889. Milan, 1966, pp. 96–97, no. 123, ill.

Daniel Wildenstein. Monet, Impressions. Lausanne, 1967, ill. p. 23 (color).

M. Roy Fisher. The Annenberg Collection. Exh. cat., Tate Gallery. London, 1969, unpaginated, no. 21, ill. (color).

Gerald Needham. "The Paintings of Claude Monet, 1859–1878." PhD diss., New York University, 1971, pp. 251–52.

Daniel Wildenstein. "1840–1881: Peintures." Claude Monet: Biographie et catalogue raisonné. 1, Lausanne, 1974, pp. 292–93, no. 410, ill.

Claire Joyes. Monet at Giverny. London, 1975, ill. p. 46 (color).

Robert Gordon and Andrew Forge. Monet. New York, 1983, ill. p. 200 (color).

Shunsuke Kijima. Monet. Tokyo, 1985, fig. 17 (color).

Jack Flam. "In a Different Light." Art News 88 (Summer 1989), pp. 113, 116, ill. pp. 3, 112 (color, detail and overall).

Colin B. Bailey in Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection. Exh. cat., Philadelphia Museum of Art. Philadelphia, 1991, pp. 54–55, 164–65, ill. (color and b&w) [1st edition, 52–53, 158–59, ill.].

Jérôme Coignard. "Le Salon de peinture de Mr. et Mrs. Annenberg." Beaux arts no. 92 (July–August 1991), pp. 66–67, 69, ill. (color).

Gary Tinterow. "Miracle au Met." Connaissance des arts no. 472 (June 1991), p. 36.

Virginia Spate. Claude Monet: Life and Work. New York, 1992, p. 119.

Marianne Alphant. Claude Monet: Une vie dans le paysage. [Paris], 1993, p. 256.

Paul Hayes Tucker. "Passion and Patriotism in Monet's Late Work." Monet: Late Paintings of Giverny from the Musée Marmottan. Exh. cat.San Francisco, 1994, p. 30, fig. 2 (color).

Albert Kostenevich. Hidden Treasures Revealed: Impressionist Masterpieces and Other Important French Paintings Preserved by the State Hermitage Museum, St. Petersburg. Exh. cat.New York, 1995, pp. 144–45, ill.

Paul Hayes Tucker. Claude Monet: Life and Art. New Haven, 1995, pp. 177–78, colorpl. 202.

Daniel Wildenstein. Monet or the Triumph of Impressionism. 1, 2nd ed. Cologne, 1996, p. 117.

Daniel Wildenstein. "Catalogue raisonné–Werkverzeichnis: Nos. 1–968." Monet. 2, 2nd ed. Cologne, 1996, p. 168, no. 410, ill. (color).

Gary Tinterow in "Recent Acquisitions, A Selection: 1999–2000." Metropolitan Museum of Art Bulletin 58 (Fall 2000), pp. 5, 44–45, ill. (color).

Impressionist and Modern Art, Part One. Sotheby's, New York. May 8, 2002, pp. 58–59, fig. 3 (color).

Catherine Hug Monika Leonhardt in Monet's Garden. Exh. cat., Kunsthaus Zürich. Ostfildern-Ruit, Germany, 2004, p. 155 n. 28.

Dorothee Hansen in Monet und "Camille": Frauenportraits im Impressionismus. Exh. cat., Kunsthalle Bremen. Munich, 2005, p. 34, ill. p. 39 (color).

Doris Kutschbach. Living Monet: The Artist's Gardens. Munich, 2006, pp. 24–25, ill. (color).

Richard Thomson in Turner e gli impressionisti: La grande storia del paesaggio moderno in Europa. Exh. cat., Museo di Santa Giulia, Brescia. Treviso, 2006, pp. 258, 261 n. 23.

Eric M. Zafran in Claude Monet (1840–1926): A Tribute to Daniel Wildenstein and Katia Granoff. Exh. cat., Wildenstein & Co., Inc. New York, 2007, p. 130.